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JON LEON & A POETRY OF CONTINGENCY

THE MALADY OF THE CENTURY
By Jon Leon
Futurepoem Books, May 2012
88 Pages / $16.00 Buy from SPD

 

 

 

 

In consideration of the work of Jon Leon, it is necessary to consider Jon Leon, the poet, simultaneously as an apostle and a construction. Anna Kaven (nee Helen Emily Woods) ended up, at a particular point in her career as a novelist, changing her name from that which she was born with to a name she had invented for a character in one her own books—Jon Leon has always simply insisted on living as a character in his work, as the character in his works.

His poetry.

There is a level of both the inter-textual and the extra-textual interaction present throughout his entire oeuvré; something that becomes apparent throughout his career. As Dan Hoy points out in his case-study of Leon, there’s a particular overlap of reality with a poetic construction of reality:

“We mixed agitprop, erotic dance, and horror to construct a total environment of focused bliss.” Jon Leon, Hit Wave

I’ll risk substituting tropes here and suggest the above sentence from Jon Leon’s Hit Wave could be taken somewhat literally as a nod to his overall objective (construct a total environment of focused bliss = enable and induce the experience of the impossible) and strategy (mixing agitprop, erotic dance, and horror = forming a triangulation of world, life, and nothingness).

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April 17th, 2012 / 11:17 am

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