Matthew Simmons
Matthew Simmons lives in Seattle.
Matthew Simmons lives in Seattle.
I found myself stuck yesterday, looking at the last few lines of a scene, sure about where the story goes eventually, but not sure where it was supposed to go right then.
I decided to reexamine the scene I had written from a different angle. I decided to look at what was going on beneath the scene.
And I don’t mean metaphorically. I went beneath the scene and decided to try to describe what was happening within a character’s foot. Maybe I’ll keep it. Maybe I won’t. Something happened, though.
Here’s the exercise: find a scene or write a scene. Read it or reread it. Start again. Describe what is happening beneath it. The apartment below. Under the dirt. Deep within the lower extremities of a character’s body. At the opposite end of the Earth.
Maybe that scene is more interesting. If so, throw out the original. Maybe the scene makes meaning in the juxtaposition between itself and the scene above it. Incorporate one into the other. Maybe nothing will be there. Hey, at least you spent some time writing. Good for you.
2009 has been a hell of a year for books, I think. Will 2010 be even better?
The answer, of course, is an emphatic maybe.
“MAYBE!”
Here are three coming in 2010 you should be looking forward to. Comment with more. READ MORE >
The Stranger books editor asked if I would participate. I said sure. He asked what sort of writerly service I could provide. I said I would be happy to spend an hour with the winner of whatever writerly package I was a part of discussing the proper use of white space in a piece of fiction. And then I said I would also be happy to tell the person why they shouldn’t write a story in the second person.
My contribution to this charity prize package—which is called “The DIY MFA, Semester Two” and includes Maria Semple and James Morrow offering advice on one of your stories and a graduation dinner with Ryan Boudinot—is listed on auction website as: “…a beer or two with Matthew Simmons…” Pressed for space, they have summarized my contribution. This is okay. I have some observations, though. READ MORE >
httpv://www.youtube.com/watch?v=K6_VAiznSTc
Harvey Sid Fisher is playing the Jewelbox Theater tonight. Kills me that I already have plans.
Harvey Sid Fisher is better than 90% of American fiction.
(If you are from elsewhere in Washington state or Oregon, there is probably still time to get on the road for this show.)
I have a question.
Here in this video, Sherman Alexie compares digital books to digital music, and says that now, all musicians need to make their money touring instead of by selling records:
The Colbert Report | Mon – Thurs 11:30pm / 10:30c | |||
Sherman Alexie | ||||
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Please correct me if I’m wrong here, musicians: most artists never see much money from their recordings. And they didn’t even long before the internet made wide-scale file sharing possible. Because they couldn’t recoup the costs of the recordings they made to their record labels. (Doug Wolk linked to this little post by a member of the band Too Much Joy recently. They still owe nearly $400,000 to Warner before they will ever see a penny of royalties.)
The analogy simply doesn’t hold. If you are making a principled stand based on a false analogy, what then?
“Yar yar yar.”: 45 minutes of Fugazi stage banter. If someone crowd surfed at your reading, would you be angry, proud, or confused?
Step one: search through your files for two stories that don’t work. Find one that has a character you really like, but is otherwise uninteresting. Find another that works on a lot of levels, but is nonetheless dull.
Step two: take the interesting character and place her/him in the other story in some awkward way. Force her/him into a confrontation with the characters in the well crafted but otherwise dull story. Let the character be aware that she/he is in some way out of place, but not necessarily in a meta “I’m a character in a story, but I think this is the wrong story” sort of way. Unless that is what you want to do.
Step three: watch as the character attempts to escape. Watch as the dull story attempts to hold the character in the story because the story prefers this new, interesting element to its original, dull cast.
httpv://www.youtube.com/watch?v=k3ZSXlNvAiI
httpv://www.youtube.com/watch?v=6m2lfk4Bm34
httpv://www.youtube.com/watch?v=utjyI3WpGNg