Matt Bell—
Editors: When you’re nominating writing from your magazine for an award or prize, do you always nominate the work you think is the absolute best you’ve published, or do you nominate work that is maybe just among the best but that you feel might match the aesthetics and prior history of the prize or award you’re nominating for? In other words, as an editor, do you target your nominations for the Pushcart Prize and other awards/anthologies in the same way you hope that writers target their submissions to you?




















