cats per container about 4
11. Auden’s 1956 book review of The Return of the King. (much thanks to biblioklept)
For objectifying this experience, the natural image is that of a journey with a purpose, beset by dangerous hazards and obstacles, some merely difficult, others actively hostile. But when I observe my fellow-men, such an image seems false. I can see, for example, that only the rich and those on vacation can take journeys; most men, most of the time must work in one place.
11. Valzhyna Mort is a Belarusian badass. Just saying.
11. Why did they make birds so delicate and fine as those sea swallows when the ocean can be so cruel? She is kind and very beautiful. But she can be so cruel and it comes so suddenly and such birds that fly, dipping and hunting, with their small sad voices are made too delicately for the sea.
4. All Diagram t-shirts are 10 bucks until they are gone. (I suggest the dead hamsters.)
11. Note to self: continue to eat old book reviews.
when criticism is actually critical we call it MEAN
I wish I could tell you how many people–editors, event hosts, other writers–have approached me privately, strictly off-the-record, and complained about how much they disliked Valzhyna Mort’s Factory of Tears. But nobody wants to be the one to call Franz Wright and his Pulitzer out on their bullshit, much less risk ruffling the feathers of her otherwise highly venerable and respectable publisher, Copper Canyon. (Note: those are non-ironic assessments of CC. They publish Ben Lerner, Erin Belieu, and all sorts of other writers I love.)
Anyway, The Poets&Writers May/June covergirl has, as near as I can tell, racked up exactly ONE critical review. It was written by yours truly, for Coldfront magazine in April. I think Mean Week is a good time for everyone to revisit my work and tell me how brave I am.
October 13th, 2008 / 12:19 pm