What the Facebook IPO Means For Young Writers
Nothing Left To Buy:
A detailed analysis of the Facebook IPO:
i’m the only finance writer without any understanding of desire. i’m soft like the sound of a dead freeway or the jam band that plays in a warehouse above the impossibly cute shopping district. all the helpful selling colors. this is china in the future. the TVs are 40% thinner in 2050. american is 40% thinner. there are fewer white babies. people want things like food that is free from toxins and movies with uncompromising ethnic super heros. little kids want to grow up to be anything. anything at all would be better than youth. education today is like an expensive prison for brilliant young interns with no tasks to complete. there’s nothing but screens showing images of other screens. jean baudrillard’s nephew was right about that french restaurant – it’s really delicious if you can get a reservation by email. no i can’t give you the email sorry. i was asked not to.
Wife Beaters & Cut-Offs: Southern Summer Comfort Book Tour
Chloe Caldwell, Elizabeth Ellen, Mary Miller, Brandi Wells and Donora Hillard are getting in a rental van and sailing the South.
I’m really excited about this. The Southern part of the US needs as much love as we can get. It’s hot down here, and we’ve got mosquitos and no gay marriage.
If you live in one of these cities (Austin, Houston, New Orleans, Oxford, Tuscaloosa or Atlanta), or if you are feeling generous, you can donate money on the tour’s Kickstarter page here.
If you catch me in Houston, I’ll buy you a beer and we can talk for a long time about racism/sexism/Tao Lin.
Here are the tour dates:
July 11th – Austin, TX – Domy Books, 7pm
July 12th – Houston, TX – Domy Books, 7pm
July 13th – New Orleans, LA
July 14th – Oxford, MS – Square Books, 6pm
July 16th – Tuscaloosa, AL
July 17th – Atlanta, GA – Beep Beep, 8pm
Does the Pulitzer suck, and if so, whom?
Winners of the 2012 Pulitzer Prize will be announced today at 3pm. Any predictions? The Pulitzer Prize for Fiction has been awarded to no one, apparently. Nominees were Denis Johnson’s Train Dreams, Karen Russell’s Swamplandia!, and David Foster Wallace’s The Pale King. I’m curious what you think of the prize (Fiction category or in general). Is it
a) a highly prestigious stamp of approval that guarantees an enjoyable and edifying read
b) a mainstream award given to a conventional, palatable work (though the work may be formally inventive in superficial ways), leading to increased sales, certainly among readers of “serious literary fiction” but mostly among a segment of people who want to acquire cultural capital without too much effort
OR are you an enlightened in-betweener? If you tell me I will put it in a pie chart. I remember “at one point in my life” having a lot of fun making lists in a .txt file of Pulitzer winners and a future reading order that I would never end up following. I also remember (much later) finding Finding a Form by William Gass in the library, [I don't mean this to sound like a conversion story. Beloved was pretty phenomenal. Lonesome Dove features a river full of snakes.] and reading this on the first essay’s first page:
…the Pulitzer Prize in fiction takes dead aim at mediocrity and almost never misses; the prize is simply not given to work of the first rank, rarely even to the second; and if you believed yourself to be a writer of that eminence, you are now assured of being over the hill…
from “Pulitzer: The People’s Prize” by William Gass
from “Pulitzer: The People’s Prize” by William Gass
Ryan Trecartin is a Mommy Blogger
You may or may not be familiar with the brilliant, confounding, and now frequently imitated work of Ryan Trecartin. He is perhaps the most important artist of this decade. I’m not the first to say so. Here is one of his popular videos.
In the course of my commercial work, I came accross a video produced by a team associated with the Blissdom Blogger conference, defined in the About section of their website as “the premiere conference for women who find and express their bliss by publishing online.” OK, what?
