August 27th, 2010 / 10:48 pm
Behind the Scenes

Chapbook City

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109 Comments

  1. Ted—

      Every book is a book of words.

  2. gabe—

      Mark–this is my favorite strip of yours yet. The gritty noir horn helps. The passing cars help. Next one in 3D, please.

  3. ZZZZIPP—

      YES BUT ONLY IF THE 3D CAN BE INVERTED BACK TO 2D SOMEHOW

  4. mark leidner—

      lol, thanks gabe. if only i could think of a joke that was more than 1D

  5. mark leidner—

      word up ted

  6. Ted—

      Every book is a book of words.

  7. gabe—

      Mark–this is my favorite strip of yours yet. The gritty noir horn helps. The passing cars help. Next one in 3D, please.

  8. ZZZZIPP—

      YES BUT ONLY IF THE 3D CAN BE INVERTED BACK TO 2D SOMEHOW

  9. mark leidner—

      lol, thanks gabe. if only i could think of a joke that was more than 1D

  10. mark leidner—

      word up ted

  11. chris r—

      love these every time

      dude was serious when he said “YOU’VE TOLD ME” haha… good stuff

  12. chris r—

      love these every time

      dude was serious when he said “YOU’VE TOLD ME” haha… good stuff

  13. mark leidner—

      yeahhh, and the tragedy is that his seriousness won’t save him

      anyway thanks chris

  14. Heather Christle—

      <3 chapbook city deeply deeply

  15. Emily—

      The books look like pillows and the buildings look like books. I dig it.

  16. d—
  17. mark leidner—

      good example of a poem that is ultimately dull but initially shocking

  18. mark leidner—

      thank you emily, pillows, books, and buildings are definitely geometrical bedfellows

  19. Lincoln—

      ha, nice music choice

  20. Christopher DeWeese—

      I used to live in Chapbook City.

  21. mark leidner—

      yeahhh, and the tragedy is that his seriousness won’t save him

      anyway thanks chris

  22. Owen Kaelin—

      Why does xx have a shotgun for a mouth?

      This short makes me appropriately sad, Mark.

  23. Heather Christle—

      <3 chapbook city deeply deeply

  24. Em—

      The books look like pillows and the buildings look like books. I dig it.

  25. Jon Cone—

      I had this conversation last night.

      Maybe the night before.

      I didn’t hear the cool horns.

      I heard drunks going by yelling.

      Well.

      I liked this a lot.

  26. d—
  27. mark leidner—

      good example of a poem that is ultimately dull but initially shocking

  28. mark leidner—

      thank you emily, pillows, books, and buildings are definitely geometrical bedfellows

  29. Lincoln—

      ha, nice music choice

  30. Christopher DeWeese—

      I used to live in Chapbook City.

  31. Owen Kaelin—

      Why does xx have a shotgun for a mouth?

      This short makes me appropriately sad, Mark.

  32. d—

      I thought it was a strong second stanza.

  33. mark leidner—

      amen to that, miles davis is the mighty ocean upon which these crude images bob and hiccup like tiny dinghies

  34. mark leidner—

      lol, and you may again

  35. mark leidner—

      lol , maybe he’s so cool livin in brooklyn for 2.5 yrs and all, writing chapbooks about nothing, he only has the energy to open half of his mouth

      anyway thank you, owen. happy or sad, “appropriately” is the only feeling that matters, right?…

  36. mark leidner—

      it’s all strong on a first reading, even kind of haunting and powerful – indicting, scary, honest, wise, naive – but i can’t find much interesting on a second read. like how some movies are okay if they keep you in suspense until the end, but once you know the ending, the whole build-up isn’t much fun to re-watch

      but some movies are great and every single scene is so gorgeous and complicated that they reward unlimited rewatchings

  37. mark leidner—

      thank you jon, sorry about those drunks, society should do something to replace drunk people with cool horns

      but if you like that music you should seek “ascenseur pour l’echafaud” it’s noirtacular

  38. d—

      I thought it was a strong second stanza.

  39. mark leidner—

      amen to that, miles davis is the mighty ocean upon which these crude images bob and hiccup like tiny dinghies

  40. mark leidner—

      lol, and you may again

  41. mark leidner—

      lol , maybe he’s so cool livin in brooklyn for 2.5 yrs and all, writing chapbooks about nothing, he only has the energy to open half of his mouth

      anyway thank you, owen. happy or sad, “appropriately” is the only feeling that matters, right?…

  42. mark leidner—

      it’s all strong on a first reading, even kind of haunting and powerful – indicting, scary, honest, wise, naive – but i can’t find much interesting on a second read. like how some movies are okay if they keep you in suspense until the end, but once you know the ending, the whole build-up isn’t much fun to re-watch

      but some movies are great and every single scene is so gorgeous and complicated that they reward unlimited rewatchings

  43. mark leidner—

      thank you jon, sorry about those drunks, society should do something to replace drunk people with cool horns

      but if you like that music you should seek “ascenseur pour l’echafaud” it’s noirtacular

  44. herocious—

      like the last part, when the guy says, “you’ve told me,” and his mouth is open for as long as the trumpet hits that note.

