Seiobo There Below
by László Krasznahorkai
New Directions, 2013
440 pages / $17.95 buy from Amazon
1. I almost laugh, attempting to write anything about the Krasznahorkai, since I’ve done an interview with the translator for The Paris Review, and feel my work is done here, and also since we are dealing with a nearly 500-page book that lashes out in chunks of twelve-page sentences, transcendent, dazzling, insane, hilarious, vicious and brutal, determinedly unexplainable and unexplained.
2. Transparency is not the hallmark of the Krasznahorkai.
3. But ok. This is the Hungarian writer at the forefront of a renaissance in Hungarian letters, an intense, experimental madman whose books are metaphysical puzzles of stunning originality and brilliance.
4. This is a man with burning eyes and a cheap suit, who shows up at Columbia to a packed house and reads…in the dark…in Hungarian…and kinda actually scares people.
5. There’s a quote from Susan Sontag on the back of Seiobo There Below that calls László Krasznahorkai “the Hungarian master of the apocalypse,” which is intimidating, and doesn’t sound like much fun. Do not be scared away; this book is a pleasure to read, and even funny.
6. The last chapter is named “Screaming Beneath the Earth,” which is a reverse riff on the first phrase of Gravity’s Rainbow, “A screaming comes across the sky…”, and gives an idea of the author’s ambition. The book is an incoming rocket, taking on the small matter of the power and transcendence of art.
7. Krasznahorkai has the interesting idea, though I’m not sure I’m convinced, that good art is dangerous. Art in this book tends to overpower ordinary people or drive them insane. Is this pretentious? Probably, right? Real migrant workers are not often driven mad by the sight of glorious paintings.
8. But then again, I also believe in salvation through art. What is a God without destructive power?
9. Seiobo There Below is structured in a series of sections, mostly about artists making art, a few about tourists or exiles. Sections include a modern-day man visiting the Acropolis, a Japanese Noh actor speaking to his disciples, another Japanese artist making a mask, a stork hunting in a river, a Renaissance painter in his workshop, an immigrant in Barcelona.
10. Some quotes: “…to stand there, to look at this life withdrawing for all eternity into death in the human and natural landscape, and to depict what is before him when he looks up from the blank canvas: that is everything…”
July 31st, 2014 / 2:02 pm