ILUAAF if i have to
Tonight White Castle expects about 6,400 people during its candlelight dinner event (they take reservations). Love writing? Love to be writing or to have written? You date a short story, marry a novel, so what’s a poem? Will we watch more or less porn today? (It smells like more.) It’s easier just to watch TV. TV is closer to reality anyway; it’s truer than the book. (The insanity of TV is the insanity of human life.) Liars of the heart. I wrote today might just mean a check to your garbageman or lord or where some say we lost our romance, our thumbs (oh those ghost phones): LH6, NSA, RUH? I read that book means you’ve heard of the title. It all a circle jerk in here, isn’t it? In the beginning was the word, but what type of love was that? Ah, the seduction of eloquence. I read for plot. Do you? No, but in 1990 David Letterman, in an odd reversal of his usual policy, paid Miss USSR to appear on his show. And then what happened? (The fee was four cartons of Marlboros.) I don’t know but it was lyrical to have her in the Green Room and ever put bananas in your coffee filter and made the coffee (why not?) so I pray to the big brassy lie of books.
First love is pretty great until you meet your second love at a bar one night. A man spends $1.60 today for every dollar a woman spends. Love reading a book or to have read a book? The insanity of reading is the synapses lifting 2D to 3D—you believe this shit? Or, why do we write/read books at all? Because, as you well know from your own clip-clopping, books are not pills that produce health when ingested in measured doses. Books do not shape character in any simple way-if, indeed, they do so at all-or the most literate would be the most virtuous instead of just the ordinary flesh-sacks with larger vocabularies. Sadly, my second wife caused me either horror or horripilation during love (her kisses decalcomania). Or, can we bring more love around here? Time kills it all, your passion, your dachshund and/or funny hamster, and then the stacks of books you’ll never read. (Words are clocks) I mean can we stop with all this literature and art stuck in the self-reflective light of the here and now, a lonely place inhabited by the solipsistic me. Also can I get some greasy fries? I mean big ol’ gas station gloopy tater wedges? If no, then GYPO. And beer me. Then shut out the light and let’s get to writing.
This Friday in Brooklyn: “The Case of Nicolas Chauvin” (White Review reading & magazine launch)
When: Friday, 10 February 2012, 6:30–8:30 pm
Where: Cabinet, 300 Nevins Street, Brooklyn (map and directions here)
How: Free; no RSVP necessary
More importantly: “Beer for this event has been lovingly provided by Brooklyn Brewery.”
Why: Please join the London-based White Review for an evening of Chauvin, chauvinism, and their many inheritances. Featuring Ned Beauman on carbon chauvinism and humility in the universe; Joshua Cohen on the absolute best Chauvin biography never written; Jeremy M. Davies on whether any form of literature, however ambiguous, indeterminate, playful, or condemnatory, can escape being a chauvinist for something; and Diego Trelles Paz on Chauvin and national progress in Latin America.
More Who:
Antennae 12
The most recent issue of Antennae 12 is out, and will be the journal’s last issue. Antennae has consistently been one of my favorite literary journals out there, thanks to Jesse Seldess for his fabulous editorial work. I’ve been introduced to the work of many new writers in its pages over the years and am really glad for its existence.
antennae 12 (the last issue)
January 2012
$10
Lee Gough
Andrew Zawacki
Cupola Bobber
Ray DiPalma
Kristen Gleason
Thomas Hummel & Brett Fletcher Lauer
Joshua Ware
Andrew Durbin
Matha Oatis
Janice Lee & Laura Vena
Cover by
Thomas Hummel & Brett Fletcher Lauer
Now Showing: Goat in the Snow
Some people are unreasonably unselfish, and Emily Pettit is one of them. An editor for Notnostrums and Factory Hollow Press, she is also the new publisher of jubilat, which, under her thumb, just released a bad motherfucker of an issue (see: Julia Cohen, Michelle Taransky, James Tate, Rachel Glaser, Dara Wier, lots!). Her devotion to art is exemplary and climbs no ladder, but aims at making our anxious little world a bigger, bettered one. It should come then as no surprise then that her poems, too, are of the giving kind; and her new book Goat in the Snow, now available for pre-order from BIRDS LLC, gives and gives and gets it right. Im not one to blurb (ed note: bullshit), but when a wise old man once again feels the change coming in his bones and scrys the truth, you listen:
Her kindness is always ahead of us, anticipating the problems we will or won’t run into, and we always end up in a different, precise place than the one we started out from, as she reassuringly tells us: “You know/ you know you know. It’s all uncertainty/ and your neck. You walk slowly/ in a calm voice.” Goat In The Snow is multicolored, ever-changing, a delight to try to clasp. -
JOHN ASHBERRY
ARTIFICE 4 RELEASE / APOCALYPSE / LETTERS FROM THE LIVING TO THE DEAD
“Kafka Writes to Romeo / Romeo Writes Back,” by Catherine Gammon; video by Meghan Lamb
Artifice Magazine is releasing its fourth issue in Chicago this weekend
There will be readings and short films and disembodied voices
If you are in or nearby Chicago we would love to see you there
Here are the details:
Elegant Mr. Gallery
1355 N Milwaukee Ave, Chicago
November 12
8 to midnight
Here is where you can find our fourth issue, otherwise
Belladonna* Chaplet Sale
Fundraiser sale = 3 chaplets for $10.
