lectio

THE ZERO-DEGREE NOISELESSNESS OF DEATH: LECTIO IX-XII

Lectio I-IV
Lectio V-VIII

Systemic limits to growth require that the inevitable recommencement of the solar trajectory scorches jagged perforations through such civilisations. The resultant ruptures cannot be securely assimilated to a metasocial homeostatic mechanism, because they have an immoderate, epidemic tendency. Bataille writes of ‘the virulence of death’. Expenditure is irreducibly ruinous because it is not merely useless but also contagious. Nothing is more infectious than the passion for collapse.

-Nick Land, “After the Law”

LECTIO IX: Beyond Novelty, Into The Uncanny
LECTIO X: Shame and the Texture of the Flesh
LECTIO XI: Artaud as Arrogance Without Ego
LECTIO XII: When Nothing is Real

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Word Spaces / 22 Comments
December 14th, 2011 / 4:44 am

THE ZERO DEGREE NOISELESSNESS OF DEATH: LECTIO V-VIII

Lectio I-IV

What if “horror” has less to do with a fear of death, and more to do with the dread of life? Not a very uplifting thought, that. Nevertheless, death is simply the non-existence after my life, in a sense akin to the non-existence before my life. These two types of non-existence (a parte post or after my life, and a parte ante or before my life) are mirrors of each other. This is a sentiment repeatedly voiced by Schopenhauer: “For the infinity a parte post without me cannot be any more fearful than the infinite a parte ante without me, since the two are not distinguished by anything except the intervention of an ephemeral life-dream.”

–Eugene Thacker, In the Dust of This Planet

LECTIO V: Forget This Memory–Édouard Levé’s Suicide

LECTIO VI: Torture Porn is Capital– Reality & “Solitary”

LECTIO VII: Guy Bourdin’s Spread Legs

LECTIO VIII: The Cinematic Space of Lust

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Word Spaces / 12 Comments
September 9th, 2011 / 11:00 pm

THE ZERO-DEGREE NOISELESSNESS OF DEATH: LECTIO I-IV

Speech may be a function of Logos, where rational compositions serve as cultural appropriation, or speech may serve a revolutionary, contestatory role by internally rupturing the structures of Logos at the very points of its own contradictions; screams and laughter may be reactive phenomena, resulting from the neurotic exigencies of life, or they may serve serve as rebellious eruptions of corporeal energy, heterogeneous outbursts of expropriation, where Logos is disrupted by the libido; silence may be the zero-degree noiselessness of death, where life itself is betrayed, or silence may be that moment where sovereignty is elliptically expressed as incommunicable inner experience.

-“Impossible Sovereignty,” Allen S. Weiss

In Medieval philosophy and theology, a lectio (literally, a “reading”) is a meditation on a particular text that can serve as a jumping-off point for further ideas. Traditionally the texts were scriptural, and the lectio would be delivered orally akin to a modern-day lecture; the lectio could also vary in form from shorter more informal meditations (lectio brevior) to more elaborate textual exegeses (lectio difficilior).

In the Dust of This Plane: Horror of Philosophy Vol. 1, Eugene Thacker

LECTIO I: Kate Zambreno’s Green Girl

LECTIO II: Horror vs. The Patriarchy

LECTIO III: Joe Wenderoth pushes the surface

LECTIO IV: The Dionysian Excess of Living

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Word Spaces / 13 Comments
August 25th, 2011 / 4:53 pm