Reviews

Parable of a Lazy Reader

A latent review of Parable of Hide and Seek (Alice James Books) by Chad Sweeney.

I have a confession to make. I’ve been a rotten reader. In six months, I’ve read two novels, a few sporadic articles, and maybe one or two books of poetry—cover to cover. Maybe I don’t belong here. Maybe I’m an impostor in the ranks. But, whatever.

That said, I have my reasons for shelving my skillz for more potent, if untenable, desires.

Lately, as I’m climbing back into my reading chair and remembering how comfortable it can be, I feel this way:

LOGGIA DOCUMENT

I’ve looked for it under tables
among junkyard cats
fussing dead things.

Its letters turn
with barrow birds
in sleeves of warehouse glass.

It rattles
the pampas grass,
one dry word seven summers long.

I’ve knelt in the twilight of idols.
I’ve chipped my teeth
on the bright water.

This is the final poem of Chad Sweeney’s book, Parable of Hide and Seek. “Its letters turn / with barrow birds / in sleeves of warehouse glass.” Read that aloud. Do you hear the rhythm? Do you see the fragility of language in the shards of warehouse glass?

Sweeney’s book is swimming in these charged moments. Its one of those twenty-five or so books I’ve had stacked on my desk to review for months, one of those books I’ve picked up sporadically and read a poem at a time. What I’ve discovered through my stunted reading practice is this: Duh, a good book of poems wants reading—and, sure, poets (and their friends and editors) spend a lot of time sequencing poems in a collection, thinking about narrative structure and flow—but Parable of Hide and Seek has convinced me that a good book of poems wants each of its individual poems savored, wants its vertices studied, wants you to read a poem to your dog each night before bed—more than it wants you to read it cover to cover with a fabricated purpose.

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January 17th, 2011 / 3:36 pm

Benefit for Dean this week in NYC

via Coldfront

Matthea Harvey, Edward Hirsch, Mary Karr, Matthew Rohrer, Gerald Stern, Dara Wier and others will read at a benefit for the eminent poet and teacher Dean Young in Manhattan this Thursday night. Young is facing a heart transplant, and all donations will be used to help with his expenses. Admission to the event is free. To read about Dean and make an online donation, please visit http://www.transplants.org/

Address: Grand Gallery, National Arts Club, 15 Gramercy Park South, New York, NY

Random / 1 Comment
January 17th, 2011 / 1:58 pm

Literature as “What Survives”

In this 2003 interview with Robert Birnbaum, Jane Smiley said:

I am taking a medievalist’s view. That’s what I studied in graduate school. And when you are a medievalist you don’t study what’s good, you study what’s left. And you try to find good things in it. So you come to appreciate every fragment of every bit that’s left. And try to glean something from that fragment, whatever it is.

How does it survive? There are a lot of copies of J.K. Rowling and Dan Brown around. Not so many of Cynthia Ozick and Barry Hannah, relatively speaking. And way fewer of, say, Christine Schutt and Ben Marcus. Are they in physical danger?

There is also the priestly tradition — what gets revived, by whom, and how does it impact future readership or future revivals? (Justin Taylor did Donald Barthelme a huge favor on these grounds, READ MORE >

Random / 14 Comments
January 17th, 2011 / 1:07 pm

and a seven inch voice and prams and blackboards

and the new JMWW is out.

and Jane Priddy writes about Lorrie Moore writing about the Huck Finn censorship dust-up.

and Wyndham Lewis goes all:

Gertrude Stein’s prose-song is a cold black suet-pudding. We can represent it as a cold suet-roll of fabulously reptilian length.

and an interesting article on “crowdsourcing,” a type of collaborative art.
and a Charles Baxter interview.
and
Random / Comments Off on and a seven inch voice and prams and blackboards
January 17th, 2011 / 12:48 pm

Dear Sentencewriters, today is a good day to examine closely the captivating prose of MLK

We have also come to this hallowed spot to remind America of the fierce urgency of Now. This is no time to engage in the luxury of cooling off or to take the tranquilizing drug of gradualism. Now is the time to make real the promises of democracy. Now is the time to rise from the dark and desolate valley of segregation to the sunlit path of racial justice. Now is the time to lift our nation from the quicksands of racial injustice to the solid rock of brotherhood. Now is the time to make justice a reality for all of God’s children.

It would be fatal for the nation to overlook the urgency of the moment. This sweltering summer of the Negro’s legitimate discontent will not pass until there is an invigorating autumn of freedom and equality. Nineteen sixty-three is not an end, but a beginning. And those who hope that the Negro needed to blow off steam and will now be content will have a rude awakening if the nation returns to business as usual.

–Martin Luther King, Jr. (28 August 1963) Lincoln Memorial, Washington D.C

[full text]

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January 17th, 2011 / 10:16 am

All you can ever do with people is back out of them.

Rejoice! It’s January but I left the house! You know what got me to do this? Only the best reading you could find in New York City: Gary Lutz opening for Robert Lopez. Hot damn. It’s true.

Winter does this to people, especially in any grey city; I mean it makes them suspicious of outside. I know I am. I ran into Sasha Fletcher and we confirmed it; both of us are suffering through the season. It’s almost as bad as Christmas.