  45. mark—

      i thought it was all terrible. there wasn’t a single interesting or imaginative or clever thing said.

  46. mark leidner—

      cool opinion, man

  47. d—
  48. Mark Leidner—

      lol yeah @ that moment he turns into a grumpy trumpet muppet

  49. Paul—

      I loved how you would just keep cutting back to the coffee cups on the table. Hysterical!

  50. Jen—

      Anxiously awaiting the next installment!

  51. herocious—

      like the last part, when the guy says, “you’ve told me,” and his mouth is open for as long as the trumpet hits that note.

  52. Owen Kaelin—

      Yes. Exactly.

  53. mark—

      i thought it was all terrible. there wasn’t a single interesting or imaginative or clever thing said.

  54. mark leidner—

      cool opinion, man

  55. d—
  56. Mark Leidner—

      lol yeah @ that moment he turns into a grumpy trumpet muppet

  57. Paul Cunningham—

      I loved how you would just keep cutting back to the coffee cups on the table. Hysterical!

  58. mark leidner—

      thankyou city

  59. mark leidner—

      awesome jen, thank you. i think it’s going to have nudity

  60. Jen—

      Anxiously awaiting the next installment!

  61. Owen Kaelin—

      Yes. Exactly.

  62. Owen Kaelin—

      Mark: I disagree completely on this one. I like this stuff very much. Thanks for the link, d!

  63. mark leidner—

      thankyou city

  64. mark leidner—

      awesome jen, thank you. i think it’s going to have nudity

  65. mark leidner—

      a fool and his opinion are soon united!

      j/k! but seriously

      what do you like about it? i’m curious… plus we’re running up the comment count

  66. bryan—

      so good. glad i saw this tonight.

  67. Owen Kaelin—

      Mark: I disagree completely on this one. I like this stuff very much. Thanks for the link, d!

  68. mark leidner—

      a fool and his opinion are soon united!

      j/k! but seriously

      what do you like about it? i’m curious… plus we’re running up the comment count

  69. Igor—

      I watched this thinking it was a book trailer. I was shattered when I saw it was not a book trailer.

      Please please someone get this from mark and make it a trailer for your chapbook.

  70. bryan—

      so good. glad i saw this tonight.

  71. Adam R—

      Is the guy with eyes very angry when he says, “Youve told me”?

      It looks like he’s shouting a little.

  72. Igor—

      I watched this thinking it was a book trailer. I was shattered when I saw it was not a book trailer.

      Please please someone get this from mark and make it a trailer for your chapbook.

  73. mark leidner—

      thank you bryan @ 5x magnification

  74. mark leidner—

      lol igor, i watched my whole life thinking it was a book trailer

  75. mark leidner—

      he’s trying hard not to show emotion but cc is a taut noir vise slowly grinding around him until he explodes

  76. Adam Robinson—

      Is the guy with eyes very angry when he says, “Youve told me”?

      It looks like he’s shouting a little.

  77. Igor—

      Mark, before this video I was unaware of your existence. I want to give you a hug.

  78. Igor—

      This reminded me of Coffee and Cigarettes. It was better than the vignette with the white stripes twins.

  79. lily—

      this may be the best thing i’ve ever seen.

  80. mark leidner—

      thank you bryan @ 5x magnification

  81. mark leidner—

      lol igor, i watched my whole life thinking it was a book trailer

  82. mark leidner—

      he’s trying hard not to show emotion but cc is a taut noir vise slowly grinding around him until he explodes

  83. mark leidner—

      have never seen either so this comment is like a starting pistole and i’m off to the youtubez

  84. mark leidner—

      lol lily, fueling my noircissism with beautiful hyperbole… but thank you

  85. mark leidner—

      hug accepted and returned

  86. Igor—

      Mark, before this video I was unaware of your existence. I want to give you a hug.

  87. Igor—

      This reminded me of Coffee and Cigarettes. It was better than the vignette with the white stripes twins.

  88. lily hoang—

      this may be the best thing i’ve ever seen.

