Skeptical Voyeurism
Sorry Cormac McCarthy, I know everyone says you’re great but I just don’t buy it. I need to inquire for myself. If your books don’t got that “LOOK INSIDE!” feature I just won’t take the chance — and God forbid I leave my house and browse the bookstore; that would require me to put on my underwear, and my junk needs to shrunk. See what I just did for a rhyme?
Jabs and jokes aside, it’s interesting how the “Look Inside” feature points (inadvertently or not) to what’s most essential to the consumer/reader: the ‘judging a book by its cover’ cover; the marketing flourishes of blurbs/synopses on the back cover and/or inside flap; and the first 5 or so pages of text. (I’m not making any argument, for an arbitrary excerpt at pg. 214 would be fairly inapplicable. This ain’t exquisite corpse bitch.)
Perhaps the writer’s job is inextricably slash irrevocably also the publisher’s/vendor’s job as well: to capture, convince, and compel the reader by pg. 5. It’s like a blind date: you can tell by the first 5 sips of that gin n’ tonic if ur gonna fuck. For those novelists out there (for I am not), how cognizant are you of your reader’s fickle ADD constraints? Do you expect someone to bear through the first 50 pages on “good faith,” or do you throw your best punches at the start? Maybe the best plan is to do it throughout the entire book, but hey, we can’t all be idealists. Is a short story simply the beginning of a novel that is never finished? Is Cormac McCarthy basically a version of Ralph Lauren without the cologne? What drives a writer: ego, love, or pain? If one answers a rhetorical question in the comment section, how closer are they to infinity? Who’s your daddy?
A new issue of Colored Chalk will be edited by Richard Thomas and he’s accepting submissions for its “heaven and hell” issue (500 to 1500 words) until June 30th. I’m polishing up a piece on heaven for submission.
Poetry&Literature&…………
httpvh://www.youtube.com/watch?v=mQqyzXhD6Ts
httpvh://www.youtube.com/watch?v=mWpNPP6Lvi4
From Robbie, again.
An aside: Burning Man is entertaining; it’s fun to watch hippies induce themselves into a similar but more lethargic trance with the aid of copious amounts of drugs, hippies that call themselves Moon Dog, and Star Fire, and The Walking Dude, but only for the weekend.
June 18th, 2009 / 7:15 pm
A Field Guide for the Literary Web Site: Authors’ Pages, A-D
Author websites generally fall into two broad categories: A) The Slick and Professional Page; these are useful when the author just wants a functional thing that will make other people take them seriously and some contact information just in case anyone has a bag of money to send them. Generally, it’s journalists who go this route. Take Richard Morgan’s website for example. (Bonus points for the Anagram.)
Then there are the author websites that are meant to do something else entirely, to be a thing in and of themselves. Maybe they have a good blog or art or something attached. Maybe they have some kind of page-maze to click through. Here are some of my favorites:
Ander Monson’s website (OtherElectricities.com) Monson has some great essays posted. The whole website reads more like an e-book than a website and the design is great.
Aimee Bender (Flammableskirt.com) I like the writing exercises section and all the illustrations are good.
Ben Marcus’s site (Benmarcus.com) is really awesome, but I think it’s broken or something right now. Ben had a section called “Disguises” that was a bunch of pictures of people who looked like him (Big bald headed white guys with glasses, Caucasian Jimmy Chens.) Don’t know what’s wrong with the…
Chelsea Martin (Jerkethics.com) Duh. I felt like I had to include this on the list even though you’ve probably all seen it. Chelsea’s drawings are rad. ( and the drawings are very good::: )
David Shields (Davidshields.com) Shields’s site is really well designed and the front page is a picture of his bald head.
More to come…
Check out the winner of the Lamination Colony ‘This is not not a Contest’ contest, chosen from over 200 entries, Bobby Alter from Portland OR. Bonus author interview here.
Congratulations to Jenny Williams for winning storySouth’s Million Writers Award with her story “The Fisherman’s Wife” (LitNImage). Runner-up is “Fuckbuddy” by Roderic Crooks (Eyeshot). Honorable mention (third place): “No Bullets in the House” by Geronimo Madrid (Drunken Boat). Complete results here.
John Dermot Woods’s The Complete Collection of people, places & things
I just ordered this: so too should you: John Dermot Woods’s The Complete Collection of people, places & things, which is surely to be wholly wonderful and grand.
PRE-ORDER SPECIAL!
Order The Complete Collection of people, places & things by July 15 and get it for only $12 (25% off the cover price) with free shipping in the U.S.
EXTRA STUFF FOR THE FIRST 50 PEOPLE WHO ORDER:
– A signed/numbered screen print, commemorating the book’s release
-personalized copy with a limited edition, signed book plate
(be sure to specify your shipping address)
The Complete Collection of people, places & things
a novel by John Dermot Woods
BlazeVOX Books 2009
ISBN: 9781935402466
175 pp. Perfect Bound. With Drawings.
Cool poster by José León Cerrillo for sale in support of Triple Canopy
GIANT GUEST-POST: Poetry as Site of Resistance by Jeremy Schmall
Poetry as Site of Resistance
by Jeremy Schmall
If you’re willing to argue with me when I say that nearly every poetry book published in the last 30 years is an abject failure, it’s likely you’re among the small group of people across the country who consider themselves poets. For everyone else, poetry simply doesn’t exist outside of high school textbooks. Poets do not appear on talk shows, do not perform on late night TV, and it’s increasingly unlikely their books will be reviewed in prominent publications like The New York Times or the Washington Post. It’s common knowledge in the publishing industry that even the rare “blockbuster” poetry books sell laughably small numbers compared with verifiable “failures” in the fiction and memoir world. In almost every measure we use to gauge success—money earned, books sold, widespread popular relevance, public recognition—poetry today is an absolute failure. My argument is that’s a good thing.
McSweeney’s Internet Tendency is running a contest in efforts to find semi-regular columnists.