Blake Butler

http://www.gillesdeleuzecommittedsuicideandsowilldrphil.com/
Blake Butler lives in Atlanta. His third book, There Is No Year, is forthcoming April 2011 from Harper Perennial.
http://www.gillesdeleuzecommittedsuicideandsowilldrphil.com/
Blake Butler lives in Atlanta. His third book, There Is No Year, is forthcoming April 2011 from Harper Perennial.
Rad story “Never, Ever Bring This Up Again” by Nick Ripatrazone takes runner up in the Esquire fiction contest.
Nate lies by the road. It weaves off into the mountains out there. And it reeks. He’s been here for hours, partly obscured by the brush, awaiting the right car to pass, and a nice passerby. Someone in elegant clothes, whom he can fleece. God forgive him, he’s broke. The sun’s creepy, a hard piece of scalding red shit that has no consciousness of its own, so Nate can’t tell it anything real like, Go away. Everything should have a mind. So he could communicate with it. So he could say, Grass, get taller and cover me better. Or… School bus, stop here, right this second, and dump all your passengers out on the road so I can fuck, rob, or kill them. He wouldn’t mind if the bus said, No way, you’re too fucking lowly a jerk to waste time on. Or if the sun said, Oh go ahead and burn up, you asshole. Or if he could say to this road, Hey, can you glisten a little? ‘Cos that would look so unbelievable. And it would glisten for Nate, to be nice. Then it might say, Okay, now you walk on my surface awhile. And Nate would, even if it got him arrested. ‘Cos the road is so peaceful or something. Anyway, everything understanding everything. People’s guns saying, No, not him, asshole, kill him. And Nate’s pistol would swing itself around and do the shooting for him. And he’d just go, Well, hey, I didn’t make the decision. And his gun would go, Yeah, I made the fucking decision. And what would the cops do? Melt down the gun? Well, they could. And maybe they would be sad, ‘cos if the gun had a mind, Nate just might be attached to it. Shit, he can’t win. There’s no way the world’s ever gonna be totally perfect, unless nothing and no one had minds. If everyone just kind of lay there, only moving around when the wind knocked them up, or if the rain got too hard, or if there was a flood. Natural things. Nate would lie in the grass here for days, weeks, spacing out, then some storm would move him twenty feet thtat way, and his world would change, and he’d get to know new blades of grass and new dirt and new flies or whatever. He wouldn’t die, just change. Dry out, get wet, smell one way, smell another way. No boredom, no love, no fear, no being broke, no Leon, no… nothing. Maybe that’s what will happen at world’s end, after one of the millions of viruses sneaks in folks’ bodies, and no one, no matter how total a genius, can cure them. They’ll just… collapse where they are, and never see, feel, or do anything, and eventually everyone will lose sight of each other’s existence, and just become… what? Lumps of nature. In Nate’s case, a small, smelly thing lying out in some brush. A stupid thing drifting through history, no worse or better than trees or the bugs or his gun. Oh, he longs for that day. But until then he just loves this road.
– Period, page 16-17
Is an Asian who has never seen Asia more equipped to write about Asia than a not Asian? Furthermore, is an Asian who grew up and spent his or her whole life in Asia more equipped to write about Asia than a not Asian?
Jacques Derrida
Alejandro Jodorowsky
2 Douchebags
Bad book titles seem harder than good book titles. What’s the worst title of a book you ever heard?
Today Heather’s The Difficult Farm is officially arrived and live from Octopus. If you’ve preordered, I believe they are forthcoming. If you haven’t, you should now.
On the event of this event, Heather has kindly shared some talkings about where she makes her words:
Where I write I have only been writing for three months if we are talking about the room. If we are talking about the chair then it has been just over four years. If we are talking about my head we should talk about what we talk about when we talk about my head. You go first.
Once I drew my chair when it was new (to me) and I had fallen in love with a man who had gone away for a while. I sent him the drawing and because I married him we still have it. The problem is that he looked through many files and areas and he can’t find it. He did find this postcard:
Never mind. It works like this:
Not too long ago I posted by request a list of 15 ‘towering literary artists’ who personally and historically seem important. Most of them have published 8 books or more, most of which in each case I’ve read. Here are my favorites of each of those authors, for fun. Some are very close calls. What are yours?
David Markson, Wittgenstein’s Mistess
Year of the Liquidator, the press Shane Jones and I started earlier this year, will release its first title, Kristina Born’s One Hour of Television, on Halloween.
Designed to run as a series, the books, as we hopefully put out more, will form a continuum of design, like a little freakhouse on your nightstand.
People have already said nice things:
To read One Hour of Television is to flip channels between a 50’s science film on the joys of nuclear prowess and a heist-driven road movie set in a late-imperialist apocalypse. In Born’s hands, all social code is a recipe for deadpan horror. Strained domestic tableaus are intimately wedded to carpet bombings and crowd control, and our best chances at intimacy arrive via gruesome medical emergencies. This book is in revolt against language as an anesthesia machine. It’s in revolt against an empire in which any vote you cast necessarily ends up as a vote for genocide.
– Lara Glenum, author of Maximum GagaOne Hour of Television‘s recurring headwounds make an apt symbol for the work as a whole; urgent and insistent, the oozing gauze on an otherwise lovely skull. Would that all flash fiction be this deadly.
– Amelia Gray, author of AM/PM
You can read an excerpt and preorder One Hour of Television now for $10.
You can also add the book on Goodreads.
Thanks!
But no, really: why submit to magazines you don’t read? Are you a prostitute? What will it gain you in the end?
The monolithic Unsaid Magazine has just relaunched their website, with online content from each author in every issue, including the latest #4, with work by: ANNE CARSON, BRIAN EVENSON, BLAKE BUTLER, DAVID OHLE, EVELYN HAMPTON, PETER MARKUS, ALEXIS ALMEIDA, ROBERT LOPEZ, BEAR KIRKPATRICK, MICHAEL KIMBALL, MEGAN LAYTON, DAWN RAFFEL, EUGENE MARTEN, DAVID HOLLANDER, OTTESSA MOSHFEGH, SHELTON WALSMITH, JASON SCHWARTZ, RUDY WILSON, SARAH MANGUSO, PAUL MALISZEWSKI, RICHARD ST. GERMAIN, SAM MICHEL, EMILIA A. PHILLIPS, BRIAN KUBARYCZ, SVEN BIRKERTS, RICK POINSETT, ALYSON JANE, BIANCA GALVEZ, JOE WENDEROTH, M SARKI, JOANNA HOWARD, WILL ENO, JESSICA NEWMAN, PATRICIA O’CONNELL, MATTHEW THOMPSON, CAROLYN ALTMAN, PETER CHRISTOPHER, ANDY DEVINE, DANIELLE BLAU, RACHEL B. GLASER, PATRICK EHLEN, M.T. FALLON, JONATHAN CALLAHAN, LAUREN MCCOLLUM, KRISTINA BORN, JULIA HOLLEMAN, TRIA ANDREWS, VIRGINIA KONCHAN, BJORN VERENSON, MICHAEL STEWART, TRENT ENGLAND, DYLAN T. NICE, BRIAN SCHORN, RYAN MURPHY, SAM PINK, BENJAMIN LANDRY, EMILY MAHAN, SHANE JONES, THOMAS LAVERTY, A. MINETTA GOULD, COOPER ESTEBAN, LINDSAY ANDERSON, JOSHUA KORNREICH, SCOTT GARSON. If you don’t have this yet, it’s 500+ pages, and brain-eating on every one of them. A true mechanism of new tongues.