Roxane Gay

http://www.roxanegay.com

Roxane Gay’s writing has appeared in Best American Short Stories 2012, Best Sex Writing 2012, Oxford American, American Short Fiction, Virginia Quarterly Review, NOON, The New York Times Book Review, The Rumpus, Salon, The Wall Street Journal’s Speakeasy culture blog, and many others. She is the co-editor of PANK and essays editor for The Rumpus. She teaches writing at Eastern Illinois University. Her novel, An Untamed State, will be published by Grove Atlantic and her essay collection, Bad Feminist, will be published by Harper Perennial, both in 2014.

A Brief MFA Discussion Round Up

This weekend I spent some time thinking about how much people love talking about MFAs, what they’re good for, who should get one, why they’re terrible, how much they cost, why they’re wonderful and on and on and on. I never imagined that a college degree could generate so much vigorous discussion. I love it.

At The Rumpus, Anelise Chen wrote an essay about the MFA Ponzi Scheme. It’s a great, witty essay that makes good, if not commonsensical points. The comments are pretty intense with all kinds of opinions being shared about the MFA with a great deal of cost/benefit analysis. I love when writers get all math-y. I don’t have much of an opinion on MFAs. I do not have one. I do believe one should never pay for graduate school but that a graduate education is awesome. There are worse things someone could spend their money on, like drugs, though for some, that might be something better to spend their money on.  I don’t judge.

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Roundup / 27 Comments
October 3rd, 2010 / 4:22 pm

Once There Was Great Writing Here

I am a big proponent of electronic and online publishing but there is a permanence to a physical book or magazine that cannot be denied. This is not to say that physical books cannot disappear. They can and do, but it takes time and effort or neglect. When something is published online, it only takes one click of the mouse to remove it. That work might remain in Google’s cache for a while but eventually, it will disappear entirely, like the words were never there.

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Behind the Scenes / 36 Comments
October 1st, 2010 / 2:32 pm

These Things May Dismay You

Snooki of Jersey Shore fame is going to publish a novel. I have, previously, expressed enthusiasm for Tyra Banks’s opus, Modelland and I don’t have a problem with celebrity books (I support them, in fact, not that it matters), but I admit I am struggling mightily to feel anything but a profound sense of hopelessness at the idea that a young woman who has read only two books in her life (Twilight and Dear John) is going to “write” a book.

Tucker Max has been on the New York Times bestseller list for 150 consecutive weeks and he has some advice for how you, too, can make that happen.

Random / 55 Comments
September 29th, 2010 / 1:28 pm

On Genius

When I was 19, I had a late adolescent identity crisis and proceeded to get seven tattoos on my arms in a very short amount of time. I have no idea what I was thinking. On the underside of each forearm, I got the Japanese kanji for “genius.” Yes, I know, it’s ridiculous, but I was 19 and at 19, we do all sorts of ridiculous things without understanding we’ll have to bear the consequences of those choices in, say, our thirties. The idea of genius is really interesting to me and it’s something I feel I’m always trying to reach for, despite my limitations. As a culture, we are fascinated with the idea of genius. Genius this, genius that. In the public school system they try to ferret out little geniuses by calling them “gifted and talented,” even when sometimes a kid’s only gift and talent is managing to keep up. Bright children who demonstrate an aptitude for math or chemistry are fast tracked so they can become the next Doogie Howser who was a child genius who became a doctor as a teenager. Doogie Howser isn’t real, but it’s a sexy idea that someone is so brilliant they not only achieve greatness, they do so at an extraordinarily young age.  The bar for genius is not always high. At the Apple store, when you need your products repaired you go to the Genius Bar where, more often than not, you will encounter someone who is decidedly not a genius. Not all geniuses are created the same. Albert Einstein was a genius. He had theories, all things being relative, and they were sound. He also had wild hair but he was a genius, so that was okay because for geniuses, the rules are a little different. I once helped a friend solve a problem and she shouted, “You’re a genius,” and squeezed my cheeks. I am no Albert Einstein. Most parents think their children are geniuses. They scrutinize their progeny for any sign of prodigious ability and if they can, say, sing or dance with remarkable aptitude, they shuttle them into reality television shows like America’s Got Talent, a show that makes it clear that when we say genius we are not always saying the same thing. My niece is six weeks old and in my family, we’re all fairly convinced she’s a genius because she stares with an unwavering intensity that is, frankly, a little creepy. She makes you look away she stares so hard and once during the fourth week of her life, when we were cooing at her like idiots and she was staring at us like the freaks we are, she said something that sounded like, “Hi” while throwing up a baby power fist. My sister in law and I looked at each other, high-fived and I said, “Baby genius, obviously.”

