The Higgs-Jameson Experimental Fiction Debate, part 1
Adam: Last weekend, playing a stray note on my recorder summoned a cyclone that whirled me away to the swamps of Tallahassee. There I impinged on Christopher Higgs and his wife, who lodged me in their spacious Rococo flat (refurbished from a gator-packing warehouse). Over dinner, Chris and I had numerous opportunities to discuss—and to disagree about—the nature of experimental fiction…
A D JAMESON [leaning back from his seventh helping of tiramisu]: At the risk of spoiling such a fine meal, perhaps you and I can finally figure out why we’ve butted been butting heads regarding the nature of experimental fiction.
CHRISTOPHER HIGGS: OK.
ADJ: Let’s start by each defining what we think experimental fiction is!
February 27th, 2012 / 8:01 am
“…philosophy is music, music is philosophy, and the other way round.” – Thomas Bernhard
Abner Jay reinverts the age-old ‘looking for a virgin’ myth in “Don’t Mess With Me Baby.”
Anthony Braxton called Abner Jay an American master.
December 11th, 2010 / 3:01 am
Power Quote: Harold Bloom Brings it All Back Home
The motives for reading, as for writing, are very diverse and frequently not clear even to the most self-conscious readers or writers. Perhaps the ultimate motive for metaphor, or the writing and reading of figurative language, is the desire to be different, to be elsewhere. In this assertion I follow Nietzsche, who wanred us that what we can find words for is already dead in our hearts, so that there is always a kind of contempt in the act of speaking. Hamlet agrees with Nietzsche, and both might have extended the contempt to the act of writing. But we do not read to unpack our hearts, and so there is no contempt in the act of reading. Traditions tell us that the free and solitary self writes in order to overcome mortality. I think that the self, in its quest to be free and solitary, ultimately reads with one aim only: to confront greatness. That confrontation scarcely masks the desire to join greatness, which is the basis of the aesthetic experience once called the Sublime: the quest for a transcendence of limits. Our common fate is age, sickness, death, oblivion. Our common hope, tenuous but persistent, is for some version of survival.
–Harold Bloom, The Western Canon, “Elegiac Conclusion”
May 10th, 2009 / 10:41 am
And do you know a funny thing? I’m almost fifty years old and I’ve never understood anything in my whole life.
Richard Yates, The Easter Parade (with a link to Tolstoy’s The Resurrection)
A Better Resurrection by Syliva Plath
I have no wit, I have no words, no tears;
My heart within me like a stone
Is numbed too much for hopes or fears;
Look right, look left, I dwell alone;
A lift mine eyes, but dimmed with grief
No everlasting hills I see;
My life is like the falling leaf;
O Jesus, quicken me.
And from The Holy Gospel of Jesus Christ according to St. John, chapter 20, verses 24-31, from the Douay-Rheims New Testament (thanks Barry, for suggesting this version of the New Testament): READ MORE >
April 12th, 2009 / 2:06 pm