How The Divine Manifests: A Discussion of The Levitationist by Brandon Hobson and the Music of A.A. Bondy
Surrealism is the ‘invisible ray’ which will one day enable us to win out over our opponents. “You are no longer trembling, carcass.” This summer, the roses are blue; the wood is of glass. The earth, draped in its verdant cloak, makes as little impression upon me as a ghost. It is living and ceasing to live which are imaginary solutions. Existence is elsewhere.
Breton, from The Manifesto of Surrealism
Irony, when not purposefully wielded for the sake of a magazine article, can be a naturally occuring, fascinating thing. A self correcting force of nature, even. And so it is my understanding of Hobson’s use of surrealism, a style of art, and moreso, a general movement, that was originally invented to differentiate, deny, push away all that is ordinary and realistic. Here is another quote from Breton’s The Manifesto of Surrealism:
SURREALISM, n. Psychic automatism in its pure state, by which one proposes to express — verbally, by means of the written word, or in any other manner — the actual functioning of thought. Dictated by the thought, in the absence of any control exercised by reason, exempt from any aesthetic or moral concern.
Hobson’s book, The Levitationist, published by Ravenna Press, contains images associated with Surrealism and could be said to exemplify “the absence of any control exersized by reason”, but his moral concern is one of the Divine, specifally the mystery of the Divine’s presence in our earthly world. Hobson has taken the destructive desire of Surrealism’s goals and twisted them around gently to serve his purpose. His choice of style, of a movement, is a perfect example of substance dictating style. READ MORE >
February 12th, 2009 / 10:57 am