Yves Tanguy
I believe there is little to gain by exchanging opinions with other artists concerning either the ideology of art or technical methods. Very much alone in my work, I am almost jealous of it. Geography has no bearing on it, nor have the interests of the community in which I work.
-Yves Tanguy, 1954 (via this John Ashbery article)
The Complex of All These
While a resident at the Women’s Studio Workshop last year, Abigail Uhteg created The Complex of All These, a neat handmade book in limited edition. She took over 3,000 photos of the entire process and put them together into this video.
httpv://www.youtube.com/watch?v=l9a5hH5idQc
Coudal Partners asked people to read poetry into their answering machine. The result is Verse by Voice.
Daniel Green of The Reading Experience has just posted a compilation of online interviews with contemporary writers over at Secondary Sound. Many classics are in there, but I also discovered a few I had not seen before. Feel free to supplement in the comments section.
This reminded me of Keyhole‘s handwritten issue: Stephen Lloyd Webber is looking for images of writers’ journal pages to launch his new literary magazine, Di Mezzo Il Mare. Send some snapshots if you’re interested.
New from Willows Wept Press
You can preorder Scott Garson‘s American Gymnopédies from Willows Wept Press. Apparently, there are only 28 copies left. I think some of these pieces in the book appeared in Unsaid and The Collagist and elsewhere. Go to The Collagist to read a few. Go also to ArtVoice to read one. And, over at Garson’s Fictionaut page is “Houston Gymnopédie” and “D.C. Gymnopédie,” which shortly afterward appeared in Sojourn: A Journal of the Arts.
Sometimes the streets of Houston do stink, I must admit, and one of my favorite things about D.C. is the way it appears on a map.
Washington D.C. Show: Call + Response
Opening tomorrow at the Hamiltonian Gallery in Washington D.C. is Call + Response, a show consisting of the paired work of sixteen D.C. writers and sixteen D.C. artists. According to the press release, the show grew out of co-curators Kira Wisniewski and William Bert’s desire to draw together two groups in D.C.: writers and visual artists.