Autobiography of a Corpse, by Sigizmund Krzhizhanovsky: A fifteen-point primer on certain literary avant-gardisms

autobiography-of-a-corpse-371Autobiography of a Corpse
by Sigizmund Krzhizhanovsky
New York Review of Books Classics, 2013
256 pages / $15.95 buy from Amazon

 

 

 

 

 

 

 

 

In the beginning/ the Avant-Garde/ was just a silly thing/ Coconut-colored sidewalks/ Women with blue-white parasols/ tilting over backward/ or half backward/ in the beginning/ And then it grew, and became gigantic and hard/ Like a great, great stone, the Avant-Garde/ Like a great, great, stone that had usurped all of history—Kenneth Koch, One Thousand Avant-Garde Plays

In the beginning/ the Avant-Garde/ was just a silly thing/ Coconut-colored sidewalks/ Women with blue-white parasols/ tilting over backward/ or half backward/ in the beginning/ And then it grew, and became gigantic and hard/ Like a great, great stone, the Avant-Garde/ Like a great, great, stone that had usurped all of history—Kenneth Koch, One Thousand Avant-Garde Plays

 

1. The history of the 20th century avant-garde is a history of anxieties. And even as manifestos gave way to splinter groups, many things remained constant. A central tenant of this history came in the compulsion against modernity and the constricting social forces of advanced industrial capitalism. Sigizmund Krzhizhanovsky wrote radical literary fantasia, and his work reflects many of the anxieties and themes that would develop across literary avant-gardes throughout the 20th century.

Born in Kiev in 1887, Sigizmund Krzhizhanovsky moved to Moscow in 1922 where he worked as a lecturer and theater critic. From this time until his death in 1950, he secretly compiled an incredible body of fantastic novels and stories. These were not published in his lifetime, and owing to the damning soviet censorship, would not be published until 1989. This collection Autobiography of a Corpse, a selection of short stories was published for the first time in 2010, and an English edition came out from NYRB Classics in the fall of 2013. The collection, provocative and expansive, offers a look at many anxieties and themes that would come to define the avant-garde.

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