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Random / 56 Comments
September 28th, 2010 / 4:09 pm

Reviews

The Ordinary Extraordinary: Three Gorgeous Books

I have enjoyed three really gorgeous books recently–Baby by Paula Bomer, The Physics of Imaginary Objects by Tina May Hall and Bad Marie by Marcy Dermansky. These are books you’re very much going to want to read because they are, simply, exceptional.

I love domestic stories. There is an intimacy to them that I find very pleasing because we’re allowed to see moments that are terribly personal. Everyday life is always the most interesting to the person living it but there are writers who can take everyday life and make it interesting for anyone. I have discussed, at length, my love for The Little House on the Prairie books and one of the things I loved most about each of those books was how everyday life was made interesting in ways that were always hypnotic. I loved the precise details about home and hearth, the food the Ingalls ate, the bitterness of the cold winters. In the hands of the right writer, a domestic story is more than just a domestic story. Another one of my favorite books is The Age of Innocence by Edith Wharton, another story where the details of domestic life,  elegant and refined, are conveyed meticulously. The ordinary becomes extraordinary as we read about the social and domestic mores of a different people in a different time.

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18 Comments
September 17th, 2010 / 3:40 pm

Two questions. When Witz came out, it felt like a lot of people were obsessed with the length of the book at 700 pages, as if the length were an insurmountable obstacle. Jonathan Franzen’s Freedom is about 570 pages long and way heavier because it is an infernal hardcover book, and yet I don’t hear a lot of chatter about the length of the book. Why is that? I hate hardcover books. When I say hate, I mean I react irrationally to them. Holding them makes me want to punch something. It’s uncomfortable especially because I am reading Freedom right now and it literally pains me to hold it. I should have Kindled it. Does anyone else hate hardcover books as much as I do?

Random / 70 Comments
September 16th, 2010 / 5:14 pm

I Like J. Bradley A Lot

J. Bradley is a poet and fiction writer who wears many different hats. He is the author of two excellent books—Dodging Traffic (Ampersand Books 2009) and The Serial Rapist Sitting Behind You is a Robot (Safety Third Enterprises 2010), a slam master for the Orlando Poetry Slam, and the Interviews Editor for PANK. If I were to use one word to describe J. Bradley’s writing, it would be sharp, like a knife. The word “edgy” is often overused when discussing writing but that term is appropriate when talking about J. Bradley’s work. He is often profane and downright inappropriate and yet, his stories and poems are compelling, sometimes funny, and sometimes they’ll tear your heart out of your chest. He’s not writings thing like, “”I’m gonna fuck you so hard, you’re gonna have Down’s Syndrome,” just to be outrageous. There’s always a purpose to the profanity, a method to the madness. When I read Bradley’s writing, I cannot help but think, “Who is this man who dares to go there?”

The Serial Rapist Sitting Behind You is a Robot is a curious little collection of words. Each story is unique but possessing Bradley’s distinct voice. He makes frequent use of analogy, forever comparing one thing to another in ways that are surprising or shocking or charming but always engaging. Whether writing about a boy with chainsaws for arms or a man’s wife’s girlfriend or a wedding ring forged into a bullet, each of the very small stories in this chapbook are strange but controlled and cool breaths of fresh air. Bradley’s wonderful stories offer the reader vivid snapshots you would not be able to see from the mind of any writer but J. Bradley. I loved his chapbook so much I thought I’d ask him a few questions about his writing, warped mind, and other literary endeavors.

