A D Jameson

http://adjameson.com

A D Jameson is the author of three books: the story collection Amazing Adult Fantasy (Mutable Sound, 2011), the novel Giant Slugs (Lawrence and Gibson, 2011), and the inspirational volume 99 Things to Do When You Have the Time (Compendium, 2013). His fiction's appeared in Conjunctions, Denver Quarterly, Unstuck, Lady Churchill’s Rosebud Wristlet, Birkensnake, PANK, and elsewhere. Since 2011, he's been a PhD student at the University of Illinois at Chicago. Besides HTMLGiant, he also contributes to Big Other and PressPlay. He's currently writing a book on geek cinema.

How Many Movies Are There?

A Shanghai DVD shop.

First, it depends on what you consider a movie. If you define “cinema” as broadly as I do, then the answer is probably “countless.” So let’s pick something more discrete: feature films (which is what most people mean, anyway, when they say “movie”).

There’s no hard and fast rule as to what constitutes a feature. The term itself is a relic of theater-going: the feature film was the featured film—it was what the theater advertised outside, and presumably what compelled you to purchase a ticket and enter—as opposed to the various newsreels, cartoons, and serial installments that also ran (and then, eventually, stopped running). Theater-going in 2012 seems an increasingly old-fashioned hobby (see Roger Ebert’s recent article on declining ticket sales), but we still use the word to mean “a long film.”

But how long? The Wikipedia informs us:

The Academy of Motion Picture Arts and Sciences,[1] the American Film Institute,[2] and the British Film Institute[3] all define a feature as a film with a running time of 40 minutes or longer. The Centre National de la Cinématographie in France defines it as a 35 mm film longer than 1,600 metres, which is exactly 58 minutes and 29 seconds for sound films, and the Screen Actors Guild gives a minimum running time of at least 80 minutes.[4] Today, a feature film is usually between 80 and 210 minutes[citation needed]; a children’s film is usually between 60 and 120 minutes[citation needed]. An anthology film is a fixed sequence of short subjects with a common theme, combined into a feature film.

Let’s go with that 40-minute cutoff. Are we ready to start counting?

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Film / 27 Comments
January 9th, 2012 / 9:01 am

Requited Journal #6

"Call and Response" by Adam Grossi

As the nonfiction & reviews editor of the online journal Requited, it’s my pleasure to announce that Issue 6 just went live. In the Essays section you’ll now find:

There’s also a new review: Jeff Bursey‘s take on J. Robert Lennon’s story collection Pieces for the Left Hand.

And much more!

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Author News & Craft Notes / 3 Comments
January 6th, 2012 / 9:01 am

My Favorite New Movies of 2011

Happy New Year, HTMLnets. I watched fewer new films in 2011 than usual, but that won’t stop me from opining on what I saw. Although I should clarify that the following list isn’t limited to 2011, but covers “the thirty newish films I saw this past year.” And here are my lists from 2009 and 2010, for comparison’s sake.

We’ll start with the best…

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Film / 7 Comments
January 2nd, 2012 / 3:40 pm

A Debate!

In keeping with time-honored holiday tradition, Chris Higgs and I are going to spend it arguing. We’re currently conducting a debate (via Google Docs), which we’ll begin posting in several parts come January.

Our starting point: “What is experimental fiction?”
Add your own thoughts in the Comments Section…

Craft Notes / 68 Comments
December 22nd, 2011 / 2:27 pm

Hello again after a little bit. Question: what would you say is the best post ever published here at HTMLGIANT? Feel free to nominate more than one post (and include a link if you can).

In a week or two, I’ll post a follow-up tabulating the top choices. Which won’t mean anything, necessarily, but might be fun to look at.

A Dozen Dominants, part 2 (aka, “You used to know what these words mean”)

I was really thrilled to read all the responses my last post generated; thanks to everyone who chimed in! And I wanted to post something that clarifies some of the things I wrote there, since it’s apparent I caused no small amount of confusion…

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Craft Notes / 25 Comments
October 29th, 2011 / 4:22 pm

R.I.P. Jiří Gruša

He passed away today, in Germany. He was 72. I don’t know much about him. But I really enjoyed his novel The Questionnaire; Dalkey reprinted an English translation of it in 2000 and I read it upon arriving at ISU:

Originally circulated in Czechoslovakia in an underground edition of nineteen typewritten copies (which landed the author in jail for “initiating disorder”), The Questionnaire is Jirí Grusa’s internationally acclaimed masterpiece.

In completing a standard employment questionnaire, narrator Jan Kepka manages to write a beautifully impressionistic history of his life, his family, and his hometown as he obeys—with mock solemnity—the handwritten command on top of the form: “DO NOT CROSS OUT.”

Here’s a link to it at Google Books. And here’s an interview with him, conducted by my friend and former Dalkey workmate Ana Lucic. In that interview, Gruša mentions some of his other books, and that he planned to write a few more. I don’t know if he ever did. The other books, to my knowledge, haven’t been translated. But The Questionnaire, that’s a good one.

Godspeed, you Czech Emperor.

Author News / 1 Comment
October 29th, 2011 / 12:52 am

“A Dozen Dominants: The Current State of US Indy Lit”

[Update: Some reader comments below prompted me to write a follow-up post.]

I was asked over the summer to contribute a critical article to the online UK journal Beat the Dust; they wanted me to write on the current state of US literature. I “narrowed that down” to indy lit (small press publishing, whatever you want to call it)—still an impossibly huge topic, of course. So I ended up proposing twelve dominants that I’d argue govern the current indy lit scene (at least as best as I can see things from where I’m sitting—Chicago, USA, 2011).

Dominant” is a term I stole from the Russian Formalists; it essentially means a feature or aspect of a text that most people feel that the text, to be valid, should demonstrate or otherwise include. (e.g., rhyme was often a dominant in English poetry until the 20th century and the advent of free verse; now the situation is mostly the opposite.) (See also this.) Below, I’ll list “my twelve” dominants, but please see the full article for a more thorough explanation…

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Craft Notes / 123 Comments
October 27th, 2011 / 2:37 pm

A Little Bit More on Cliché

Here’s the plot: a woman sees this guy and falls in love. The trouble is, her father is feuding with the fellow’s father.

Sound familiar?

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Craft Notes / 15 Comments
October 19th, 2011 / 11:28 am

Are my ears deceiving me, or does R.E.M.’s “E-bow the Letter” steal its melody (indirectly but essentially) from T. Rex’s “Cosmic Dancer” ? … If the latter, Michael Stipe foreshadows it three tracks earlier on “Wake Up Bomb” when he sings, “Practice my T. Rex moves and make the scene…”