But if ever there was a reading during which it was easy to hold good posture, it was this one. When was the last time it was not only easy, but enjoyable to sit up so straight? I am not even sitting up straight right now, though I try. Gary Lutz read from a work-in-progress called Divorcer, which was full of the kinds of things I enjoy: Confused people failing to get away from each other; the phrase “duffel bag”; the following sentence: “All you can ever do with people is back out of them.” We had a great time listening to Gary.

Robert Lopez read all of my favorite stories from his new collection, Asunder. I thought that was true until I got home and looked at my copy again and realized I can not pick favorites in that book. The narrators of Lopez’s are hypnotically unwell. Getting in their little worlds made me feel like maybe January isn’t so terrible after all: For one thing, we’re all laughing, and for another, I am not as unwell as some.

The audience (one that was packed in close and featured glasses) listened well and laughed frequently. Way to go, you all. Good work paying attention. See you in the springtime or at the next thing that warrants stomping through ice.

Random / 3 Comments
January 16th, 2011 / 11:51 pm

“Writing has never been capitalism’s thing. Capitalism is profoundly illiterate.” —Deleuze and Guattari, Anti-Oedipus

Iambik/LibriVox

I prefer reading a book to listening to a book. Even when I’m driving, I prefer reading a book to listening to a book. I once drove eight hours, from Pensacola to Lake Wales, Florida, while reading Tom Wolfe’s The Electric Kool-Aid Acid Test. This horrified everyone who cared about me. This was before the days of education about texting and driving. I was doing a two-year stint as a traveling salesman of a sort (I peddled eighth-rate university educations), which was great for seeing the country. Most of the country I saw was country I saw after I arrived at a place. The bulk of my out-of-Florida driving was on interstate highways, and they all look the same. My in-Florida driving was on two-lane roads I came to know the way you know the neighborhood roads that lead to your house. It got boring, I mean, and I was in the best phase of a reader’s life — that time when you have discovered that there is a vast literature available for you to read, but you haven’t yet read most of it.

Something happened, though. I traded my father a car for a pickup truck. The pickup truck had a manual transmission. I wasn’t very good with the stick shift. The first time I took it out on Highway 27, I stalled it at in intersection. The light turned green, and I tried to go, but I blew it. A man in a tiny white car rammed into my back bumper. It wasn’t a high-impact accident, but his wife was nine months pregnant. She was okay, but I had nightmares for a week about killing other people’s babies. There are other kinds of accidents, my wife said. What if you had been going fifty miles per hour? What if you had been reading? READ MORE >

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January 16th, 2011 / 3:07 pm

Notes On Frans Zwartjes’s Living (1971)


While researching Futurist filmmakers this morning, I somehow stumbled across this Dutch filmmaker named Frans Zwartjes (who’s not a Futurist). I watched a few of his short films (which you can find at ubuweb) and then decided to track down more information on him. Turns out, Mike wrote about one of Zwartjes’s films called Living at his old film site. I began reading his words and when I got to the line “it remains not only my favorite Zwartjes film, but also one of the best films that I’ve ever seen,” I quickly decided to stop reading so as not to spoil my initial viewing experience with any preconceived ideas. Instead, I just went and watched it here . Fuck’n A, folks. I’m with Mike. This film is utterly mesmerizing. I recommend sacrificing 15 minutes of your life to it.

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Film / 13 Comments
January 15th, 2011 / 6:35 pm

Literature Party at AWP

(Thanks to Matthew Simmons, whose gif I’m recycling.)

Usually when I try to get my friends to go to a party or a show or something, they ask for details. And usually I’ll just know one vague thing, Uh, it’s this writer-lady who I met once and she seemed pretty cool. Like, I won’t even know what time it starts, except for, You know, rock time.

But I’m damn knowledgeable about Literature Party, the main event at AWP this year, and this time I’m telling all my friends. Here’s the straight dope.

Literature Party is a reading that’s more of a dance, and it’s intended to benefit 826DC. (You’re probably familiar with the 826 organization. It’s that thing that was founded years ago by McSweeney’s as like a literacy program, to help kids outside school and to help teachers in school. A new office opened in DC last year.)

It’s being held at the Black Cat’s main room. Will someone from DC chime in with a Yelp! about the Black Cat? I’ve been there a couple times but never to the main room. It’s big, though. It holds 700 people, and we want to squeeze in every last person.

Blake is going to host a short reading to kick off the event, because this is AWP, after all. It’s going to feature Amelia Gray (whose reading at Vermin on the Mount: Denver last year was The Best Reading of 2010), Tao Lin (who, frankly, is a pretty boring reader but that’s what makes it so rich) and Patrick Somerville (whom Featherproof swears by but I’ve never seen). One of the problems I’ve had with off-site AWP readings is that you can’t hear anything, but the soundsystem at the Black Cat will fix that. If it’s good enough for The Get Up Kids, it’s good enough for very short fiction.

There will also be immersive performances, too. You can have Melissa Broder read your fortune, for instance. You can confess your publishing sins to Richard Nash. Go head to head with Giancarlo DiTrapano in arm wrestling. I’m going to walk around with an electric guitar and a pocket amp so I can hear you, um, shred. And more.

But the best part, I think, is just going to be the hanging out. DJ Lil ‘E, who is amazing, is going to play songs (and she wants to know what to play: make a list in the comments at the Facebook page). We’re just going to chill out with some new and old friends.

There’s more info and a complete list of sponsors at the Literature Party website. Tell your friends.

Events / 25 Comments
January 14th, 2011 / 4:39 pm