I read Dennis Cooper’s blog every day, and it’s always a pleasure, but I want to point out that there has been an especially good run this week, and so if you’re an only-occasional visitor over there, this is a good time to go check in. Let’s move backwards through time.

Today’s post is a collection of eleven YouTube clips of Stephen Malkmus singing–solo as well as with Pavement. It kicks off with an acoustic version of “Box Elder,” one of my all-time favorite Pavement songs, which I’ve only ever heard rendered in full fuzz.

Yesterday was a “back from the dead” post–originally posted 10/19/06 on an earlier incarnation of the blog that was hacked and destroyed. DC occasionally painstakingly re-produces one of those lost posts, and I can’t think of one I’m happier to see again than “Great Moments in Gay Porn #8: Klark, a mini-retrospective.”

Career-wise, porn stars are to movie stars as dogs are to humans. That’s to say, their time in the spotlight may constitute a blip relative to their more respectable peers, but their lifespans as fan magnets can be no less storied and impressive. By that reckoning, Klark is something like the Paul Newman of Russian gay porn. In his ten or eleven year long run as a superstar, he has pretty much done it all without ever losing his Gary Cooper-esque stoicism (and consequent aura of dignity), his ever battle-ready attitude, his quasi-underraged everyboy bod, or his very Russian yet strangely nonspecific good looks. He may not get as many starring roles these days as he did when his competition was all but nonexistent, but he’s managed to outlast many of his famous predecessors by never quite stooping too low in his choice of roles to make a quick buck.

Irrespective of your particular level of interest in gay porn (my own is, let’s say, limited) Klark’s story is a compelling narrative, and I think the post is highly instructional in terms of how it approaches and handles certain challenges inherent in discussing an artist’s full body of work. Cheers to whoever it was put the special request in for this one.

Tuesday’s post was “Four Books I Read Recently and Loved: Urs Alleman, Eileen Myles, Reinard Seifert, Matthew Simmons.” In which DC enjoys and excerpts from (respectively) Babyfucker, The Importance of Being Iceland, How to Skin the Moon, and A Jello Horse. And Monday we learned about “Heavily plotted non-linear structures whose velocity lacks narrative drive“–aka, mazes.