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	<title>Comments on: Some Notes on Affect</title>
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	<description>the internet literature magazine blog of the future</description>
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		<title>By: Ken Baumann</title>
		<link>http://htmlgiant.com/random/some-notes-on-affect/comment-page-1/#comment-45698</link>
		<dc:creator>Ken Baumann</dc:creator>
		<pubDate>Fri, 25 Dec 2009 09:47:14 +0000</pubDate>
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		<description>Phenomenal post! Thanks, Amy.  

Shit. I should go sleep now, but this has me zoned and locked in my current mss again... damn you. ;)</description>
		<content:encoded><![CDATA[<p>Phenomenal post! Thanks, Amy.  </p>
<p>Shit. I should go sleep now, but this has me zoned and locked in my current mss again&#8230; damn you. ;)</p>
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		<title>By: Ken Baumann</title>
		<link>http://htmlgiant.com/random/some-notes-on-affect/comment-page-1/#comment-131602</link>
		<dc:creator>Ken Baumann</dc:creator>
		<pubDate>Fri, 25 Dec 2009 09:47:00 +0000</pubDate>
		<guid isPermaLink="false">http://htmlgiant.com/?p=21054#comment-131602</guid>
		<description>Phenomenal post! Thanks, Amy.  

Shit. I should go sleep now, but this has me zoned and locked in my current mss again... damn you. ;)</description>
		<content:encoded><![CDATA[<p>Phenomenal post! Thanks, Amy.  </p>
<p>Shit. I should go sleep now, but this has me zoned and locked in my current mss again&#8230; damn you. ;)</p>
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	<item>
		<title>By: alec niedenthal</title>
		<link>http://htmlgiant.com/random/some-notes-on-affect/comment-page-1/#comment-45567</link>
		<dc:creator>alec niedenthal</dc:creator>
		<pubDate>Thu, 24 Dec 2009 04:14:19 +0000</pubDate>
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		<description>No problem, Tim. Some interesting ideas in there. Thanks to Mike for putting it out there. And for the wonderful list. I have a lot of brain-eating ahead.</description>
		<content:encoded><![CDATA[<p>No problem, Tim. Some interesting ideas in there. Thanks to Mike for putting it out there. And for the wonderful list. I have a lot of brain-eating ahead.</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: alec niedenthal</title>
		<link>http://htmlgiant.com/random/some-notes-on-affect/comment-page-1/#comment-131601</link>
		<dc:creator>alec niedenthal</dc:creator>
		<pubDate>Thu, 24 Dec 2009 04:14:00 +0000</pubDate>
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		<description>No problem, Tim. Some interesting ideas in there. Thanks to Mike for putting it out there. And for the wonderful list. I have a lot of brain-eating ahead.</description>
		<content:encoded><![CDATA[<p>No problem, Tim. Some interesting ideas in there. Thanks to Mike for putting it out there. And for the wonderful list. I have a lot of brain-eating ahead.</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: Tim Jones-Yelvington</title>
		<link>http://htmlgiant.com/random/some-notes-on-affect/comment-page-1/#comment-45562</link>
		<dc:creator>Tim Jones-Yelvington</dc:creator>
		<pubDate>Thu, 24 Dec 2009 04:01:39 +0000</pubDate>
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		<description>Thanks for the link to the essay, Alec, I just finished reading it.</description>
		<content:encoded><![CDATA[<p>Thanks for the link to the essay, Alec, I just finished reading it.</p>
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	</item>
	<item>
		<title>By: Tim Jones-Yelvington</title>
		<link>http://htmlgiant.com/random/some-notes-on-affect/comment-page-1/#comment-131600</link>
		<dc:creator>Tim Jones-Yelvington</dc:creator>
		<pubDate>Thu, 24 Dec 2009 04:01:00 +0000</pubDate>
		<guid isPermaLink="false">http://htmlgiant.com/?p=21054#comment-131600</guid>
		<description>Thanks for the link to the essay, Alec, I just finished reading it.</description>
		<content:encoded><![CDATA[<p>Thanks for the link to the essay, Alec, I just finished reading it.</p>
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	</item>
	<item>
		<title>By: David</title>
		<link>http://htmlgiant.com/random/some-notes-on-affect/comment-page-1/#comment-45374</link>
		<dc:creator>David</dc:creator>
		<pubDate>Wed, 23 Dec 2009 21:05:12 +0000</pubDate>
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		<description>Awesome! Will email soonishly. Thanks, Blake!</description>
		<content:encoded><![CDATA[<p>Awesome! Will email soonishly. Thanks, Blake!</p>
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	<item>
		<title>By: David</title>
