You Private Person: An Interview with Richard Chiem

I interviewed Richard Chiem on the occasion of his first book, You Private Person, published by Scrambler Books. Photos via Frances Dinger and (the above) Matthew Simmons.  

What was your favorite book when you were younger? What books have made you lol or cry or feel excited?

I think I read a lot of Goosebumps books and Animorphs books, and I was trying to collect the whole series for each. If I think about 1995, there were many times of me just waiting by myself inside a Safeway, because you could find them in the book aisle. I could read one of those books in about two and a half hours, so it became an easy addiction, since I wanted to know everything, to know the whole story. I would stack up my stacks of books next to my video games and my comic books in towers. They were each numbered like episodes, and in different colors. It seemed perfect to me at the time to have them all. I would save up six or seven dollars, everything other week or so in 1995, waiting in line at a Safeway. I recognized a particular need to read. But they never made me cry or laugh. I don’t really remember what exactly I was feeling when I was eight years old, in third grade, but I remember those simple horror and adventure stories, and I can still talk about them.

I turn on subtitles when I watch movies now. Some of my friends hate it and some really like it. It was adding another dimension to every movie and it quickened the pace of the viewing experience for me. And I watch a lot of movies. I always write after watching
a movie when everything still feels really alive about the story.

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REVOLT, SHE SAID

Where Art Belongs
by Chris Kraus
Semiotexte, 2011
160 Pages / $13  Buy from MIT Press

&

Girls to the Front
by Sara Marcus
Harper Perennial, 2010
384 Pages / $15  Buy from Amazon

 

 

 

If you’re invested in the lives and work of girls as cultural agents, then you’ll like Sara Marcus’ Girls to the Front: The True Story of the Riot Grrrl Revolution and Chris Kraus’ Where Art Belongs. Like certain of my punk obsessed friends, my interest in bands like Bikini Kill and Bratmobile developed in high school during the late 90s. And by then the whole riot grrrl phenomenon in its original incarnation, with Kathleen Hanna front and center at the mic, was more or less dead. By the time I was introduced to Bikini Kill’s first album, the band had already released its final album Reject All American and played its final show in April 1997. Subsequent fans were left to speculate on both the political origins of the band and the interpersonal relationships that constituted riot grrrl as a living, breathing feminism.

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