But these operations do not occur in neutral territory, Kaye was quick to point out. Burroughs treats all conditions of existence as results of cosmic conflicts between competing intelligence agencies. In making themselves real, entities (must) also manufacture realities for themselves: realities whose potency often depends upon the stupefaction, subjugation and enslavement of populations, and whose existence is in conflict with other ‘reality programs’. Burroughs’s fiction deliberately renounces the status of plausible representation in order to operate directly upon this plane of magical war. Where realism merely reproduces the currently dominant reality program from inside, never identifying the existence of the program as such, Burroughs seeks to get outside the control codes in order to dismantle and rearrange them. Every act of writing is a sorcerous operation, a partisan action in a war where multitudes of factual events are guided by the powers of illusion … (WV 253-4). Even representative realism participates – albeit unknowingly – in magical war, collaborating with the dominant control system by implicitly endorsing its claim to be the only possible reality.
From the controllers’ point of view, Kaye said, ‘it is of course imperative that Burroughs is thought of as merely a writer of fiction. That’s why they have gone to such lengths to sideline him into a ghetto of literary experimentation.’