THEORY OF ASH
Behold the THEORY OF ASH!
shouts the woman in the public square
whose face is a carnival mask.
Some spectacle is surely about to take place.
What will you do when your mother is dead?
What will you do when your mother is dead and you come
face to face with the woman whose face is a carnival mask?
The Man of Good Questions asked.
What could I say to The Man of Good Questions?
I lay down with the Injured Thing in the grass.
And that’s when the crowd gathered. They gathered
in refutation of all refutations. They gathered in the absence of
anything else. What is the meaning of the THEORY OF ASH?
The Man of Good Questions is asking now. (Ascending the stage
is the woman whose face is a carnival mask.) I don’t know, I tell him.
I cannot even begin to describe the beauty of what is about to happen.
Bio: Sarah Schweig is the author of the chapbook S (Dancing Girl Press), and her poems have appeared or are forthcoming in The Atlas Review, Black Warrior Review, BOMB, Boston Review, Maggy, Painted Bride Quarterly, The Philadelphia Review of Books, Verse Daily, The Volta, and Western Humanities Review, among others. A graduate of the University of Virginia and Columbia University, where Ben Lerner awarded her work the David Craig Austen Memorial Award for Poetry, and former Ruth Lilly Fellowship finalist, Tennessee Williams Scholar at the Sewanee Writers Conference, and Emerging Poet Resident at Poets House in Manhattan, she works as a senior writer at a criminal justice think-tank in New York City and studies philosophy at The New School for Social Research.