Christopher Higgs

http://www.christopherhiggs.org/

Christopher Higgs recommends Tierra Whack's WHACK WORLD, Otomo Yoshihide's ANODE, Marlon James's BLACK LEOPARD, RED WOLF, and a lunch of cucumber, tomato, red onion, feta, olive oil, lemon juice, salt and pepper.

We Are All Coeval

Mykki Blanco – “Join My Militia (Nas Gave Me A Perm)”
Directed By: Mitch Moore

Affect arises in the midst of in-between-ness: in the capacities to act and be acted upon. Affect is an impingement or extrusion of a momentary or sometimes more sustained state of relation as well as the passage (and the duration of passage) of forces or intensities. That is, affect is found in those intensities that pass body to body (human, nonhuman, part-body, and otherwise), in those resonances that circulate about, between, and sometimes stick to bodies and worlds, and in the very passage or variations between these intensities and resonances. (Gregory Seigworth and Melissa Gregg, “Introduction” to The Affect Theory Reader)
Music / 4 Comments
July 18th, 2012 / 9:30 am

In Conversation: Kate Durbin and Kate Zambreno @ Her Kind

Virginia Woolf said: “To enjoy freedom we have to control ourselves.” Do you agree with this statement?

Channel the Howl:
A Conversation with Kate Durbin and Kate Zambreno

I Like __ A Lot / 8 Comments
July 11th, 2012 / 9:52 pm

Five Works of Criticism You Should Consider Reading

“Criticism is itself an art.” – Oscar Wilde

A couple of months ago I shared a list of “Five Works of Theory You Should Consider Reading,” at least two fifths of which could also easily be described as criticism (Glas viz Genet, and Crack Wars viz Flaubert, for sure). Boundaries, of course, are porous.

As if it’s not obvious, I love reading theory and criticism. Two forthcoming books I can’t wait to read are Kate Zambreno’s Heroines (Semiotext(e) / Active Agents) and Sianne Ngai’s Our Aesthetic Categories: Zany, Cute, Interesting (Harvard University Press), both due out in October. Criticism? Theory? Poetry, fiction, autobiography? If their previous work is any indication, the only label worth applying will be “badass.”

Similar to my theory choices, I could’ve picked a hundred dozen or more, so limiting myself to five seems like a good, if difficult, idea. And, like last time, I cheated and added a bunch of alternative choices within the five major choices. Ah the joy of making up the rules as you go.

For the most part, I chose the books I chose because I like them for the way they play with genre, the way they enact formal deterritorialization, the way they make the criticism itself a work of art, or as Wilde puts it in the essay I quoted from above, “It treats the work of art simply as a starting-point for a new creation.”

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I Like __ A Lot / 7 Comments
July 9th, 2012 / 1:13 pm

“What does “Sincerely” mean, I wonder? Can a Conceptual Author be sincere?”

Fascinating, puzzling, provocative exchange between Kent Johnson and Craig Dworkin in the newest issue of Claudius App adds a very interesting spin to the current conversation surrounding sincerity. Here is the encounter between them (maybe? or maybe it’s all just a hoax?).

After considering the Johnson/Dworkin letters, be sure to check out the whole issue, it’s got a bunch of killer stuff in it by Joyelle McSweeney, Ariana Reines, Brandon Downing & Daniel Tiffany, and loads more.

Random / 11 Comments
July 6th, 2012 / 11:52 am

Help Save Mud Luscious Press!!!

Do you remember when Mud Luscious Press announced the chapbook Y2K by Ken Baumann? What about Rat Beast by Nick Antosca, or They by Brian Evenson?
Do you remember when they announced We Take Me Apart by Molly Gaudry?
Do you remember when they announced books by Ben Brooks, Sasha Fletcher, Norman Lock, Michael Stewart, Mathis Stewart, Gregory Sherl, or Matt Bell?
Do you remember when they birthed a NEPHEW? With titles by Andrew Borgstrom, Robert Kloss, Darby Larson and forthcoming Brandi Wells.

[…]

Now they need our help. It’s best summed up straight from the horse’s mouth: “We need to raise roughly $2000 to continue our release schedule of the next 2 novel(la)s and the next 2 Nephew titles. Seriously, or Mud Luscious Press may tank. For real.”

So how can you help?

[Basically, buy a book!]

via Ben Spivey (click his name for more options)

Presses / 3 Comments
July 4th, 2012 / 11:13 pm

Summer Semester Reading List: Gertrude Stein


For those of you who might be interested, click through for the reading list I’ve assigned the students taking my “Major Figures in American Literature: Gertrude Stein, The Mother of Invention” course this summer.

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Behind the Scenes / 57 Comments
July 1st, 2012 / 3:24 pm

Talking with Okla Elliott

Okla Elliott’s published drama, non-fiction, poetry, short fiction, and translations have appeared in Another Chicago Magazine, Indiana Review, The Literary Review, Natural Bridge, New Letters, A Public Space, and The Southeast Review, among others. He is the author of three poetry chapbooks—The Mutable Wheel; Lucid Bodies and Other Poems; and A Vulgar Geography—and he co-edited (with Kyle Minor) The Other Chekhov. His new book, From the Crooked Timber is out now from Press 53. You can get it from Amazon or directly from the publisher.

To help celebrate the recent publication of From the Crooked Timber I asked him a few questions and got him to talk about a bunch of things, from art to politics to influence to the narcissism of minute differences.

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Author Spotlight / 1 Comment
June 20th, 2012 / 11:17 am

Masha Tupitsyn Do The New Sincerity In Different Voices

Emotions are no longer from people, for people, between people. For real people or real life. For real period. You don’t feel emotion: you look at emotion, you act emotion. You play emotion like another part. Emotions are now for the camera, on camera, between cameras. You don’t need a camera to live on camera. You don’t need to be an actor to be an actor.

LOVE DOG

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Craft Notes / 107 Comments
June 12th, 2012 / 11:11 am

Scott McClanahan, for your viewing pleasure

Visit Holler Presents

Author Spotlight & Film / 9 Comments
June 8th, 2012 / 9:15 am

Intro to the Avant-Garde: A Secondary Materials Primer

Or, a recommended reading list for those who wonder where to begin.

As with any field of study, entry points abound.

With that in mind, my objective here is not to be comprehensive but rather to suggest a limited set of key texts that should help readers familiarize themselves broadly with the critical conversation surrounding the historical Avant-Garde. In the interest of symmetry, I offer ten books and ten articles, with a few supplements along the way.

One of the inherent problems of studying the Avant-Garde is its interdisciplinary nature, which could make it seem overwhelming given the vastness of its reach: far beyond typical artistic areas. Cecilia Novero’s recent book Antidiets of the Avant-Garde: From Futurist Cooking to Eat Art, and Alastair Brotchie’s A Book of Surrealist Games are prime examples. Also, the overlap with Modernism makes any conversation about the A-G seemingly inseparable from a conversation about Modernism, which brings a whole host of other issues to the table. Don’t let either obstacle hamper you. For the sake of focus, I have limited my suggestions to texts that specifically address the A-G in its general (leaning toward literary) sense, which means I omitted a few really great books that focus specifically on, say, music, or that focus primarily on Modernism.

Oh, one last thing…keep in mind, what follows is a list of secondary materials: writing about the Avant-Garde. In the not-too-distant-future, I intend to produce a companion list of primary materials: writing from the Avant-Garde.

Since it’s likely I left out your favorite book on this subject, additions to the list are welcome in the comment minefield.

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Random / 15 Comments
June 6th, 2012 / 1:35 pm