The Nazis & Our Critical Consciousness
I just got done reading Piotr Uklanski’s monograph, The Nazis. Reading here, of course, simply refers to the act of looking, as there are no words in the book (until an index at the end). Uklanski is an artist, a Polish photographer. Although, similar to my own approach to photography, Uklanski doesn’t take photos per se. Rather, he’s sort of a curator, a collector, highlighting, as the New York Times says, “Conceptual attitudes” (the superfluous capital letter on conceptual is NYT, btw).
The Nazis is a book that bears 247 pages of appropriated images of Hollywood, and prevalent European, actors decked out in Nazi regalia. What I’m interested in probing here are the following things: 1) why are there enough stills for this collection to be possible? and 2) why was I interested enough in this book to go through the process of requesting it from WorldCat?