Tkacik’s indictment of Gladwell is incisive, epic, merciless, and right. It runs a full seven web pages and is worth reading every word. Now, the next time you see someone reading Blink and reflexively go to slap it out of their hand, you’ll be able to explain why you did it. Here’s a choice gleaning from fairly late in the piece. Click through to start at the beginning.
Also, it’s worth looking at this piece in light of this website’s ongoing discussion of what good criticism can or should look like. The piece is occasioned by the publication of Gladwell’s new book, Outliers, but it could hardly be considered a mere “review” of that book. And yet, it’s not a NY/LRB-style essay, where the book(s) provide a sort of anchor for a larger discussion about something else. Tkacik seems completely at ease in Gladwell’s catalogue, moving with an apparent lack of effort through and between his books. She has a clear thesis that is developed, amplified, and otherwise nuanced over the course of the essay. A writer who disagrees vehemently with Tkacik’s thesis and all her supporting arguments–or a writer who couldn’t care less about Gladwell one way or the other–still has a lot to gain from reading this essay. It’s a stand-out example of a particular kind of long-form criticism.
Tags: Malcolm Gladwell, Maureen Tkacik, the nation
I love Moe. Talk about amphetamine-style. My nose even starts to drip when I read her.
I love Moe. Talk about amphetamine-style. My nose even starts to drip when I read her.
[…] Nation piece, “Malcolm Gladwell for Dummies.” HTMLGIANT’s Justin Taylor sees the essay as more than just a piece on Gladwell, but also “worth looking at…in light of [the] […]
I came across this post late (I read the essay back a while ago). If Gladwell is what you bring out the heavy artillery for, your life is a bit too safe. He’s an interesting story-teller — no one is forced to buy or read his books. Story-tellers have a power that is significant and, in that, concerning: human minds are influenced much more quickly by stories than statistics. It is the people doing statistics (Like “Moe” on finance) that are irritated at the large crowds the story-tellers draw. I like statistics — I have a phd in mathematical statistics and teach at a university — so I’m not very drawn to fiction or even story-telling, but I can’t see the “worth seven blog pages of invective” danger in Gladwell: look at him, look at the people who read him, at least they are reading and they could read a lot worse, or be watching reality TV. I think the piece is overdone — it sounds personal to me.
I came across this post late (I read the essay back a while ago). If Gladwell is what you bring out the heavy artillery for, your life is a bit too safe. He’s an interesting story-teller — no one is forced to buy or read his books. Story-tellers have a power that is significant and, in that, concerning: human minds are influenced much more quickly by stories than statistics. It is the people doing statistics (Like “Moe” on finance) that are irritated at the large crowds the story-tellers draw. I like statistics — I have a phd in mathematical statistics and teach at a university — so I’m not very drawn to fiction or even story-telling, but I can’t see the “worth seven blog pages of invective” danger in Gladwell: look at him, look at the people who read him, at least they are reading and they could read a lot worse, or be watching reality TV. I think the piece is overdone — it sounds personal to me.
“Gladwell for Dummies” — the title is redundant.