James Pate at Montevidayo says some really precise stuff about chaos and art, ending with this (YES): “With both–and with Grosz too, I would say– we’re left with an aesthetic that I like to think of as the abandoned house approach to art. You go in and wander around, but no one lives there anymore.”
At Montevidayo, Megan Milks wrote about Anna Joy Springer’s The Birdwisher from Birds of Lace Press. She received The Birdwisher from her HTMLGIANT Secret Santa last year. If you haven’t signed up yet, you have less than two weeks to make sure you get a cool gift like Megan did.
1. If you haven’t been following the discussions at Montevidayo, a new group blog run by Johannes Göransson, you should start now. Recent posts include Joyelle McSweeney on the Bourne Identity, Johannes on atrocity kitsch, and at least 3 posts on the mechanics of Shutter Island.
2. @ The Awl, an interesting allegation made in finding similarity between Jessica Soffer’s story “Beginning, End” from Granta and Jonathan Safran Foer’s recent publication in the NYer, “Here We Aren’t, So Quickly.” Apparently Soffer was a student of Foer’s wife Nicole Krauss, and the similarity between the stories is mmm. I personally don’t give a crap about stealing, or allegations thereof, because I think all words are words, but still, take a whoop.
3. A friend of mine compared the new Matthew Dear album, Black City, to a Talking Heads for the 00s. He may be on to something.