I admire Salt Hill because of the strong writing found in each issue and the impeccable production values. I first learned about the magazine at AWP in 2009, when I came across their table and found two issues, one a hardbound book, and the other, a paperback filled with glossy, color pages. In both instances, the design was gorgeous and clean and showed that the editors valued both form and function. Each issue looks different, not radically so, but enough to get the reader’s attention and in each issue there is always something that stuns me. Salt Hill 28 did not disappoint in this regard. Laura Eve Engel’s, “For You Out of Soft Materials,” is one of those poems I loved starting with the title, all the way through the last line. There is no unnecessary flourish in the language and still each stanza evokes something really interesting. I loved lines like Once I admitted I made my face/for you out of soft materials,/so you’d have a place to put all your fingers and the final stanza, There are all these ways/we can decide not to be very tender. Another standout was the work of H.L. Hix, and “Counterexamples,” with the last line, “You say what we can imagine matters most. I say what we cannot.” “Gown Rain,” by Sarah Rose Etter was as imaginative as I have come to expect from her. The sky is raining gowns, you see, an unstoppable downpour of fabric. The writing is as strong as the premise and the ending is both satisfying and unsettling. The strongest work in a very strong issue was, Maile Chapman’s exceedingly smart “Foreign Wedding.” There’s a woman, likable in her unlikability, attending a foreign wedding, not connecting to anyone, just out of a marriage, having awkward encounters as she takes in France, and you think with all that you know where the story is going. “Foreign Wedding,” is not going there and the ending is not only unexpected, it is quite chilling. The issue also contains art and an interview with Dana Spiotta, author of Stone Arabia.
Have you read Salt Hill 28? What did you think? What pieces stood out to you? Why? Why is Ben Mirov’s “Destruction Manual” oriented differently? Did some of the art disturb you?
Let’s talk in the comments.
Coming up, an interview with the editors and a guest post about “Foreign Wedding.”
If you’re interested in writing a guest post or some other feature related to Salt Hill 28, get in touch by e-mailing me at roxane at htmlgiant.com. Topics you might consider discussing include the design, content, overall aesthetic, whether the magazine met your expectations, what the magazine contributes to the literary scene, etc. You might also do an in-depth analysis of one writer’s work, etc. There are no limits.
Ciaran Berry, Bruce Bond, Brett DeFries, Jennifer Denrow, Laura Eve Engel, John Gallaher, H.L. Hix, Bridget Lowe, Ben Mirov, Oliver de la Paz, Wang Ping, Nate Pritts, Zachary Schomburg, John Skoyles, Tony Trigilio, Dara Wier
Mark Baumer, Maile Chapman, Sarah Rose Etter, James Robison, Jason Schwartz
Interview of Dana Spiotta by Rachel Abelson, Interview of Maile, Chapman by Chanelle Benz and Natalie Rogers, Interview of Mary, Caponegro by John Madera, Amy Benson, Casey Wiley
Frederik Heyman, Andrew Jilka, Anders Oinonen
Abby Koski talks about the issue briefly at Vouched Books. This is a beautiful magazine and one you do not want to miss.
Future club selections:
May 2012: Trnsfr
July 2012: Uncanny Valley
September 2012: J Journal: New Writing on Justice
November 2012: Unstuck
Stay tuned for special offers and giveaways for these magazines.
There’s also a Google Group with light posting about literary magazines and club announcements. If you want to join the group or want more information about the LMC, if you’re an editor who wants your magazine featured, etc, send me an e-mail. To summarize: however you want to participate please get in touch or watch this space in November when hopefully, we’ll have a great discussion about an interesting literary magazine.