Posts Tagged ‘fairy tale review’

Colony Wife Box Fairy Boy

Tuesday, September 7th, 2010

1. A second preview of the final issue of Lamination Colony has been posted in the form of Joyelle McSweeney’s “Welcome a Revolution”

2. @ Writing Prompts, Joe Hall is interviewed about his Pigafetta is My Wife, including writing advice:

Slaughter a pig, plank okra, join the commune, build a structure with indigenous materials, persecute your enemies, embrace your friends.

Most award winning poetry is just awful.

Buy my book.

For every procedure used to write a poem, develop and implement a counter procedure. You can sort it out at the end.

Pray to your god.

Stay in shape.

Don’t buy my book.

Write.

3. At Your Brain’s Black Box, Ben Spivey interviews Sasha Fletcher

4. Red Issue of the Fairy Tale Review has been released.

5. @ Largehearted Boy, Andrew Ervin’s Book Notes for his newly released and beautiful Extraordinary Renditions.

Fairy Tale Review Opens Submissions

Sunday, February 22nd, 2009

little_red_riding_hood_paper_doll

Fairy Tale Review wants your Little Red Hiding Hood-related submissions.

The Red Issue will be Fairy Tale Review’s sixth annual issue and, as the color suggests, will be as as devoted to Little Red Riding Hood as was dear Mr. Dickens. This is will be the journal’s first truly themed issue and we welcome your newest and brightest writing to it.

They’re reading submissions from Feb 15th to June 15th.

Read their call for submissions.

Lily Hoang’s CHANGING

Thursday, February 5th, 2009

changingcover
In the third fantastic release from the already massive-powered Fairy Tale Review Press (whose first two releases, PILOT by Johannes Goransson and THE CHANGELING by Joy Williams are both brain eating monsters of true glee), the brand new and clean white book object CHANGING by Lily Hoang has now hit and awaits your head.

At once a fairy tale, a fortune, and a translation told through the I Ching, Vietnamese-American author Lily Hoang’s CHANGING is a ghostly and miniature novel. Both mysterious and lucid at once, the book follows Little Girl down a century-old path into her family’s story. Changing is Little Girl’s fate, and in CHANGING she finds an unsettling, beautiful home. Like a topsy-turvy horoscope writer, Hoang weaves a modern novella into the classical form of the I Ching. In glassine sentences, fragmented and new, Jack and Jill fall down the hill over and over again in intricate and ancient patterns. Here is a wonder story for 21st century America. Here is a calligraphic patchwork of sadness.

“This is an impossible thing, a dream object”–Joyelle McSweeney, author of FLET.

That the book is based on the I-Ching plays no small part in the making of the book’s power: consisting of a series of form-shaped prose sections that mimic the structure of the holy book, CHANGING begins to take on this weird, recursive power. Lily Hoang has a way of roping the big mythic energy of tableau and mysticism down out of the nowhere and branding it with her own peculiarities of everyday upbringing. The result is kind of a maze of hypnotic language and cultural mishmash, which truly operates in resonance unlike any other book I can remember.