I must have had g-rated goggles on when I first read Voltaire’s Candide because I didn’t remember how violently twisted the book got. Published as satire in 1759, it attacked Leibniz’s idea from his Monadology that this world was the best of all possible worlds. History intertwines with fiction in Candide as the backdrop of the Seven Years’ War and a deadly earthquake in Lisbon that killed more than fifty thousand people fueled Voltaire’s rage. The religious men of his age, the ‘optimists,’ tried to comfort people with the idea that everything, no matter how vile, happened for a greater good as it was driven by a higher power. Dr. Pangloss, Candide’s tutor and an obvious caricature of Leibniz, espouses this belief and Candide carries forward it as a conviction throughout much of the narrative. Voltaire drills in his rebuttal with the violent imagery of something straight out of a Takashi Miike film.
Take for example, Cunegonde, the love of Candide’s life, as she shares her tragic story:
As horrific as this sounds, shortly afterward, they meet an old woman who assures them her misfortunes outweigh theirs. She used to be a princess until her betrothed was poisoned through chocolate. She was then carried off as a slave:
October 5th, 2012 / 12:00 pm