August 19th, 2010 / 7:17 pm
Snippets
—

You can‘t get Oblique Strategies on your fucking iPhone.

For those without what, there is the Mac OSX Widget.

For those without that, there is the World Wide Web.

There is no writer’s block. Except in your mind maybe.

22 Comments

  1. Salvatore Pane—

      Now you’re playing with power.

  2. kdr—

      It no workie.

  3. Reynard Seifert—

      the iphone thing doesn’t work? i don’t have an iphone so i really don’t know. jimmy, please see if this works.

  4. Janey Smith—

      I am imagining a caterpillar moving.

  5. Al Min—

      Yeah, the iPhone thing doesn’t work. Looks like whoever made it took it down.

  6. Reynard Seifert—

      word

  7. Salvatore Pane—

      Now you’re playing with power.

  8. kdr—

      It no workie.

  9. MM—

      sweet only-italicized contraction.

  10. Landon—

      it’s not building a wall, it’s making a brick

  11. Reynard Seifert—

      the iphone thing doesn’t work? i don’t have an iphone so i really don’t know. jimmy, please see if this works.

  12. Janey Smith—

      I am imagining a caterpillar moving.

  13. Al Min—

      Yeah, the iPhone thing doesn’t work. Looks like whoever made it took it down.

  14. Reynard Seifert—

      word

  15. MM—

      sweet only-italicized contraction.

  16. Landon—

      it’s not building a wall, it’s making a brick

  17. ...—

      where is the Droid version?

  18. ...—

      where is the Droid version?

  19. jesusangelgarcia—

      An ex-girlfriend (who’s a choreographer) once handmade me a set of these cards to use when I was writing my first novel. I never used them and that novel didn’t work out in the end. Then when I was writing “badbadbad,” there was this scene I wanted to organize as a series of reflections on photographs (jpegs) but I wasn’t sure how to sequence the various vignettes and yet I knew this was the way to approach the narrative at this point. Then I remembered the cards. So I pulled them out and went for it. I think it’s one of the more interesting parts of the book.

  20. jesusangelgarcia—

      An ex-girlfriend (who’s a choreographer) once handmade me a set of these cards to use when I was writing my first novel. I never used them and that novel didn’t work out in the end. Then when I was writing “badbadbad,” there was this scene I wanted to organize as a series of reflections on photographs (jpegs) but I wasn’t sure how to sequence the various vignettes and yet I knew this was the way to approach the narrative at this point. Then I remembered the cards. So I pulled them out and went for it. I think it’s one of the more interesting parts of the book.

  21. I. Fontana—

      Repetition is change

  22. I. Fontana—

      Repetition is change