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I Like __ A Lot / 70 Comments
September 9th, 2010 / 12:00 pm

HTMLGIANT Features

I Learned Important Things in School

I have been in school for nearly 32 years with a few years off during my twenties to solve existential crises and the like.  I don’t know much but I do know school and I have gone as far as one can possibly go. In a couple weeks, I will defend my dissertation and I have already started working as an assistant professor at a university in the middle of a cornfield so it’s safe to say that I will probably always be in school in one way or another.

Education is not something that has to happen in the classroom. I often tell my students they will learn just as much, if not more, beyond the classroom, by living life and losing at life and learning what to do with the critical thinking we try to instill in them. Anyone with a library card can get a valuable education. Self-taught scholars abound. Education is also a privilege. To be adequately prepared to succeed in college and to be able to afford college, either through financial aid or having your family pay for your education is a real gift and one not available to nearly enough of the people who want a college education. I believe the education system harbors an inherent bias to people who are white and/or middle class or wealthy but I also believe a good formal education has helped more people than it has harmed. Whenever a student complains about something like the amount of reading or writing I assign (to be fair, quite a bit), I like to remind them that they choose to be in college and if they don’t like it, they can move on to a different opportunity. They can also drop my class. I don’t mind.  There are all kinds of things wrong with the education system but I don’t think there’s enough talk about what that the education system does right or at least I would like to talk about what a good education has done for me.

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55 Comments
September 7th, 2010 / 5:17 pm

John Grisham wrote an interesting editorial in the New York Times about the kinds of work he has done including selling underwear at Sears.

Amber Sparks has written a must-read post about professionalism and literary magazines.

Lionel Shriver has some things to say about women and publishing in The Guardian.

Have you all read Bad Marie by Marcy Demansky yet? It’s amazing and you should go get this book immediately so you can let it kick you in the face. It will be worth it.

Speaking of hipsters, here’s something on cultural vampirism.

If you loved Beverly Hills 90210 (the original, of course; let us not speak of the current abomination) you might enjoy this interview with a producer from that show.

I have always been fascinated by the giddiness of women in commercials about cleaning products so when I read this poem, I felt like something important was happening.

Finally, four little magazines that always have interesting things to read: vis a tergo, Metazen, Dark Sky, and Staccato Fiction.

Roundup / 47 Comments
September 7th, 2010 / 12:44 am

HTMLGIANT Features & Random

What Matters, What’s Remembered, What We Care About

Bear with me. People have opinions about Jonathan Franzen. These opinions are rarely mild. There’s something about his personality and the way he negotiates his public image that invites discussion. I thought I had an opinion about Jonathan Franzen but the more I think about it, the more I realize he is  not part of my literary vocabulary. If I never read another book of his again, my life would not come to an end. I loved The Corrections. That seems like a contradiction. I thought The Corrections was a great story, meandering and sweeping and engaging. But I’ve only read it once. I loved it but have never felt compelled to pick the book up again so maybe I don’t love The Corrections. Maybe I just really like it. I am excited to read Franzen’s forthcoming novel, Freedom, which I will be enjoying with The Rumpus Book Club. On Facebook, I think, I saw someone (Kyle Minor?) observe that people seem to enjoy taking down successful, ambitious people in reference to a lot of the recent commentary in various outlets about the VQR “situation.” I do not necessarily disagree. Successful, ambitious people are easy targets because we see them plainly and we have opinions about what they do and how we would do what they do and whether or not they deserve to those things they do and the privileges they enjoy because of how well or the public perception of how well they do the things they do.

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128 Comments
September 2nd, 2010 / 3:19 pm