The Sphinx
Tags: sphinx
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Meta
powerfeeder.
“it’s light as fuck”
i like when she points casually near the end at the viewer
powerfeeder.
“it’s light as fuck”
i like when she points casually near the end at the viewer
powerfeeder.
“it’s light as fuck”
i like when she points casually near the end at the viewer
I felt so dumb for not seeing where this was going.
I felt so dumb for not seeing where this was going.
I felt so dumb for not seeing where this was going.
The x3 scarequotes killed me.
Whole thing is brilliant.
The x3 scarequotes killed me.
Whole thing is brilliant.
The x3 scarequotes killed me.
Whole thing is brilliant.
i love these things. i made one at xtranormal after you posted “pearls before swine” a couple months back. what a frustrating, hair-pulling experience — it takes so fucking long to get all the camera movies and shit programmed, and in the end i was in such a tizzy of anxiety with it that i just deleted the thing. really uncanny, tho, to hear your own words spoken by robots (as all our words will one day be spoken).
i love these things. i made one at xtranormal after you posted “pearls before swine” a couple months back. what a frustrating, hair-pulling experience — it takes so fucking long to get all the camera movies and shit programmed, and in the end i was in such a tizzy of anxiety with it that i just deleted the thing. really uncanny, tho, to hear your own words spoken by robots (as all our words will one day be spoken).
i love these things. i made one at xtranormal after you posted “pearls before swine” a couple months back. what a frustrating, hair-pulling experience — it takes so fucking long to get all the camera movies and shit programmed, and in the end i was in such a tizzy of anxiety with it that i just deleted the thing. really uncanny, tho, to hear your own words spoken by robots (as all our words will one day be spoken).
i need to give this lecture at the beginning, not the end, of every semester
i need to give this lecture at the beginning, not the end, of every semester
i need to give this lecture at the beginning, not the end, of every semester
that’s the tragedy of the sphinx
that’s the tragedy of the sphinx
that’s the tragedy of the sphinx
thank you ken.. sometimes i think everything should be in scarequotes, then i think nothing should… 3 in a row seemed like a poignant compromise
thank you ken.. sometimes i think everything should be in scarequotes, then i think nothing should… 3 in a row seemed like a poignant compromise
thank you ken.. sometimes i think everything should be in scarequotes, then i think nothing should… 3 in a row seemed like a poignant compromise
thank you mark, i agree with your prophecy about our words and robots, though i think it is true today. people spewing inherited words as if they were robots…
xtranormal is definitely though, but i like how it forces me think about my poems
thank you mark, i agree with your prophecy about our words and robots, though i think it is true today. people spewing inherited words as if they were robots…
xtranormal is definitely though, but i like how it forces me think about my poems
thank you mark, i agree with your prophecy about our words and robots, though i think it is true today. people spewing inherited words as if they were robots…
xtranormal is definitely though, but i like how it forces me think about my poems
Grandious.
I like the calmness of this work. Perhaps this poem should be only presented in this way – the most strong constellation.
I know: from now I will think about this poem everytime I listen Satie…
Grandious.
I like the calmness of this work. Perhaps this poem should be only presented in this way – the most strong constellation.
I know: from now I will think about this poem everytime I listen Satie…
Grandious.
I like the calmness of this work. Perhaps this poem should be only presented in this way – the most strong constellation.
I know: from now I will think about this poem everytime I listen Satie…
true enough! robots, robots, robots.
i was thinking about this piece and also pearls, and how well suited these voices are to instructions (here) or rules (pearls). would be interesting to hear fever-pitch ranting as well — something bernhard-like, done in this voice. would be stupid and lame, i suspect, for some authors (can’t imagine this working for faulkner) but would produce interesting contrasts with others.
Had the experience recently of seeing a dennis cooper piece (Jerk) that i had always heard “in my head” in an affectless voice, done onstage at extremes of emotional volatility. very unnerving and moving. the reverse process would also have to be fascinating, a flattening of something one imagined to be full of passionate intensity.
true enough! robots, robots, robots.
i was thinking about this piece and also pearls, and how well suited these voices are to instructions (here) or rules (pearls). would be interesting to hear fever-pitch ranting as well — something bernhard-like, done in this voice. would be stupid and lame, i suspect, for some authors (can’t imagine this working for faulkner) but would produce interesting contrasts with others.
Had the experience recently of seeing a dennis cooper piece (Jerk) that i had always heard “in my head” in an affectless voice, done onstage at extremes of emotional volatility. very unnerving and moving. the reverse process would also have to be fascinating, a flattening of something one imagined to be full of passionate intensity.
true enough! robots, robots, robots.
i was thinking about this piece and also pearls, and how well suited these voices are to instructions (here) or rules (pearls). would be interesting to hear fever-pitch ranting as well — something bernhard-like, done in this voice. would be stupid and lame, i suspect, for some authors (can’t imagine this working for faulkner) but would produce interesting contrasts with others.
Had the experience recently of seeing a dennis cooper piece (Jerk) that i had always heard “in my head” in an affectless voice, done onstage at extremes of emotional volatility. very unnerving and moving. the reverse process would also have to be fascinating, a flattening of something one imagined to be full of passionate intensity.
comedy is 3
comedy is 3
comedy is 3
thank you merzy… and you’re probably right, once a poem becomes a movie it’s hard to see it on the page without shaking its cinematic imagery off your brain, but for better or worse i still believe it can be poetry in two places at once
satie is so good you can put him him behind any image and it will make the image feel 3d
thank you merzy… and you’re probably right, once a poem becomes a movie it’s hard to see it on the page without shaking its cinematic imagery off your brain, but for better or worse i still believe it can be poetry in two places at once
satie is so good you can put him him behind any image and it will make the image feel 3d
thank you merzy… and you’re probably right, once a poem becomes a movie it’s hard to see it on the page without shaking its cinematic imagery off your brain, but for better or worse i still believe it can be poetry in two places at once
satie is so good you can put him him behind any image and it will make the image feel 3d