Power Quote Quartet
You know who wears sunglasses inside? Blind people and assholes. — Larry David
It is a terrible thing to see and have no vision. — Helen Keller
I’m into the girls fancying me and stuff, mad for it. — Liam Gallagher
A man’s errors are his portals of discovery. — James Joyce
Dzanc Best of the Web 2010 contents have been announced, congrats to all the writers and editors; looks like a great issue. Matt Bell is series editor, with Kathy Fish as guest editor this year.
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[via The Millions] Jonathan Franzen’s long awaited novel’s cover is out. I’m actually pretty excited about this. Hungry to get in on the pastoral rage, we’ve mocked a similar cover, with a little birdie of our own. Sorry, symbolism is so [18]80’s.
As part of his “North American Hamsters” series, a forthcoming iPhone app, Tao Lin creates “HTMLGIANT Hamster.” [Previously posted with comment restrictions, but evidently people needed to comment — even if on the preceding post — and Tao himself expressed interest in comments; I respect both sentiments, so here.]
Who made who?
The “art as nature” vs. “nature as art” quandary may not be something we’ll solve today, which is fine, though artist Tim Knowles seems a little closer to the answer, or at least more keen on being the provocateur of such disparity. Is it harmony in entropy, or just taping pens to trees in a some sublime post-MFA bong hit? I don’t know, but I was immediately reminded of Monet’s waterlilies, whose tendrils of weeping willows seem to dance the surface of water in some attempt at recording their presence. Modernism was far less self-conscious, so we’ll leave it to Knowles to beg the question: What if trees, inherent with nature from soil up, were given the chance to flay their mark upon a most glorious human enterprise? What if the tireless human transcript of culture were merely incidental, just some random wind?
Multicultural Spellcheck
Folks at Charlie Rose are calling Salman “Salmon”; looks like “Deepa Mehta” and “Ehud Barak” completely fried their spell-checker. Even this WordPress platform can’t handle this post; ha ha, WordPress thinks they are a misspelling. READ MORE >
Welcome to the working weak
[from Lapham’s Quarterly] If you’re reading this at work, congratulations, you are not alone.
Perchance of a lifetime
I want to see this image as a sad reminder of our past, of how divided we are — but, at the gross risk of being insensitive, I see the humor. The humor is not aimed at Jews, Nazis, or the Holocaust, but at the contemporary absurdity of Chatroulette, which has grown more into a role-playing forum than an actual place for strangers to meet, the latter perhaps being most absurd.
Of the many “best of” or “top” Chatroulette screenshots securing their meta-web presences, my favorite is this WWW take on WWII. Here, “Israelite” and “Nazi” (I use quotes because I wonder how much they themselves believe their roles) seem both happily complicit in self-consciously acting out the obvious narrative of their political history, giving a thumbs-up either in solidarity with their respective alliances, or, with an irony only possible in a virtual world, to each other.
The Jew even ducks away from camera, either facetiously, or more solemnly, with a visceral intuition which brings to mind the true horror of hate. Anybody with a flag on their wall is asking to get into a conversation (just like any male in college with an acoustic guitar in his room secretly wants a record deal or to get laid). The Nazi (or, skinhead) has a wonderful smile, which is very out of character, key word being “character,” as that is all we are, and can be, online. If “all the world’s a stage,” then the internet is where we rehearse our lines, sharpening our tongues for a chance at real life.