Very excited about the new Marcus — there’s this built-in extra drama for a writer like him, who does that Beckett think of writing within a very specific universe that slowly mutates book to book. Judging from The Moors and a reading I saw him do for Harper’s a while back, looks like he will move another step on the Age of W&S to Notable A W trajectory of making use an increasingly consolidated narrative, while using that central stability to do increasingly weird stuff on the margins, and raise increasingly complex ontological, epistemological and linguistic questions. Dude’s a hero, can’t wait.

Very excited about the new Marcus — there’s this built-in extra drama for a writer like him, who does that Beckett think of writing within a very specific universe that slowly mutates book to book. Judging from The Moors and a reading I saw him do for Harper’s a while back, looks like he will move another step on the Age of W&S to Notable A W trajectory of making use an increasingly consolidated narrative, while using that central stability to do increasingly weird stuff on the margins, and raise increasingly complex ontological, epistemological and linguistic questions. Dude’s a hero, can’t wait.

Very excited about the new Marcus — there’s this built-in extra drama for a writer like him, who does that Beckett think of writing within a very specific universe that slowly mutates book to book. Judging from The Moors and a reading I saw him do for Harper’s a while back, looks like he will move another step on the Age of W&S to Notable A W trajectory of making use an increasingly consolidated narrative, while using that central stability to do increasingly weird stuff on the margins, and raise increasingly complex ontological, epistemological and linguistic questions. Dude’s a hero, can’t wait.

Very excited about the new Marcus — there’s this built-in extra drama for a writer like him, who does that Beckett think of writing within a very specific universe that slowly mutates book to book. Judging from The Moors and a reading I saw him do for Harper’s a while back, looks like he will move another step on the Age of W&S to Notable A W trajectory of making use an increasingly consolidated narrative, while using that central stability to do increasingly weird stuff on the margins, and raise increasingly complex ontological, epistemological and linguistic questions. Dude’s a hero, can’t wait.