With tons of good-sounding ones, including:
Amina Cain: Hunger
Danielle Dutton: from A World Called the Blazing World
Carmen Giménez Smith: Can We Talk Here
Bhanu Kapil: (a poem-essay, or precursor: NOTES: for a novel: Ban en Banlieues)
Vanessa Place: Untitled #5
Nada Gordon: SOng of My OWnself
Leslie Scalapino: ‘Can’t is ‘Night’
and many more!!!
Sale ends Nov. 15th, so get them while you can.
Also check out their Annual Benefit Performance and Live Auction on December 13th in NYC. Advanced tickets are on sale now.
Page Turner Festival: GO!
PAGE TURNER FESTIVAL
http://pageturnerfest.org/#festival
SATURDAY, OCTOBER 29, 2011, 11AM-7PM
POWERHOUSE ARENA, 37 MAIN STREET, BROOKLYN
$5 PER EVENT / $20 ALL-DAY PASS / $30 ALL-DAY PASS (W/ AFTERWORD PARTY)
Come rub elbows and knock knees with your favorite writers at one of Brooklyn’s best alternative literary festivals: the third annual PAGE TURNER: The Asian American Literary Festival. Celebrating the twentieth anniversary of the Asian American Writers’ Workshop, the festival features a Korean taco trunk, two stand-up comedians, five National Book Award finalists, seven Guggenheim Fellows, a killer afterparty with the best playlist of all time, and you! READ MORE >
&NOW Tomorrowland Forever & The Mad Science of Narrative
This past weekend (Thursday – Saturday) was the &NOW Festival of New Writing 2011 (Tomorrowland Forever) at UC San Diego. I planned on writing a more cohesive write-up of the conference, but the condensed intensity of the conference (in the most positive way possible) has exhausted by brain and I may need a bit of a recovery period to really process all the stimulating conversation and events. So much thanks and to Anna Joy Springer and Amina Cain for putting on such an awesome event.
On one of the panels I was a part of, “The Mad Science of Narrative: Temporal Horizons and Neurological Transcendence,” we 4 panelists (loosely operating as the collective Strophe) continued to explore some themes we’ve been talking about for some time now, surrounding issues of narrative & narrativization. Some really amazing & productive conversation ensued, and we hope to keep this conversation going, so in hopes of that, am posting up our mini-papers here (which we presented first and then opened up for general discussion). My own paper is largely recycled from some other things I’ve also been working on, as these ideas have largely been shaping my critical & creative practice as of late. Anyways, looking forward to hearing more thoughts.
A Night With Steve Katz
This Wednesday, October 12, 7–9pm, at the KGB Bar, NYC. Hosted by Louffa Press in celebration of Steve’s new fiction broadside:
The native New Yorker has threatened to bless us with his world of experimental fiction, flying all the way from Denver to woo his audience with tales of personal mishaps with traditional jazz legend Louis Armstrong, plants that grow human body-parts, cautionary tales of the electric fence, the unswerving wisdom of Italian prostitutes and old school New York City.
The broadside (Slave Husbandry) is a limited numbered edition of 50, handprinted on swarthy yet sophisticated recycled artisan paper, inked and pressed on the Vandercook Universal One letterpress. The large format broadsides (19″x12″) will be available at the event for your enjoyment and (italics) for your pleasure.
Also reading will be David Moscovich, Eileen Myles, Ted Pelton, and Mike Topp. It’s free and I wish I could be there. More info about Steve and the other readers after the jump…
Reminder! HTMLGIANT Meetup: “Two-Lane Blacktop” (Chicago)
Warren Oates, Dennis Wilson, Laurie Bird, and James Taylor in "Two-Lane Blacktop."
