i like the heather christie poems, extra “plot the height and distance.” nice. the form is sweeping and rhythmic, the triple spaces between lines in lieu of breaks. i’m gonna mess around with that tonight. i am afraid of water.
i like the heather christie poems, extra “plot the height and distance.” nice. the form is sweeping and rhythmic, the triple spaces between lines in lieu of breaks. i’m gonna mess around with that tonight. i am afraid of water.
Octopus is consistently rad. I like their uniqueness factor: how each issue of the magazine (like each book-object they publish) is different in range and scope and form. They have a very imaginative visual aesthetic, which compliments nicely the work they publish.
Octopus is consistently rad. I like their uniqueness factor: how each issue of the magazine (like each book-object they publish) is different in range and scope and form. They have a very imaginative visual aesthetic, which compliments nicely the work they publish.
Wow, poets know how to design some shit. Fucking gorgeous.
Wow, poets know how to design some shit. Fucking gorgeous.
i haven’t gone through it all, but the amanda nadelberg poems are fucking amazing.
and i don’t even mind the introductions one bit.
i haven’t gone through it all, but the amanda nadelberg poems are fucking amazing.
and i don’t even mind the introductions one bit.
i like the heather christie poems, extra “plot the height and distance.” nice. the form is sweeping and rhythmic, the triple spaces between lines in lieu of breaks. i’m gonna mess around with that tonight. i am afraid of water.
i like the heather christie poems, extra “plot the height and distance.” nice. the form is sweeping and rhythmic, the triple spaces between lines in lieu of breaks. i’m gonna mess around with that tonight. i am afraid of water.
Octopus is consistently rad. I like their uniqueness factor: how each issue of the magazine (like each book-object they publish) is different in range and scope and form. They have a very imaginative visual aesthetic, which compliments nicely the work they publish.
Octopus is consistently rad. I like their uniqueness factor: how each issue of the magazine (like each book-object they publish) is different in range and scope and form. They have a very imaginative visual aesthetic, which compliments nicely the work they publish.
Killer.
Killer.
Pssst: I heard a rumor that Zachary Schomburg and Emily Kendal-Frey are putting out a collaborative book on Future Tense Books in early 2010.
Pssst: I heard a rumor that Zachary Schomburg and Emily Kendal-Frey are putting out a collaborative book on Future Tense Books in early 2010.
jeah “i put my head in a hole and stood” (not from any poem that i read in octopus, that poem-line is just how i feel when i read work on there)
jeah “i put my head in a hole and stood” (not from any poem that i read in octopus, that poem-line is just how i feel when i read work on there)