In April I visited the Cy Twombly museum in Houston. The door was open and there was no one at the desk. I walked around the series of rooms that form a rough circle by myself for twenty minutes before I saw or heard anybody else. I felt like at many points I could have done anything I wanted in those rooms to myself or to the paintings. I didn’t do anything but look.
In 2007, at another exhibition of work by Cy Twombly, a woman named Rindy Sam kissed 1 panel of the triptych titled Phaedrus, a set of all white canvas, getting red lipstick all over it, altering the white. She was arrested and tried in court.
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The prosecution, calling it “A sort of cannibalism, or parasitism”, while admitting that Sam is “visibly not conscious of what she has done”, asked that she be fined 4500€, compelled to an assorted penalty, and to attend citizenship classes. The art work, which is worth an estimated $2 million, was on display at the Museum of Contemporary Art in Avignon. In November 2007 Sam was convicted and ordered to pay 1,000€ to the painting’s owner, 500€ to the Avignon gallery that showed it, and 1€ to the painter.
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