An electronic group called The Black Dog thinks that Brian Eno got it wrong. So they have tried to rectify the problem.
In 1978, Brian Eno released an album called Music for Airports. It’s a classic, a sacred cow of ambient music, written by the man who coined the term for the genre. It’s also meant to be used by airports, intended to be played to help release the tensions of travel.
That doesn’t sit right with The Black Dog. They have responded with Music for Real Airports. From their press release: “”Airports have some of the glossiest surfaces in modern culture, but the fear underneath remains. Hence this record is not a utilitarian accompaniment to airports, in the sense of reinforcing the false utopia and fake idealism of air travel. Unlike Eno’s Music For Airports, this is not a record to be used by airport authorities to lull their customers.”
Here’s a task. Take a classic piece of writing. Decide what you think it intends to do. (A famous—and very simple—example: Candide intends to satirize Gottfried Leibniz’s optimism, that we live in the best of all possible worlds*.) Disagree with that. Even if you agree with it, find a way to disagree with it. Embrace the contrarian within.
Not the most original prompt, I admit. But a slight twist on it, I hope.
* And, yes. Voltaire misunderstood Leibniz.