If Gary Lutz does it–and he says he does–I don’t know how he does. In an interview with Michael Kimball, Lutz says, “Maybe part of the explanation of why I write the way I write has to do with the way I sometimes read. I sometimes read a book from back to front, sentence by sentence-a practice that, as one might imagine, can give a completely different disposition to a book.” I’ve been trying to read Barry Hannah’s slim marvel, “Ray,” back to front. Sentence by sentence. It won’t work. A book like “Ray” has a certain velocity, speed, force. You’d think that because most sentences here are jewels, are the sharpest of diamonds, that one could isolate them and pick them apart from the bone outward. But it’s become clear to me that Hannah’s sentences sing precisely because they are deeply embedded in a system of voice which, however fragmented the narrative structure of “Ray,” is a system, and therefore, to my mind, necessary.

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