Aldrich Ames on Writing

“I’m a traitor, but I don’t consider myself a traitor.”

“The human spy, in terms of the American espionage effort, had never been terribly pertinent.”

“You might as well ask why a middle-aged man with no criminal record might put a paper bag over his head and rob a bank. I acted out of personal desperation.”

“I could have stopped it after they paid me the $50,000. I wouldn’t even have had to go on to do more than I already had: just the double agents’ names that I gave.”

“The use of the polygraph has done little more than create confusion, ambiguity and mistakes.”

“The betrayal of trust carries a heavy taboo.”

Craft Notes / 9 Comments
July 27th, 2011 / 5:19 pm

So. How to Write a Novel?

Many of you have, so do tell. Once you weren’t writing a novel, then you were. WTF? How did it go, or not go? Exhausting or exhilarating? Robert Penn Warren says you are a car driving a back-road at night—you can see as far as the headlights, the next couple of pages. Or: Should I go total road-map and fuck you, RPW, how about storyboarding (a cousin of waterboarding) or, you know, A. Dillard sprawling out her cut-up paragraphs on a large wooden table in her kitchen so she can see the layout, the spatial design. (But if I’m in the kitchen, gonna make some coffee…) A query letter? What did you just call me? Take a stack of 3X5 index cards and…ur, who even uses index cards anymore and so you begin using heroin, ride the dragon, etc., on the nod, who knows what you’ll find? Technique. You just wake up one day and put ass in seat and black on white and say, “I am writing a novel.” Night-voice says, “Ive done this and that, but I need to write a novel.” Hey! Know what? Plot stems from character under adversity. My ass. No, no, not your ass, go drop shrooms while avoiding trite phrases, cliches, or deliberately unusual words. Simone de Beauvoir was so hot she burned her first two novel drafts, published the third—is that the way? Or is it “I do not usually revise much.” Word count versus using household chores as “thinking time.” Thinking time? Remember that “nothing in a story happens at random” versus feel/fall your way through, let the story bloom, little rose, little flower of verbs, thorns…. oh tired metaphors. Wait. The thing is to know nothing. So.

Oh, I’ll get back up, you barefooted bitch. You novel thing. Ah, fuck. Are we daunted? I feel daunted. Anyone else want write a novel, but, hey, feel daunted? Un-daunt us. Someone. Please?

Craft Notes & Random / 46 Comments
July 27th, 2011 / 3:59 pm

The Writer’s Mind?

Last night as I was leaving the local pub, a middle-aged drunk woman jumped into my car with me before I knew what was happening. She said, “Hey, gimme a ride up the street?” and proceeded to talk about her husband who doesn’t come home when he should but who’s pretty good to her.

I didn’t know she was a prostitute until she said, “Hey, slow down,” at which point I slowed to 30mph on a 45mph street, and “Roll down your windows. How am I supposed to see?” So we rolled past the seedy motels of my neighborhood, as she explained to me how she has to see who’s where. This somehow made sense to me. It even made sense when she had me turn onto a street behind an abandoned Winn Dixie and onto another, smaller street where several men strolled on cell phones. I thought this was where she’d get out, but when two of the men came up to the car, she told me to go. She said, “Go. Now.” Even this seemed okay. We drove some more, casing more corners, checking out the motel situations.

We spotted another woman she knew, much younger, much thinner, much more traditionally dressed for this line of work, and I pulled onto a corner to drop her off. But we were friends now. She didn’t want to leave, so she whispered that the girl was her daughter. I said, “Really?” and she said, “No.”

The two of them argued through the window about a lighter for a while, and then they fought about age differences. “She says I’m 14,” the new girl told me, “but don’t believe her. I’m 29.”

And then the woman with whom I’d, by now, spent a half an hour or so, jumped out of my car and started chasing her friend down the street and out of my life. All I could think was, I have to get out here more often. What a great story this would make. And I do this all the time. With my dad’s Alzheimer’s. With crazy roommates. How will I do this justice on paper, as though paper is the only way to legitimize life.

Do other writers do this? Am I my own kind of prostitute?

 

Behind the Scenes & Random / 66 Comments
July 27th, 2011 / 12:11 pm

Dear Publishers, When you go around saying you are into “discovering new voices,” make sure you don’t really mean “discovering new people who write in the exact same voices we always publish.”

All the Albums that Have Been Released in 2011 Thus Far that I Have Downloaded Illegally (with Commentary)

 

936 – Peaking Lights → I like this, but I’m not gonna get all excited about it.

