Ken Baumann
Ken Baumann is.
Ken Baumann is.
The rad novel Fires, by Nick Antosca, has just been rereleased by Civil Coping Mechanisms. It’s also packed with a few short stories, including a short story that is actually uncomfortably sexy: The Girlfriend Game.

The Marbled Swarm
by Dennis Cooper
Harper Perennial, November 1st, 2011
$10.19 / Buy from Amazon
1. A precursor: the often repeated and often obvious dictum from authors: if one could summarize the idea or express the idea elsewhere, it would not be a book.
2. Another precursor: I have to use numbers for this review. The accumulative force in The Marbled Swarm has made me nervous to write about it. These numbers should help. Related: numbers are very rarely used in the book; we are maybe twice given them as markers, as soft attempts at erasure, but more so as another meter to remember. I understand the absence of counting in the book.
3. Formal book reviews mostly feel homogenous to me; some young limping component of an old structure; sutured to print? The format seems off, or rather: very rarely off. I’m pretty often baffled, too, by the claim that some argument must be lodged and pushed through to agree a reader; maybe I discredit the militaristic form of rhetoric, or of establishing a reading. To me, the reviews, the books too, that are interesting and alive feeling do not seem camped or aimed, yet open and transfixed.
4. I read The Marbled Swarm for the first time on a plane. Enclosed by a tube, moving very fast through different pressured air, hoping for a smooth passage. Fantasizing about puncture. READ MORE >
Anybody who’s remotely interested in the art of/work of writing should pick up the current issue of The Paris Review and flip to Dennis Cooper’s interview. It is pure inspiration.
Five, and quickly: interesting & only 9/11 piece I read this year, markedly good from Kier, again why I won’t read The Art of Fielding, the new vice.com’s Guide to Congo pt 1., and Schrödinger’s goddamn cat.
To criticize is only to establish that a concept vanishes when it is thrust into a new milieu, losing some of its components, or acquiring others that transform it. But those who criticize without creating, those who are content to defend the vanished concept without being able to give it the forces it needs to return to life, are the plague of philosophy.
There is such force in those unhinged works of Hölderlin, Kleist, Rimbaud, Mallarmé, Kafka, Michaux, Pessoa, Artaud, and many English and American novelists, from Melville to Lawrence or Miller, in which the reader discovers admiringly that they have written the novel of Spinozism. To be sure, they do not produce a syntheses of art and philosophy. They branch out and do not stop branching out. They are hybrid geniuses who neither erase nor cover over differences in kind, but, on the contrary, use all the resources of their “athleticism” to install themselves within this very difference, like acrobats torn apart in a perpetual show of strength.
If philosophy is paradoxical by nature, this is not because it sides with the least plausible opinion or because it maintains contradictory opinions but rather because it uses sentences of a standard language to express something that does not belong to the order of opinion or even of the proposition.
Philosophy thus lives in a permanent crisis. The plane takes effect through shocks, concepts proceed in bursts, and personae by spasms.
We do not lack communcation. On the contrary, we have too much of it. We lack creation. We lack resistance to the present. READ MORE >
“Teachers and writers who venerate Catcher have to ask themselves: How relevant is Holden in a world where he is an actual minority?”
-Ned Vizzini on The End of the White Outsider

KILL/SLF/DR/HELP/ME/KILL/MYSELF/GAS/CHAMBER/AEIOUR/DAYS/QUESTIONSABLE/EVERYY/
WAKING/MOMENT/IM/ALIVE/MY/PRIDE/LOST/I/CANT/GO/ON/LIVING/IN/THIS/WAY/KILLING/
PEOPLE/I/HAV/KILLD/SO/MANY/PEOPLE/CANT/HELP/MYSELF/IM/SO/ANGRY/I/COULD/DO/
MY/THING/IM/ALONE/IN/THIS/WORLD/MY/WHOLE/LIFE/FUL/O/LIES/IM/UNABLE/TO/
STOP/BY/THE/TIME/YOU/SOLVE/THIS/I/WILL/HAV/KILLD/ELEVEN/PEOPLE/PLEASE/HELP/
Congratulations to Michael Kimball, author of Us, Dear Everybody and The Way The Family Got Away, because this: “I’m having a pretty great year so far and I feel really grateful for it. I don’t even know how to explain how grateful I feel. I’m so happy to announce that I just sold the world rights to a new novel, BIG RAY. It’s the story of a son coming to terms with the sudden death of his obese father. It’s told through 500 brief entries, moving back and forth between past and present, the father’s death and his life, between an abusive childhood and adult understanding. BIG RAY went to Kathy Belden at Bloomsbury USA, which will publish in Fall 2012, and Michael Fishwick at Bloomsbury UK, which will publish in Winter 2013.”
J. Nicholas Geist at Killscreen gives us a really gorgeous example of a text coming alive electronically.
Visual representations of Infinite Jest objects (movie posters, tennis tourny flyers, etc.). The Quarterly Conversation dedicates a symposium to David Foster Wallace; Who Was David Foster Wallace? And Unbound is a Kickstarter for books. Oh wait: the writer of 20% of all Simpsons episodes has self-published a bunch of novels.
Best deal in town for rad literature: DALKEY SUMMER SALE. Up to 60% off and free US shipping, running through June 15th. Go.

Over lunch, Christopher Higgs and I talked about Gilles Deleuze. I was saying how a lot of my friends–Chris, Blake Butler, and Derek White, to name a few–are really into his writing, especially the ginormous book A Thousand Pleateaus, co-written with Felix Guattari. I’ve tried to read it and get into it a few times, and kept putting the book up, scared off by not being able to immediately comprehend the text, not being able to decipher the numerous codes, terms, coinages. Recently, I changed. I picked up A Thousand Pleateaus again and flipped to a random chapter and read. I enjoyed it, and am enjoying it. Like my experience with Finnegans Wake, there are lucid swathes that I feel I understand, and then there are times when it’s packed dense or just orgiastically conceptual and I tune out a bit. But that process of coming in and out of lucidity is nice. Sort of trancelike.
I mentioned asking Chris some questions about Deleuze, his thinking, the books. I’m sort of acquainted with his ideas through the book A Thousand Years of Nonlinear History (amazing book!), and what Deleuze I’ve now read. But, let me ask you/Chris some maybe dumb questions.
Firstly: Why should we read Deleuze?
Deleuze is the future. He is almost the now, but not yet. Just out of reach, just over the horizon, he is akin to the force that makes the sky pink after the sun sets and pink again right before the sun rises. He is both pre and post everything, like the feeling before a meal of being famished followed by the feeling after the meal of being stuffed. He does what no other thinker before him could do: he upends Plato, he quiets Hegel, he puts all the little thinkers to bed. READ MORE >
Chris Kraus delivers an excellent review of the first comprehensive biography of Simone Weil. This functions as a good intro to Weil’s philosophy, too.

This mag looks gorgeous. The Milan Review is new and the first issue is packing: stories by Dave Cull, Jonathan Dixon, Glen Hirschberg, Noy Holland, Jonathon Keats, Tao Lin, Clancy Martin, E.C. Osondu, Dawn Raffel, Nelly Reifler, Rebecca Rosenblum, Deb Olin Unferth, Corinna Vallianatos and Brent Van Horne and illustrations by Matt Furie and Maison Du Crac. Click through for more pictures and order info. Italy makes fetishworthy objects.
Two essays on Osama Bin Laden’s assassination that got me thinking. First is from Ken Chen at Montevidayo, and the second is from Noah Cicero.