  89. Igor—
  90. mark leidner—

      have never seen either so this comment is like a starting pistole and i’m off to the youtubez

  91. mark leidner—

      lol lily, fueling my noircissism with beautiful hyperbole… but thank you

  92. mark leidner—

      hug accepted and returned

  93. Igor—
  94. Owen Kaelin—

      I’m not sure. I’d have to go back and put some thought into it, and I’m not really in the mood right now to do that.

      All I’ll say for the moment is that her writings make me feel something. A kind of warmth, a kind of joy, a kind of something I can’t really immediately identify.

  95. Owen Kaelin—

      Lily: Although I like it very much: nothing beats the Teletubbies.

  96. mark leidner—

      fair enough, but i think specificity is difficult because it is worth practicing. in addition to enriching conversation… if feeling something is the reason you read, the more you can identify and articulate the sources of those feelings, the deeper you will feel them

      just my opinion though

  97. Owen Kaelin—

      There’s also always the risk of over-analyzing. It can just about kill a work of art.

      The fact that you feel something is the most important thing about a work of art and the chief indicator that you’ve made a connection with it. Analyzing what that feeling, yeah: tends to be somewhat difficult, even bothersome.

      Okay, so most of the stuff I guess I don’t really like. (In general I tend to dislike vernacular writing in literary art.) But a few of them I do.

      But then, I also liked My Immortal (http://www.youtube.com/watch?v=Vyq3jRhiM7M) — in fact I thought it was near-brilliant in the way it mocks lazy fanfiction.

      Not that I have anything against fanfic in general. Honest. Even though I suppose somebody’s bound to attack me, now, for not hating fanfic.

      I don’t know — now I’m getting curious… so you’ve made me want to go back and analyze the stuff . . . .damn you! Damn you to-

  98. raj—

      i like how all the cars look like hearses, and how xx looks like he’s dead. and how it sort of looks like it’s about a dead guy who keeps living b/c none of the hearse-drivers will pick him up, instead they just pass him by. and they do that because they are already full (of dead white men) &or they don’t notice him (even though he is in front of a big picture window (internet)) &or they don’t want to drive him because then they would have to hear about his chapbook, so that being boring is a lifesaver, sort of. but

      that’s silly. all i meant to
      say was good job mark

  99. Owen Kaelin—

      I’m not sure. I’d have to go back and put some thought into it, and I’m not really in the mood right now to do that.

      All I’ll say for the moment is that her writings make me feel something. A kind of warmth, a kind of joy, a kind of something I can’t really immediately identify.

  100. Owen Kaelin—

      Lily: Although I like it very much: nothing beats the Teletubbies.

  101. mark leidner—

      fair enough, but i think specificity is difficult because it is worth practicing. in addition to enriching conversation… if feeling something is the reason you read, the more you can identify and articulate the sources of those feelings, the deeper you will feel them

      just my opinion though

  102. Owen Kaelin—

      There’s also always the risk of over-analyzing. It can just about kill a work of art.

      The fact that you feel something is the most important thing about a work of art and the chief indicator that you’ve made a connection with it. Analyzing what that feeling, yeah: tends to be somewhat difficult, even bothersome.

      Okay, so most of the stuff I guess I don’t really like. (In general I tend to dislike vernacular writing in literary art.) But a few of them I do.

      But then, I also liked My Immortal (http://www.youtube.com/watch?v=Vyq3jRhiM7M) — in fact I thought it was near-brilliant in the way it mocks lazy fanfiction.

      Not that I have anything against fanfic in general. Honest. Even though I suppose somebody’s bound to attack me, now, for not hating fanfic.

      I don’t know — now I’m getting curious… so you’ve made me want to go back and analyze the stuff . . . .damn you! Damn you to-

  103. raj—

      i like how all the cars look like hearses, and how xx looks like he’s dead. and how it sort of looks like it’s about a dead guy who keeps living b/c none of the hearse-drivers will pick him up, instead they just pass him by. and they do that because they are already full (of dead white men) &or they don’t notice him (even though he is in front of a big picture window (internet)) &or they don’t want to drive him because then they would have to hear about his chapbook, so that being boring is a lifesaver, sort of. but

      that’s silly. all i meant to
      say was good job mark

  104. mark leidner—

      analysis only kills weak art and shallow emotion. no reason to fear it unless you’re happy

  105. mark leidner—

      lol lovely analysis raych, currently swimming laps in that paragraph. thank you

  106. mark leidner—

      analysis only kills weak art and shallow emotion. no reason to fear it unless you’re happy

  107. mark leidner—

      lol lovely analysis raych, currently swimming laps in that paragraph. thank you

  108. Blake Butler—

      man. so good

  109. Blake Butler—

      man. so good