A D Jameson

http://adjameson.com

A D Jameson is the author of three books: the story collection Amazing Adult Fantasy (Mutable Sound, 2011), the novel Giant Slugs (Lawrence and Gibson, 2011), and the inspirational volume 99 Things to Do When You Have the Time (Compendium, 2013). His fiction's appeared in Conjunctions, Denver Quarterly, Unstuck, Lady Churchill’s Rosebud Wristlet, Birkensnake, PANK, and elsewhere. Since 2011, he's been a PhD student at the University of Illinois at Chicago. Besides HTMLGiant, he also contributes to Big Other and PressPlay. He's currently writing a book on geek cinema.

Which comics do you consider the most essential reading? (Comics = comic books, comix, comic strips, web comics, more?)

Reading what’s extraneous

Drive-Only-God-Fogives

Last week at Big Other, Paul Kincaid put up a brief but intriguing post in which he asks to what extent various factors surrounding a text influence the way we think about it or its author. He gives the following example:

The program I use for databasing my library pulls down information from a wide variety of sources ranging from the British Library and the Library of Congress to Amazon. More often than not, this can produce some very strange results. I have, for instance, seen novels by Iain Banks categorized as ‘Food and Health’, and novels by Ursula K. Le Guin categorized as ‘Business’. In all probability, these are just slips by somebody bored, though you do wonder what it was about the books per se that led to such curious mistakes.

Paul’s musings raise many interesting questions. For one thing, we might wonder whether the factors he’s describing are indeed extraneous or external to texts. Because I can imagine a good post-structuralist immediately objecting that texts more porous than that, and that it’s all just a sea of endless texts slipping fluidly into one another.

Me, I don’t have a problem with treating texts as discrete and coherent entities, but I admit the situation is complicated.

READ MORE >

Behind the Scenes & Presses / 15 Comments
August 13th, 2013 / 4:10 pm

What’s the weirdest thing you can think of?

Another way to generate text #8: Writing through a foreign language dictionary

Cassell'sI’ve spent this summer studying French, and while flipping through my copy of Cassell’s French Dictionary, I realized it contains un roman caché, just waiting to be libéré.

Here’s all one needs to do:

  1. Flip to any random page on the foreign language side of any foreign language dictionary*. For instance, I just opened my Cassell’s to page 593 (in the French half).
  2. Copy down all of the English on that page, ignoring the French. (Republicans should totally love this technique!)

*You don’t need to use any particular language or dictionary. And the more dissimilar the other language is from English, the more varied the English-language results will be—see below for more on that. And of course you can use this technique using any dual-language dictionary, not just English–X, but I’m assuming English as our baseline since HG is (mostly) an English-language site.

Here’s all of the English on Cassell’s page 593:

READ MORE >

Craft Notes / 5 Comments
August 5th, 2013 / 8:01 am

What are you doing this weekend?

HTMLGiant just got slimed

gb-slimer

Behind the Scenes & Film / 14 Comments
July 26th, 2013 / 10:53 pm

25 Points: Only God Forgives

I’m wearing the same expression as Ryan Gosling there: I just saw Only God Forgives, director Nicolas Winding Refn’s followup to Drive. (If you’re in Chicago, it’s playing through Thursday, 8 August at the Music Box; the film is also apparently streaming online.) Actually, I was so impressed I went and saw it twice.

Anyone out there want to chat about it? I’ll post some initial thoughts after the jump. (Beware of serious spoilers, though: these points cover the entire film, and give away key plot points.)

[My capsule review for those who don’t want to read the rest: Of the five new films I’ve seen so far this year, Only God Forgives is easily the most compelling and my favorite. In second place is probably Iron Man 3, which I mostly enjoyed, but found nowhere near as interesting as this. Securely in last place is Star Trek Into Darkness.]

READ MORE >

Film / 25 Comments
July 24th, 2013 / 3:07 pm

How I wrote my latest novel, part 2

Last week, I documented how I came up with the initial idea for my latest novel—“Lisa & Charlie & Mark & Suzi & Monica & Tyrell,” which I was then calling “The Porn Novel”—and how I simultaneously began exploring that idea and laying out some basic formal parameters. I also provided a general overview of my general writing process. Today I’ll cover how I finished this initial exploratory period and settled into a stronger sense of the project as whole. Again, my hope is that these posts will prove useful to other writers, and interesting to everyone on God’s green earth. Because I remember very clearly that, during the decade I spent writing my first novel, Giant Slugs, I often felt frustrated and confused. And while every writer must figure ultimately things out for her or himself, some of my strategies and methods might prove theft-worthy—or at least provide a good laugh.

So I’d gotten to the point where I’d translated the original idea (“a pornographic novel that doesn’t contain any sex”) into a more specific approach: six chapters featuring six friends meeting up for six meals. I knew that each chapter was going to be long, to make the absence of salacious material more palpable. And I’d whipped up some character names, and sketched out a list of potential meals.

