white elephants and vibrators and teeth into necks–books

For his birthday, I gave my father The Pale King. I thought he would glow because he has and always has read daily and he spent his entire life as an IRS accountant and who writes IRS books? He blarred the book. He said, “Sean, this book has no fucking paragraphs. It is chugged full of shit. I’m not reading it.” I said something like, “Uh, books can be good without paragraphs…” Anyway, fuck it. I can’t comment that book, have not read it (might). Can we talk about books as presents? They are sort of awkward. They are the giver and the given. The dancer and the dance. Yes? Like I know right now at least 20 poets who were given The Top 500 Poems (this book is a fucking perpetual barbed wire necklace of albatross dung to poets; I know poets who have 7 copies, like aunt, aunt, mom, bewildered boyfriend, aunt, dog-walker, step-mom; I know people who have like a side Ebay business off this one book), just because their friends/relatives were baffled about 1.) What the fuck is a poet? 2.) What would you give such a person?

I guess my point is can we talk books as gifts? Ones you gave that worked versus backfired? Stories? A guy, a girl, an intern (Leaves of Ass, cough, Grass, anyone?) Ones you have received? Drop us some horror tales, I know you have them. Oh, you’re a “writer,” here’s your 14th  “arty” notebook. Moleskin? The bible? Top 500 poems? To sum this up, and to add a structural detail [writer/readers, this is called the loop–you end on a beginning anecdote] that no one really cares about (sorry), I just today sent my dad a portable, collapsible fishing rod  (you can take it anywhere!) for Sunday, Father’s Day. He’s going to open it. He’s going to grunt. He’s going to hate it.

Random / 17 Comments
June 17th, 2011 / 6:38 pm

Mark Rylance & Louis Jenkins on Writing

Random / 9 Comments
June 17th, 2011 / 2:19 pm

What is Experimental Literature? {Five Questions: Eileen Myles}

Eileen Myles was born in Boston in 1949, attended catholic schools in Arlington, Mass. and graduated from UMass (Boston) in 1971. She came to New York in 1974 to be a poet. She’s the author of eleven books of poetry, fiction, and nonfiction, the most recent of which is Inferno: A Poet’s Novel (O/R Books).

READ MORE >

Random / 10 Comments
June 17th, 2011 / 10:58 am

J. Nicholas Geist at Killscreen gives us a really gorgeous example of a text coming alive electronically.

Post your favorite?

Here Are Some Things

Francine Prose writes a bit of a follow-up to her essay, A Scent of a Woman’s Ink. Little, she notes, has changed.

Bookforum offers a great essay on American bestsellers.

Qiu Xiaolong offers a five book introduction to classic Chinese poetry (via Bookslut).

Samuel Jackson reads Go The Fuck to Sleep.

At The Good Men Project, the best LGBT books “of all time.”

How does Shakespeare affect your brain? Someone is trying to answer that question.

More thoughts on E-book pricing.

The Guardian compiled a list of the 100 Greatest Nonfiction Books.

The Playboy Bunny employees manual is a fine read.

Poets & Writers came up with a list of 33 Twitter feeds worth following.

Here are five reasons why ebooks won’t supplant physical books.

The Paris Review is going digital and I, for one, am thrilled and ready to purchase the new digital issue.

There are new issues of The Collagist and Revolution House (debut).

Tupac would have turned 40 today.

Roundup / 8 Comments
June 16th, 2011 / 9:30 pm

2 New From Fence: Brenner, Holiday


Super excited about new Daniel Brenner book June available now from Fence. I’ve read his first one, The Stupefying Flashbulbs, at least a dozen times. His images are jellyfukked. Also new from Fence is Harmony Holiday’s Negro League Baseball, which comes with music. You can get them both together for 30% off.

Presses / 2 Comments
June 16th, 2011 / 2:53 pm

Have you ever read something and thought, “This is not writing.”? I’d like to hear about it if you have.

Kenneth Anger on Writing

“Nobody in America, in the modern generation, has read their mythology or legends.”

“In fireworks are released all the explosive pyrotechnics of a dream. The inflammable desires, dampened by day under the cold water of consciousness, are ignited at night by the libertarian matches of sleep, and burst forth in showers of shimmering incandescence. These imaginary displays provide a temporary relief.”

“But films are very constructed—they’re like architecture. They’re pieced together, glued together. To me, it’s a craft. It’s like making a tapestry. And I prefer to think of it—you know, um, the sweat is supposed to be invisible.”

“I’ve made several films that haven’t been shown.”

Craft Notes / 10 Comments
June 16th, 2011 / 2:02 pm

I’m Google,” by Dina Kelberman. I’m calling it a poem.