This weekend (October 8th & 9th), Chicago’s Music Box Theatre is screening Monte Hellman and Rudy Wurlitzer‘s 1971 masterpiece Two-Lane Blacktop. Long overlooked, Two-Lane has for the past five years or so been enjoying a critical renaissance, and is increasingly regarded as one of the greatest films of the ’70s. (Click here to read some of my own thoughts on it.) And right now is an especially opportune time to see it, what with its grandchild Drive currently killing things in theaters.
There are two screenings, one Saturday, one Sunday, each at 11:30 AM. I’ll be attending the Saturday 11:30 AM show. Anyone care to join me? The movie is 102 minutes long and I was thinking we could grab a coffee afterward, before peeling out onto our nation’s highways.
(Yes, Two-Lane Blacktop really does star James Taylor and Dennis Wilson—in their only film roles! No, they don’t sing, nor is any of their music used in the movie. Yes, they’re both incredible—though it’s Oates who really steals the show.)
… And here’s Chicago Reader contributor Ben Sachs’s Cine-File write-up:
Christle/Schomburg West Coast Reading & Tag Sale Tour
Heather Christle & Zachary Schomburg have hit the road up the west coast for a week-ish to bring your words and things. Do a look and do a go!
October 6-11
poetrytour.tumblr.com
Before/after readings the poets will have second-hand objects for sale, including small kitchen appliances, cassette tapes, athletic equipment, sweaters, and issues of National Geographic. Items will be sold with a unique collaborative poem by Christle & Schomburg. No early birds.
Dates as follows… READ MORE >
Kate Zambreno Reading Tour
Kate Zambreno will be doing a reading tour to support her new book, Green Girl (Emergency Press). In a recent review of Green Girl Lightsey Darst of Bookslut wrote, ”reading this book is like eating Oreos, if Oreos could be filled with spiders and simultaneously retain their addictive power.” Many of the dates will be with authors from the anthology Men Undressed: Women Writers on the Male Sexual Experience (OV Books). Also note, there is a reading with Laurie Weeks in NY on Oct 18–Laurie’s new book Zipper Mouth (Feminist Press) is explosive. Don’t even think about missing it.
October 6 – Seattle, Vermillion, 1508 11th Avenue between Pike and Pine, 7pm-10pm, with Litsa Dremousis and Kristen Thiel (of Men Undressed)
October 7 – Portland, Powell’s City of Books on Burnside, 1005 Burnside, 7:30pm, with Lidia Yuknavitch and Kristen Thiel (of Men Undressed)
October 14 – San Diego, &Now Festival of New Writing: Tomorrowland Forever
Two panels: “What’s that Mess? It’s Excess!” on Friday at 10am-11:15am with Amaranth Borsuk, Kate Durbin, Bhanu Kapil and Johannes Goransson (reading from forthcomingHeroines) and “Seeing Stars,” with Tisa Bryant, Roxanne Carter, Masha Tupitsyn and Ronaldo Wilson (I will read from Green Girl) on Friday from 6-7:15pm.
October 15 - San Francisco, LitCrawl, Sub/Mission Art Space, 2183 Mission Street, 7:15-8:15, with Aimee Parkison, Christine Zilka, Vicki Hendricks, and Vanessa Carlisle of Men Undressed
October 16 - Santa Cruz, New Cadence Poetry Series, Felix Kulpa Gallery, 107 Elm Street, 7:30pm, with Aimee Parkison and Vanessa Carlisle of Men Undressed
October 18 -New York, Dixon Place, 161a Chrystie Street on LES, 7-9pm with Laurie Weeks
October 28 - Chicago, Women and Children First, 5233 N. Clark Street, at 7pm, with Gina Frangello, Cris Mazza, and Susan Solomon of Men Undressed
October 30 - Chicago, The Nervous Breakdown Sunday Salon, Katerina’s, 1920 W. Irving Park, 8pm, with Joshua Mohr, Susan Solomon, and Richard Thomas
November 3 – Valencia, CA Visiting Writer at CalArts (reading from Green Girl and Heroines)
November 5 - Los Angeles, Skylight Books, with Kate Durbin
November 18 – Philadelphia, Moles not Molar reading series
November 20 - New York, Sunday Salon, with Men Undressed
