For god’s sake, “thought to myself” is a redundancy. Can that stop? In terms of personal irritation, it’s just as bad, if in an opposite way, as saying, “Want to come with?”

A Common Ography

As a teaser to the forthcoming Kevin Sampsell week, here today in celebration of the release of his new book, A Common Pornography, Kevin offers some tips for that potentially awkward exchange at the bookseller’s counter, if you’re touchy about that kind of thing:

I’ll wait until Sampsell week to dig deeper into the pleasure of this book by my label-brother, but I can honestly there hasn’t been one that made me feel sentimental for awkward years and at the same time edging along the form of communicating that station, well, I can’t remember one ever. Kevin nails so hard a certain kind of maturation period, re: masturbation, weird fathers, prostitutes, porn, all delivered in a cleaner, simpler, but just as smart Lutz-ian style, you are going to really like ACP.

Author Spotlight / 6 Comments
January 19th, 2010 / 2:54 pm

Today an editor casually told me writers are like small children. Ouch. Are we? Is that good or bad? It had me thinking…

After the Revolution, when we all live in sustainable green skyscrapers, are insured, and publish our genius works of genius in the all-powerful well-paying collective literary magazines whose basic architecture Alec Niedenthal and I sketched out in the comments on Roxane’s post yesterday, and people like Paul Wolfowitz have all been eaten by wild dogs, we will all sit around and laugh about the Bad Old Days when the IMF’s solution to an apocalyptic earth quake in Haiti was to call for them to freeze public wages. Way to stay classy, neo-liberalism.

Night of the Week of The Lifted Brow, Part 1

Friends, I am incredibly excited and thrilled to announce that this week we will be posting stories from the current issue of The Lifted Brow, fantastic Australian biannual that you must know about if you don’t already. We’ll start things off with a GIANT favorite- the great Christine Schutt.  Her story is called:

L I T T L E  C A Y M A N

The six-seater plane wobbled onto a back-lot ugly island leeched of colour, the shrubbery burnt. The airstrip was no longer than a city block. The passengers, all three, measured most distances by city blocks. Two men and a woman, they were from New York and travelling together. They were past youth but anyone’s guess how near old age. The woman put out a hand to be helped from the plane, but once on the ground, her manner was hectic. Surely being short, with its many disadvantages, had made her this way. The oldest of the passengers—if grey hair counted—was called Danny. “Danny,” asked the woman, “Shouldn’t there be someone here to greet us?” And the other man, who had no distinguishing features and was not addressed by name, reassured the woman that a ride to the club had been arranged.

“I’m glad somebody thought ahead,” the woman said.

“We’re here by invitation,” Danny said. But the sky was a haze that pressed down on them, and the low, unvarying vegetation was yet another of the island’s limitations. Brittle grasses broke underfoot; the windsock sighed. “So,” Danny said, “this is Little Cayman and that,” he said, “must be our ride.”

Even as the prop plane puttered up and away, a predacious jeep in camouflage was suddenly bounding toward them. The driver’s prominent knees knocked around as he jounced nearer, waving extravagantly, in a manic shirt, shouting, “What took you so long?”

The three travellers only saw who it was when the driver was rattling in neutral: here was Uncle Johnny come for them agrin—and it made sense to the three travellers, now they understood the windburned landscape, the breathless heat.

Uncategorized / 8 Comments
January 19th, 2010 / 10:40 am

Please change the curriculums of our high schools, it will work. Start now.

[via Caketrain on twitter]

Random / 31 Comments
January 19th, 2010 / 2:19 am

Gordon Lish is at the pulpit again this summer. “Center for Fiction, Twelve Mondays from June 7 – August 23, 5-11PM $2600 members; $2800 non-members.” Watch yoself.

Where the critics at?

John Domini has an interesting (and, I think, provocative) essay in the new issue of The Quarterly Conversation called “Against the “Impossible to Explain”: The Postmodern Novel and Society,” in which he discusses Aureole by Carole Maso, Zeroville by Steve Erickson, and Michael Martone by Michael Martone by Michael Martone. It begins:

Here’s the problem. You decide to try some reading outside the ordinary, a novel that doesn’t have the usual earmarks, and it proves interesting, satisfying, but you don’t entirely understand why, and when you look for help, an illuminating review or something, you can’t find any.

Web Hype / 40 Comments
January 18th, 2010 / 10:04 pm

Hey my little Lisbon doorknob: one has one’s house, where one might hum a song from a 1970s sitcom, one’s face gold for the stream, locking one’s doors with the lack of an erection, the erector sets no one would steal, then leaving, taking a sip every time one passes a crow on a fence, while another new rain dumps from the complicated sky, while you staple Clint Eastwood’s face over your own, while another sits on a bench and stares at the bridge, moonlight spiking off his belly, and that’s just the fiction in the new Alice Blue Review, which you’ll want, a want conjoining with your want of the Blue Collar Sun under which it takes place, and in the next seat over is the poetry section, where Jordan Stemplemann—among fine companions—burrows into you with the following: “No matter who / takes over the world, // they will build / within us one stiff // twin called astonishment, / unable to ever unlive.”

Andy Warhol’s 15 Minutes on MTV, including John Waters, Simon Le Bon, Bo Didley, Frank Zappa, Kevin Dillon, Debbie Harry, Paulina Porizkova, and Pee-wee Herman. [via largeheartedboy]

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