June 18th, 2014 / 12:00 pm
Film

Too Much for American Poetry Circles ?? (Persona Peep Show)

(Persona Peep Show by Sara Tuss Efrik and Mark Efrik Hammarberg)

**********

Over at Montevidayo James Pate wrote the following about Persona Peep Show:

Persona Peep Show is an incredibly visceral work, and, as such, I can imagine it making some parts of the American poetry scene uncomfortable. It’s easy to imagine the standard criticisms: it’s too grotesque, too image-based, it’s too pleasurable (in a funhouse sort of way), it doesn’t properly “critique” or distance itself from XYZ. Its use of fairytale is anachronistic, and therefore conservative (God forbid we should ever disturb the laws of Hegelian-inflected historical linearity). And yet this video makes such criticisms seem old-fashioned and academic. As I’ve written about before on Montevidayo, there is a strong contemporary tradition in the art scene of masquerade, theatricality, excess, color. Jack Smith, Cindy Sherman, Matthew Barney, Ryan Trecartin. And a film like Persona Peep Show is very much related to that sensibility.

And in the comments section of that post Johannes Göransson adds:

Just the mere move of poetry into the video image is already a challenge to a US poetry which for so long has seen itself as inherently ethical precisely in opposition to the spectacularity of film, video etc.

**********

In an earlier Monteviday post–Adventures with weird rabbits and dismemberments: Sara Tuss Efrik’s deformation zone-Göransson described Efrik’s work (written and video) as an investigation of “wound culture” and found one of her “Automanias” to be “a constant tension between the many and the singular, the diary-narrative and the forces that break apart the body.

It’s not hard to see that “too much” dismemberment, “too much” of weird rabbits, etc, would make a conservative and old-fashioned Poetry Community uncomfortable but I’m particularly struck by Göransson’s contention that the “the mere move of poetry into the video image” would create some discomfort in the same stodgy circles that view themselves as “inherently ethical in opposition to the spectacularity of film, video etc.

Perhaps since Art and Ethics have been on my mind a bit lately (see my recent Abramson Debacle post as well as its comment thread) I’m tickled here, particularly, by the the sense of righteousness at play. The sense of a moral superiority.

********

But are these Automanias and Videos too much for American Poetry Circles ?? Some of them ?? Most of them ??

**********

The new ACTION YES contains two more Efrik videos and you can check out some of the Automanias here in an earlier issue.

Tags: , , ,

3 Comments

  1. daretoeatapeach

      Poetry is meant to be a spoken art, so I’m for anything that takes it off the page and moves it to more of a performance space. Those who fear the marraiage of poetry with video have short memories, as the true tradition of poetry is much longer than the printing press. Poetry for a thousand years was a live art, remembered songs told around campfires. It truly comes alive when given voice.

      Anyhow, poetry is a struggling art, even most book lovers don’t read it these days. If video can bring the digital generation back to this sacred and old tradition, we should all be excited to help engender that.

  2. Jeremy Hopkins

      Is it really more poem than film? A film featuring a poem? Hybrid/fusion?
      I suppose all forms (artistic or material) may be used for their ‘poetics’.
      Video poetry, though perhaps not intrinsically different from art film, seems appropriate for today’s means of delivery.

  3. JosephYoung

      Post-facebook? Pre-polemical?