HIS STACK OF PALIMPSESTS
on reviewing Gaddis’s The Recognitions1
The Recognitions
by William Gaddis
Reissued by Dalkey Archive, 2012
976 pages / $18.95 Buy from Dalkey Archive or Amazon
(Download PDF Version of Review)
| “Of course I like music, but not just to listen to.” – The Recognitions (940) There is, it seems to us, “On the surface! But how much deeper do people go?” |
[1] Throughout this review I will be using quotes from the novel in footnotes to support notes I make. |
| The occasion for this review of The Recognitions, a classic American novel first printed in 1955, is its recent reissue from Dalkey Archive, with an introduction by William Gass. If I were to write a brief synopsis of the plot and major themes of the novel it would be as follows.[2] Now that we have synopsis in hand, let me speak of how that only begins to explain the more substantial elements of The Recognitions, the ones that stick: that it is concerned with originality, reality, and perfection and that these things are often interchangeable; that its characters are all involved in some type of forgery;[3] that we are just layers and accumulations and fragments within the whole, tottering in the field between familiarity and recognition; that art and religion have similar strands and weights of guilt, combatant with truth; and so on. Because of the novel’s size—956 pages—I will stick with the aforementioned elements, with the belief that they get us readers thinking and moving the most; additionally, I will leave Gaddis out of this review— READ MORE > |
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December 10th, 2012 / 12:00 pm
December 10th, 2012 / 12:00 pm