HTMLGIANT / Xiu Xiu

What’s so great about art?

Joseph Kosuth, "One and Three Chairs" (1965)

Joseph Kosuth, “One and Three Chairs” (1965)

[Update 4 October 2014: See the bottom of this post for a bit more.]

This is a response to Dianna Dragonetti’s recent post here, which is itself a response to Janey Smith’s “Fuck List,” originally published at this site. It’s also a response to the numerous comments on Dragonetti’s post. Because it seemed to me that, as of this writing, a lot of the debate over Smith’s post, and the book that’s apparently resulted from it (which I’ve not seen), has taken the form, “Is what Smith did art?” Mind you, I doubt this post will settle that debate, but I hope it provides

  1. some historical context I think relevant to Smith’s post;
  2. plus an argument why, at the end of the day, I don’t think that it really matters whether Smith was making art.

I guess I should also note, in passing, that my name was the first name on Smith’s “Fuck List” (thanks to the magic of alphabetization). Since I find myself (along with numerous others) the object of some obscure desire, perhaps I can offer a few thoughts on the subject.

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Haut or not / 40 Comments
September 17th, 2014 / 11:00 am

My Favorite New Movies of 2012

“Star War’s Uncut: Director’s Cut” (2012)

Here’s a roundup of my favorite newish movies, with some thoughts on each one. If you appreciate and/or doubt my taste in motion pictures, here are my lists from 2009 & 2010 & 2011. And here are some overall notes:

  1. Films marked with an * can be watched for free online; just click on the title.
  2. Roughly half of the films are from 2012; the rest hail from 2008–11. As I argued in my posts “How Many Movies Are There?” and “How Many Movies Have You Seen?“, no one can watch every new release when it comes out (especially when they’ve recently started a PhD program). I prefer to think of my lists 2009–present more as an ongoing project than as definitive statements on any given year. (I also feel free to revise my opinions over time.)
  3. You may find relevant two older posts—“How Many Cinemas Are There?” & “Why Do You Need So Many Cinemas?“—where I decry the habit of so many film critics to consider only feature-length theatrically-released films when making these kinds of lists. (All other cinema somehow disappears at the end of the year! Which is particularly odd at the present moment, when broadband has been revitalizing the short movie form.)
  4. If you want straight lists of the titles without any commentary, just skip to the end.

And now, without further to do, here are 30+ relatively-new movie-things that I saw and have thoughts on, starting with—

I. MY 10 FAVORITE NEWISH FILMS THAT I SAW THIS YEAR AND FEEL COMFORTABLE RECOMMENDING THAT OTHERS CHECK OUT

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Film / 19 Comments
January 14th, 2013 / 8:01 am

Xiu Xiu’s Wig Master vs. Why?’s Wig Master

On the 2006 Xiu Xiu album The Air Force, there’s a song, “Wig Master.” Lately I’ve been listening a lot to a cover version done by Why?, on the 2007 album Remixed and Covered. It’s easily my favorite piece on that album.

I was looking for the lyrics of the Why? version and I realized 1.) they’re not already online (that I could find) and 2.) they’re substantially different from the Xiu Xiu version.

So I thought I’d type them up, and put up a post about the differences. This is that post!

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Music / 2 Comments
December 27th, 2012 / 8:01 am

Music x 3: Xiu Xiu, Pissed Jeans, Beach House, The Magnetic Fields

1. Xiu Xiu has a new album out (Always); the video for the lead single, “Hi,” is pretty great:

2. It is not, however, as great as the video for Pissed Jeans’s “False Jesii Part 2,” which I only recently discovered:

3. The new Beach House single, “Myth,” is a secret cover of “Eyes Without a Face.”

4. Stephin Merritt, may I suggest the formal constraint for your next album?

NO END RHYMES.

Music & Roundup / 7 Comments
March 11th, 2012 / 4:25 pm

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