A I A : Alien Observer – Grouper → This seems like alien music maybe? Just kidding, but am I? I think I liked this.

A I A : Dream Loss – Grouper → This is the same as the other one, right?

All Eternals Deck – The Mountain Goats → Forgettable. Forgiveable.

Angels Exodus – Lil B → Can’t go wrong, but also… can’t remember listening to this ever. Still seems good.

Apocalypse – Bill Callahan → One of my favorite albums of the year. Very funny, very smart. Excellent songwriting by a consistently excellent songwriter. Listened to this walking from East Village to West Village several mornings. Really good music videos.

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Music / 49 Comments
July 26th, 2011 / 10:50 pm

“Teachers and writers who venerate Catcher have to ask themselves: How relevant is Holden in a world where he is an actual minority?”
Ned Vizzini on The End of the White Outsider

Art Observed (Going Places)

This week: Always almost there. A blurry image tells more than you think. “Suggested Donation,” means never pay more than 1 cent to get into The Met. A broken toilet can still be used (just don’t flush). – TD

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Film / 3 Comments
July 26th, 2011 / 3:16 pm

“Whether or not that work is deemed to be of a high quality, the activities Lin and his peers do online—hours of blogging, tweeting, commenting, and emailing—suggest that they are tirelessly working to advance their name and their art.”

At The Morning News, Daniel B. Roberts writes about Tao Lin and Muumuu House in Much Ado About Whatever.

Notes towards a suicide letter

On December 25, 1956, Robert Walser died from a heart attack during a walk near the asylum where he had spent the last 23 years of his life. Cezanne is said to have died (1906) in similar fashion, during a walk, but no pictures had been taken, a painter’s ironic affront to photography perhaps. There are various angles from which a handful of pictures of Walser’s death were taken, each version collated into an incident. On December 2, 2010, a girl took a picture of herself as Walser, only the exclamation mark formed by her arm and hat were too close to each other. Things tend to roll farther when they are dropped rather than placed. Walser abruptly gave up writing in 1933, checking himself into a mental asylum, where he remained for the rest of his life. As an extension of his genius, “I am not here to write,” he said, “but to be mad.” Duchamp similarly disowned visual art — degrading it as “retinal,” a glimmer for the mere receiving lens of the eye — to move towards math and chess. These of course, are not suicides, no more than Suicide (2008), which may be read as author Edouard Levé’s (who killed himself in 2007) glorified suicide letter. He was also a painter and photographer, burning all his canvases in his early career to make mental room for photography, a photographer’s non-ironic affront to painting. Here’s the deal though: they are both rectangular windows of conceit, fake life in a box. The second-person “you” in Suicide eerily takes on the semblance of instruction, and you find yourself slowly disappearing with each page, as if the toner was running out of ink.

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Random / 28 Comments
July 25th, 2011 / 8:54 pm

Reviews

Things I’ve Read Lately

I’ve read some  interesting books and magazines over the past couple weeks so I’m going to talk about them in one big post. Also, I’m giving several books away.

They Could No Longer Contain Themselves

I don’t care for the term flash fiction. I understand the etymology but I often think, “Why not call it a story?” There are so many terms now for different kinds of fiction. There is an obsession with naming, creating taxonomies so we can better understand the nature of a thing. Flash fiction. Very short stories. Sudden fiction. Microfiction. Nanofiction.  All these terms strive to categorize the nature of stories that fous on brevity and compression. Ask five different writers how to define flash fiction and you will likely hear five different definitions. I read an article in the most recent issue of The New Yorker about tiny houses, and the writer talks about the article’s main subject, this guy named Shafer who designs tiny houses and the writer says, “What makes Shafer’s houses different from others is the classical elements of form and proportion and the graceful compression of his design.” I kept thinking about that line as I thought about the stories in They Could No Longer Contain Themselves. They each contain the classical elements of good fiction and the compression in each story is also graceful like a tiny house that holds everything you need to feel at home.

In They Could No Longer Contain Themselves, the latest book from the reliably excellent Rose Metal Press, five writers offer five unique interpretations of flash fiction in chapbooks by Mary Miller, Elizabeth J. Colen, John Jodzio, Tim Jones-Yelvington, and Sean Lovelace (I reviewed his chapbook in 2009, here).

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73 Comments
July 25th, 2011 / 5:36 pm