I also tried estimating how long each chapter would have to be. I decided that, in order to convey the proper feel, the first five chapters should be at least 20 pages each, and that the final chapter (the group dinner) should be longer—at least 30 pages. That added up to 130 pages minimum, which felt like the shortest the project could be. I translated that into word counts, since I think better that way (for one thing, I always single-space my manuscripts, since years of teaching/grading, not to mention taking writing workshops, have led me to despise the look of double-spaced manuscripts). I had a sense that the project would be dialogue-heavy and not contain any long paragraphs, running maybe 250 words/page. Hence, the projected numbers worked out to 5000+ words apiece for chapters 1–5, and 7500+ words for chapter 6. These were just targets, of course, but having a rough idea of what I’m aiming at helps me pace myself, and estimate how long the writing will take.

I also started my writing journal. I use Excel for this and it’s nothing extravagant; I just note each time that I work, and jot down a few words as to what I did. I also track the word counts as they change (using blue for increases and red for decreases). And while this habit of mine is probably the sign of a diseased mind, it helps keep me motivated, encouraging me to “log in” every day, and stick to my routine. It’s not unlike tracking my workout routines, or the movies that I watch. Plus it yields data I can later analyze, which is the only thing that sustains me through the long cold Chicago winter. (Dear NSA, I hear you had an opening recently? Call me!)

Now before you think me entirely insane, consider this. I have a simple litmus test for what enters/exits my writing routine: is it fun? I write a lot, and want to enjoy it, and make it something I look forward to doing. As such, I’m always looking for little ways to reward myself, and to make the situation more pleasant / less stressful.

For example: when I was younger and writing only fitfully, I mostly wrote late at night, even though I never had much success doing that. Writing was something I did after stressing out about it all day, feeling guilty about not having gotten any work done. After a decade or more of that, I switched to writing in the morning—and, believe me, I did not think I was a morning person at that time. But I started living with a yoga instructor who taught early morning classes. So I started getting up at 5 AM and, amazingly, I discovered that I was much more productive and happier when I wrote then. (I also realized that predawn is my favorite time of day.) That experience taught me to examine the rest of my writing routine, and to try making it more enjoyable overall. So my Excel files are in some sense silly, yes—but they are my only friends, and I name them, and I love them.

Here’s a snapshot of the journal that I made:

READ MORE >

Craft Notes & Vicarious MFA / 30 Comments
July 3rd, 2013 / 8:01 am

99 Things to Do When You Have the Time

99 Things 01

In March of last year, I wrote a post here entitled “100 things to do when you have the time.” It proved popular and I was approached by a press, Compendium, Inc., with the offer to turn it into a book. I said sure and now the finished book is available through Compendium’s website as well as at various bookstores.

I worked with my editors to revise the list, which changed a lot (for instance, we lost a thing). After that, others transformed it into a book that’s just as much a journal as it is a list, with original art and design on every page. 99 Things wouldn’t exist without M.H. Clark and Amelia Riedler’s editing, Julie Flahiff’s creative direction, and Heidi Rodriquez’s design work—my sincerest thanks to all of them.

As well as to Michelle Tupko. I initially made the list for her, but after a while I realized I needed it just as much myself. And now it’s for everyone else, or for anyone who wants it. If you do check it out and find it useful, I’ll be gratified.

Behind the Scenes / 5 Comments
June 28th, 2013 / 8:01 am

How I wrote my latest novel, part 1

writing survival kit

I’ve wanted for a while now to try writing a story “live” here, posting my work as I went from initial idea to finished piece. I might still do that, but for now, here’s a related series of posts. I spent the past forty days writing a new novel (“Lisa & Charlie & Mark & Suzi & Monica & Tyrell,” though my working title was “The Porn Novel”), and want to share with you how I did that. My hope is this will prove less an exercise in vanity and more something instructive—like, you might want to do the exact opposite of me.

Let me state up front that I don’t think there’s any one way to write novels, or fiction, and I don’t approach all of my projects in the same way. And what works for me may not work for you. But I have developed some basic procedures that I find useful and that you might enjoy trying. Also, this time around, I encountered some formal problems that should make for good discussion.

I write pretty quickly, but forty days is the fastest I’ve written a novel. (This is the third one I’ve really completed.) My first novel, Giant Slugs, took nearly a decade from start to finish, during which time I wrote three completely different versions of the book. That experience was, on the whole, difficult and often mystifying. Only in the final two years, when I wrote the final version of the novel, did I feel as though I understood what I was doing, and even then I felt crazily out of control most of the time. I had by then a Master’s in Creative Writing, but never received much instruction in novels, so I had to figure out a great deal on my own. (Perhaps that’s inevitable?)

I wrote my second novel, “The New Boyfriend” (still unpublished) as an anti-Giant Slugs: whereas GS is a mock-epic with dozens of characters and locations, covering several years, “TNBF” is a single scene featuring four characters, set in a single location on a Sunday afternoon/evening. That project took me seventy-five days total, which taught me that time is a resource, and some projects take less of it than others. I’m sure I’ll return to more time-intensive projects later, but for now, I’m having fun sprinting.

Recently I’ve wanted to try writing a novel in one month, and when I dreamed up this new project, it seemed a good candidate for that. (And, no, I’ve never done NaNoWriMo, though I have done the 3-Day Novel Contest about six times. I learned a lot from doing the 3-Day, but never produced what I’d consider a finished novel.)

READ MORE >

Craft Notes & Vicarious MFA / 26 Comments
June 25th, 2013 / 2:11 pm