Sam Pink

a paragraph i’d kill to have written

He woke with the undersides of his eyelids inflamed by the high sun’s hammering, looked up to a bland and chinablue sky traversed by lightwires.  A big lemoncolored cat watched him from the top of a woodstove.  He turned his head to see it better and it elongated itself like hot taffy down the side of the stove and vanished headfirst in the earth without a sound.  Suttree lay with his hands palm up at his sides in an attitude of frailty beheld and the stink that fouled the air was he himself.  He closed his eyes and moaned.  A hot breeze was coming across the barren waste of burnt weeds and rubble like a whiff of battlesmoke.  Some starlings had alighted on a wire overhead in perfect progression like a piece of knotted string fallen slantwise.  Crooning, hooked wings.  Foul yellow mutes came squeezing from under their faned tails.  He sat up slowly, putting a hand over his eyes.  The birds flew.  His clothes cracked with a thin dry sound and shreds of baked vomit fell from him. 

 

Suttree, Cormac McCarthy

Excerpts / 31 Comments
September 23rd, 2009 / 3:02 pm

i enjoyed reading this piece of writing by bradley sands.  i also enjoyed the tips for a sexier stomach on the side of the page.  reading the piece of writing by bradley sands and then learning how to get a sexier stomach, really, felt like two consecutive wins.

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FIREWHEEL CONTEST

complete information after break.

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Contests & Presses / Comments Off on FIREWHEEL CONTEST
September 18th, 2009 / 4:59 pm

chris higgs’ latest post produced a discussion about audience.  i have thought about this before.  my question is: can you ever have an audience (outside of yourself) in mind while you are writing?  if you have an audience in mind before writing, doesn’t that mean that you are dealing with something that is already common?  and doesn’t that mean that you are offering something that is not truly unique?  the discussion branched off into the classic “indie small audience” versus the “mainstream big audience” talk.  i don’t understand anyone wanting either in advance.  audience seems to be something that happens afterward, long after anything the writer does.  i understand eventually feeling good about a large group of people reading something you are pleased with, but i don’t understand wanting this in advance of pleasing yourself.  again, i am not suggesting that only small audiences are good (good meaning representative of quality) and big audiences are always bad.  what i mean is, can you imagine how drained a book that appeals to the whole world would be?  i don’t think it’s even possible to imagine a book the entire u.s. would like, or an entire state.  which to me, seems to mean that the audience you don’t have is also important.  i’m just thinking.

there’s this.

relatability

lungs

how big an issue is relatability?  what i mean is, when you are reading something, how much of your interest in it is the direct result of relation?  i think it could be argued that relationships are what every book is about one way or another.  this means all things relatable (ie, the relations between characters, the relations between reader and book, the relations between words and ideas, etc).

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Behind the Scenes / 56 Comments
September 10th, 2009 / 2:12 pm

what do you think of htmlgiant up until this point.  what is your perception of this website.

POWER QUOTE: AR AMMONS

ArchieAmmons

“where i came from it

wouldn’t be smart to talk about art:

talk about sawing logs or getting

the swamp hogs up or worming tobacco

or gutting ditches would be a lot

safer: when in Rome: don’t try to

get the Romans to do what you do.”

(from the poem GLARE)

Power Quote / 8 Comments
September 3rd, 2009 / 11:42 pm

i am assuming that a lot of people who read this site do not write their own work for a living, meaning, their income is predominantly the result of another job.  what have other jobs taught you about writing?  i worked at a daycare and i learned that even a book someone may want to hear read to them day after day is still not as important as juicey juice and graham crackers and a table full of your friends.  i worked as a house painter and i learned that thinking long term is depressing and to focus on just doing small things right.  i have learned working with customers at other jobs that each individual’s problem is almost always him or herself, but his or her life manifests as a series of outward aggressions.  working at a pizza place i learned my boss was a dick and that some people hate you so much they don’t even need a two week notice.   these are pretty cliched lessons but i am posting this because i like to know what other writers (not necessarily famous) do or did for work.  also, since there are more writing programs at colleges, (maybe) it has become easier to do something related to writing for a living.  how does this type of job impact writing?  i can’t tell if this is a good or interesting article.  the school across the street from my apartment just had a three hour recess beginning early in the morning so i feel demented.