Sartre publishes “The Wall” on his facebook wall
September 7th, 2010 / 6:23 pm
Folks at Google are probably not giving us a hint with “ex pat,” short for expatriate, but I wish they were. Yes, the example provided is of Pat, or Patrick, who, like most of us, want to venture off east- or west-ward over seas to more exotic places — as critique of America, or simply for better food — but simply stayed, for a mortgage, career, relationship, or other thing one is supposed to have. The big bros Google and Facebook know your IP location at all times, and should those vectors point to your office, living room, or bedroom, then let’s say it’s not your fault, but the fault of this internet who re-wired us into thinking that 4 hrs offline is some venture into dark mysterious non-connected places. A text that isn’t answered in 5 minutes is symbolic dust in the shape of a middle finger. True, the expatriate wouldn’t be so free were it not for ongoing travel logistics one attends to over email, but the inadvertent “ex pat” username is a good reminder of the tethers to which we are bound by carpal tunnelled wrists. I went canoeing yesterday with co-workers who were freaking out because they hadn’t checked their email in over 4 hours; some of us flipped, our cell phones and wallets floating down stream in neurotically sealed zip-lock bags. We came across a deer carcass who, from the degree of its decomposition, hadn’t checked its email in like 14 days. Holy shit, the river went.
Fresh Air Exclusive Transcript
TERRY GROSS: A lot of people think we look very similar, would you care to comment on that?
JONATHAN FRANZEN: Well Terry, you do sort of look like a man; no offense, and I’m dating a feminist, so we’re on the same team here. Most women have long hair and softer features, which is where the problem is. I just think Americans really need to step back and realize it’s not all about capitalism and gender. My new novel Freedom aims to expose the underbelly and subconscious of the American pathos.
TERRY GROSS: Thanks, that was really touching — speaking of which, what am I hearing under the table?
JONATHAN FRANZEN: Well Terry, I’m under contractual agreement with my publishers to “pound away at [my] future,” and this moment I’m focusing on DNA.
TERRY GROSS: Gross.
JONATHAN FRANZEN: Franzen.
Directions to forever
The top ten list just released [left] is almost identical as last year’s [right], except University of Massachusetts Amherst was dropped, replaced by Syracuse University. If you care about your future, the drive will take you approximately 4 hours and 23 minutes. If you have to cry in the car, please roll down the windows, as your tears will evaporate quicker. A good place to hide acid tabs should you be pulled over is under your eyelids. A good place to blow someone is America. The best way to get there:
Using the clone stamp in Photoshop, artist Paul Pheiffer, in his digital print and video work, meticulously erases — or more accurately, imposes background space onto — surrounding areas, leaving one sole basketball player suspended in air without any context of ball, net, or other players. The result is uncanny and stunning, and initially brought to mind the Crucifixion, whose main character is also abstracted in front of a spectacle. The jersey design and player number have been removed, perhaps in wishful allegiance to John Lennon’s imagining that there were no teams or corporate sponsors. Galleries and sports stadiums function as modern churches, a place of worship [see related post]. Last night looking over this series entitled “Four Horsemen of the Apocalypse” (ongoing, which began ten years ago), I was suddenly reminded of the lynchings against blacks, like a rope photoshopped out of our minds.
Belief Quartet
I.
This morning I was listening to Steve Reich’s “Music for 18 Musicians” on my headphones sitting outside drinking coffee, a 56-minute commitment to listen to in its entirety. The score is recorded live in one take; the instruments played so uncharacteristically that they sound put through a sequencer. Much of Reich’s music is about timbre, acoustic capacities, and the melodic “negative space” between syncopated notes. When some bass clarinets came in pulsing thick and strong, I felt deep droning reverberations in my chest cavity, so visceral it was, so moved by the spiritual score — until I realized a large truck approaching behind me, shaking the ground, its driver the 19th musician.
August 19th, 2010 / 2:04 pm
How soon one discovers that, however much one is in the ordinary sense ‘interested in other people,’ this interest has left one far short of possessing the knowledge required to create a character who is not oneself. — Iris Murdoch (1919 – 1999)
As evasive her “one” pronoun dance is, Murdoch rings clear a concern and problem for many writers (concern for the cognizant, problem for the oblivious), that the writer, at the height of their creation, is not creating, but merely transcribing their experience veiled as character.
Alternative Magazine Covers
As Jonathan Franzen solemnly graces the cover of TIME magazine, we got to thinking who of his peers were also deserving of a cover on other magazines, and what those magazines might be. Here are our top picks:
August 17th, 2010 / 4:17 pm