Power Quote: Special T.O.C. edition, for keith n.b., with double special bonus shout-out to Paul Violi
In a comment on yesterday’s “Power Quote” post, one of our regular commenters said he couldn’t find much about M.L. Rosenthal’s The Modern Poets: A Critical Introduction on the web. Well, neither could I, actually, which is one of the reasons that my post had links to some Yeats poems he had written about instead of to anything by Rosenthal himself. So by special request, please find below the T.O.C. to the book, plus some info on Rosenthal, for the edification and enjoyment of all. Before we get to that, however, I want to give a shout-out to Paul Violi. I was lucky enough to study with Paul when I was an MFA at The New School. Of all the poets–hell, all the people–I know, he’s easily one of the best- and widest-read, and is always generous with his vast knowledge when I get a bug up my ass about this or that poetry-related topic and start suddenly shooting him emails. Most recently, that topic has been Ezra Pound. Paul pointed me to Rosenthal specifically for chapter three, “EZRA POUND: THE POET AS HERO.” After–or before–you check out the T.O.C. to this book, I emphatically recommend you click over to Paul’s website and check him out, if you don’t already know his work.
Power Quote: M.L. Rosenthal
Modern poetry as a whole tends to be tragic in its assumption that we are at a cultural dead end, in which myriad values at cross-purposes, with modern political values the most virulent of all, are choking each other to death. The major poetic situation is the struggle of a heroic sensibility, or Self, to free itself from the condition of living death imposed by this murderous predicament. Clearly, the most elementary way to gain such freedom is to insist on the priority of instinct and emotion over all logical and systematic thought and over the demands of society. In many poems, Yeats fastens on the sexual act and the mystery of sexuality as the ultimate source of meaning.
-“Yeats and the Modern Mind”
(in The Modern Poets: A Critical Introduction; (c) 1960)
Some problems just never get old, do they?
read “Leda and the Swan”
buy Poetry in English: An Anthology; M.L. Rosenthal, ed.
Power Quote: Harold Bloom
Poetry and belief, as I understand them, are antithetical modes of knowledge, but they share the peculiarity of taking place between truth and meaning, while being somewhat alienated both from truth and from meaning. Meaning gets started only by or from an excess, an overflow or emenation, that we call originality. Without that excess even poetry, let alone belief, is merely a mode of repetition, no matter in how much finer a tone. So is prophecy, whatever we take prophecy to be.
– Ruin the Sacred Truths (p. 12)
*********SPECIAL BONUS**********
What do you mean you didn’t know that Bloom’s title is drawn from an Andrew Marvell poem about Paradise Lost?
Read Marvell’s “On Mr. Milton’s ‘Paradise Lost'”
Then why not revisit the only Andrew Marvell poem you actually know?
Now let us sport us while we may
Power Quote: Allen Tate (with SPECIAL BONUS FEATURE)
I take the somewhat naive view that the literature of the past began somewhere a few minutes ago and that the literature of the present begins, say, with Homer. While there is no doubt that we need as much knowledge of all kinds, from all sources, as we can get if we are to see the slightest lyric in all its richness of meaning, we have nevertheless an obligation, that we perilously evade, to form a judgment of the literature of our own time. It is more than an obligation; we must do it if we would keep on living. When the scholar assumes that he is judging a work of the past from a high and disinterested position, he is actually judging it from no position at all but is only abstracting from the work those qualities that his semiscientific method will permit him to see; and this is the Great Refusal.
– “Miss Emily and the Bibliographer”
(from Praising it New: The Best of The New Criticism; Garrick Davis, ed.)
**********SPECIAL ALLEN TATE BONUS FEATURE*********
Tate’s “Ode to the Confederate Dead”
and Lowell’s rejoinder, “For the Union Dead”
bye and bye, Lord, bye and bye
O Captain, My Captain: Lish Power Quote #4 & 5
Scare myself, change the terms, rearrange the rules, let recklessness overtake me, see if I can outrun habit, make a friend of chaos.
My Romance, pg 25
Extra bonus righteousness for your Captain-buck quote:
Yes, yes, yes, yes, writers, fucking writers, fucking rewriters, fucking usurpers, fucking assassins. Skip it, names. I am sick of it, names. Me, I will see you in the lobby.
My Romance, pg 141
O Captain, My Captain: Lish Power Quote #3
Work on your blanks.
– Arcade, p. 172
Power Quote: Donald Barthelme
ANATHEMATIZATION OF THE WORLD IS NOT AN ADEQUATE RESPONSE TO THE WORLD.
– Snow White
Power Quote: Beckett
Thus the sixpence worth of sky changed again, from the poem that he alone of all the living could write to the poem that he alone of all the born could have written.
– Murphy, p. 83
O Captain, My Captain: Lish Power Quote #2
Here is what I wanted. You know what I wanted? I wanted for me not to have to make believe I wanted something.
– Arcade, p. 156