Analysis of War on a Lunchbreak
War on a Lunchbreak
by Ana Bozicevic
Belladonna Material Lives Chaplet Series, #137
Belladonna Collaborative, 2011
17 pages / $4.00 each; $6.00 signed Buy from Belladonna
Croatian-American poet Ana Bozicevic’s new Belladonna chaplet, War on a Lunchbreak, is a short, intense collection both carefully and carelessly written, working against the confines of time in an always clocked-in environment, where we can’t afford to lyricize.
but all day long they’re looking over my shoulder.
I dofeel sorry for them. What’s it like
to care so much? Talking morning and night
to a proctor-god, tidy your toy box before bed:
to get degrees, have interests —
is that the anti-war?” (7)
I love this: writing about not having the time to write, and so positioning the poem as a reclamation of stolen time, founded in its own impossibility, embodying its own disembodiment. That is to say she completes the poem stealthily under the panoptic gaze of the boss, the clock, and so performs what French social theorist Michel de Certeau in The Practice of Everyday Life (University of California Press 1984) calls “la perruque”—“the worker’s own work being performed at the place of employment under the disguise of work for the boss. Nothing of value is stolen; what is taken advantage of is time” (Weidemann 2000). Bozicevic’s work speaks to this need to write in a society that has no need for poetry, and negatively appropriates the surveillance-productivist logic of our laboring culture into the content of the poem, informing us of the circumstance both preventing and, thru la perruque, producing the poem.
May 16th, 2012 / 12:00 pm