		<link>http://htmlgiant.com/random/some-notes-on-affect/comment-page-1/#comment-131599</link>
		<dc:creator>David</dc:creator>
		<pubDate>Wed, 23 Dec 2009 21:05:00 +0000</pubDate>
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		<description>Awesome! Will email soonishly. Thanks, Blake!</description>
		<content:encoded><![CDATA[<p>Awesome! Will email soonishly. Thanks, Blake!</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: David</title>
		<link>http://htmlgiant.com/random/some-notes-on-affect/comment-page-1/#comment-45373</link>
		<dc:creator>David</dc:creator>
		<pubDate>Wed, 23 Dec 2009 21:02:29 +0000</pubDate>
		<guid isPermaLink="false">http://htmlgiant.com/?p=21054#comment-45373</guid>
		<description>Amy, I&#039;d love to send it to you when I finish it, absolutely. It&#039;s pretty much done atm but I&#039;m in protracted tinkering mode. Anyway, thanks so much for your interest! And again, wonderful post, I think yes, the creation of silence is a way to phase out noise (and all things can be noise, I don&#039;t implicitly mean whatever we&#039;d call &#039;junk&#039;, but rather the noise of the informational more broadly) and in so doing create an environment for feeling and thinking in. But nothing sculptural necessarily, like Brooks&#039;s well wrought urn, more like a hemispherics of the text, in which said environment could, of course, itself be &quot;noisy&quot; or fractious but which would work and develop the specific noisiness it works and develops by virtue of the silence - something like the semi-detached world - of the text itself.</description>
		<content:encoded><![CDATA[<p>Amy, I&#8217;d love to send it to you when I finish it, absolutely. It&#8217;s pretty much done atm but I&#8217;m in protracted tinkering mode. Anyway, thanks so much for your interest! And again, wonderful post, I think yes, the creation of silence is a way to phase out noise (and all things can be noise, I don&#8217;t implicitly mean whatever we&#8217;d call &#8216;junk&#8217;, but rather the noise of the informational more broadly) and in so doing create an environment for feeling and thinking in. But nothing sculptural necessarily, like Brooks&#8217;s well wrought urn, more like a hemispherics of the text, in which said environment could, of course, itself be &#8220;noisy&#8221; or fractious but which would work and develop the specific noisiness it works and develops by virtue of the silence &#8211; something like the semi-detached world &#8211; of the text itself.</p>
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	<item>
		<title>By: David</title>
		<link>http://htmlgiant.com/random/some-notes-on-affect/comment-page-1/#comment-131598</link>
		<dc:creator>David</dc:creator>
		<pubDate>Wed, 23 Dec 2009 21:02:00 +0000</pubDate>
		<guid isPermaLink="false">http://htmlgiant.com/?p=21054#comment-131598</guid>
		<description>Amy, I&#039;d love to send it to you when I finish it, absolutely. It&#039;s pretty much done atm but I&#039;m in protracted tinkering mode. Anyway, thanks so much for your interest! And again, wonderful post, I think yes, the creation of silence is a way to phase out noise (and all things can be noise, I don&#039;t implicitly mean whatever we&#039;d call &#039;junk&#039;, but rather the noise of the informational more broadly) and in so doing create an environment for feeling and thinking in. But nothing sculptural necessarily, like Brooks&#039;s well wrought urn, more like a hemispherics of the text, in which said environment could, of course, itself be &quot;noisy&quot; or fractious but which would work and develop the specific noisiness it works and develops by virtue of the silence - something like the semi-detached world - of the text itself.</description>
		<content:encoded><![CDATA[<p>Amy, I&#8217;d love to send it to you when I finish it, absolutely. It&#8217;s pretty much done atm but I&#8217;m in protracted tinkering mode. Anyway, thanks so much for your interest! And again, wonderful post, I think yes, the creation of silence is a way to phase out noise (and all things can be noise, I don&#8217;t implicitly mean whatever we&#8217;d call &#8216;junk&#8217;, but rather the noise of the informational more broadly) and in so doing create an environment for feeling and thinking in. But nothing sculptural necessarily, like Brooks&#8217;s well wrought urn, more like a hemispherics of the text, in which said environment could, of course, itself be &#8220;noisy&#8221; or fractious but which would work and develop the specific noisiness it works and develops by virtue of the silence &#8211; something like the semi-detached world &#8211; of the text itself.</p>
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