HTMLGIANT

A D Jameson

http://adjameson.com

A D Jameson is the author of three books: the story collection Amazing Adult Fantasy (Mutable Sound, 2011), the novel Giant Slugs (Lawrence and Gibson, 2011), and the inspirational volume 99 Things to Do When You Have the Time (Compendium, 2013). His fiction's appeared in Conjunctions, Denver Quarterly, Unstuck, Lady Churchill’s Rosebud Wristlet, Birkensnake, PANK, and elsewhere. Since 2011, he's been a PhD student at the University of Illinois at Chicago. Besides HTMLGiant, he also contributes to Big Other and PressPlay. He's currently writing a book on geek cinema.

That’s it, this site is shutting down—I’m outta here

Just wanted to throw up one last post to say thanks to Blake for letting me write here, and to Gene for editing. And extra-giant-sized thanks to everyone who read and responded to the silly things I posted. I always had a great time perusing this site, and chatting with others in the comments. I was honored to get to contribute. See you around, I hope, elsewhere on the internet, and maybe even real life.

Art-as-Sparkly-Device

Behind the Scenes / 19 Comments
October 3rd, 2014 / 4:44 pm

What’s so great about art?

Joseph Kosuth, "One and Three Chairs" (1965)

Joseph Kosuth, “One and Three Chairs” (1965)

[Update 4 October 2014: See the bottom of this post for a bit more.]

This is a response to Dianna Dragonetti’s recent post here, which is itself a response to Janey Smith’s “Fuck List,” originally published at this site. It’s also a response to the numerous comments on Dragonetti’s post. Because it seemed to me that, as of this writing, a lot of the debate over Smith’s post, and the book that’s apparently resulted from it (which I’ve not seen), has taken the form, “Is what Smith did art?” Mind you, I doubt this post will settle that debate, but I hope it provides

  1. some historical context I think relevant to Smith’s post;
  2. plus an argument why, at the end of the day, I don’t think that it really matters whether Smith was making art.

I guess I should also note, in passing, that my name was the first name on Smith’s “Fuck List” (thanks to the magic of alphabetization). Since I find myself (along with numerous others) the object of some obscure desire, perhaps I can offer a few thoughts on the subject.

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Haut or not / 40 Comments
September 17th, 2014 / 11:00 am

What do you eat for breakfast?

What’s it like to be drunk?

Kate Bush: “The Dreaming”

The Dreaming

Lately, I can’t stop listening to Kate Bush’s The Dreaming (1982). I’ve always liked her, but now I’m convinced she’s an absolute genius, one of the All-Time Greats.

Here are the videos from it:

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Music / 2 Comments
August 2nd, 2014 / 9:20 pm

R.I.P. Rik Mayall

Massive People / 3 Comments
June 12th, 2014 / 2:00 pm

Yuriy Tarnawsky visits Chicago

Yuriy, peering through the doorway to Chicago

Yuriy, peering through the doorway to Chicago

This Friday and Saturday, Yuriy Tarnawsky will be reading in Chicago to celebrate the completion of his recent trilogy, The Placebo Effect.

On Friday, he will be reading at Quimby’s Bookstore (1854 W. North Ave.) with Eckhard Gerdes.

On Saturday, he will be reading at 567 Studio & Gallery (1800 N. Milwaukee Ave.) with Eckhard, Jane L. Carman, and myself.

Both readings start at 7pm, and are free and open to the public. A reception will follow the Saturday reading.

Here’s a recent interview with Yuriy regarding The Placebo Effect Trilogy, conducted by Tantra Bensko. And here’s an older interview that I conducted with Yuriy, about his life and work in general.

Since the 1950s, Yuriy Tarnawsky has published more than twenty books of fiction, poetry, drama, and criticism in English and Ukrainian. His most recent work has appeared via FC2, Jaded Ibis Press, and JEF Books. His Three Blondes and Death (FC2, 1993) remains, IMHO, one of the best English-language novels of the past thirty years—indeed, I think it the best book that FC2 has published. (You can read some of it here.)

Hope to see you there!

Author News / 8 Comments
May 13th, 2014 / 3:00 pm